It shewed me finally, the new arrangement planned by my unseen weaver, that, if we find ourselves hoping that the actions of a person who has hitherto caused us anxiety may prove not to have been sincere, they shed in their wake a light which our hopes are powerless to extinguish, a light to which, rather than to our hopes, we must put the question, what will be that person’s actions on the morrow.
These new counsels, my love listened and heard them; they persuaded it that the morrow would not be different from all the days that had gone before; that Gilberte’s feeling for me, too long established now to be capable of alteration, was indifference; that in my friendship with Gilberte, it was I alone who loved. “That is true,” my love responded, “there is nothing more to be made of that friendship. It will not alter now.” And so the very next day (unless I were to wait for a public holiday, if there was one approaching, some anniversary, the New Year, perhaps, one of those days which are not like other days, on which time starts afresh, casting aside the heritage of the past, declining its legacy of sorrows) I would appeal to Gilberte to terminate our old and to join me in laying the foundations of a new friendship.
I had always, within reach, a plan of Paris, which, because I could see drawn on it the street in which M. and Mme. Swann lived, seemed to me to contain a secret treasure. And to please myself, as well as by a sort of chivalrous loyalty, in any connection or with no relevance at all, I would repeat the name of that street until my father, not being, like my mother and grandmother, in the secret of my love, would ask: “But why are you always talking about that street? There’s nothing wonderful about it. It is an admirable street to live in because it’s only a few minutes’ walk from the Bois, but there are a dozen other streets just the same.”
I made every effort to introduce the name of Swann into my conversation with my parents; in my own mind, of course, I never ceased to murmur it; but I needed also to hear its exquisite sound, and to make myself play that chord, the voiceless rendering of which did not suffice me. Moreover, that name of Swann, with which I had for so long been familiar, was to me now (as happens at times to people suffering from aphasia, in the case of the most ordinary words) the name of something new. It was for ever present in my mind, which could not, however, grow accustomed to it. I analysed it, I spelt it; its orthography came to me as a surprise. And with its familiarity it had simultaneously lost its innocence. The pleasure that I derived from the sound of it I felt to be so guilty, that it seemed to me as though the others must read my thoughts, and would change the conversation if I endeavoured to guide it in that direction. I fell back upon subjects which still brought me into touch with Gilberte, I eternally repeated the same words, and it was no use my knowing that they were but words—words uttered in her absence, which she could not hear, words without virtue in themselves, repeating what were, indeed, facts, but powerless to modify them—for still it seemed to me that by dint of handling, of stirring in this way everything that had reference to Gilberte, I might perhaps make emerge from it something that would bring me happiness. I told my parents again that Gilberte was very fond of her governess, as if the statement, when repeated for the hundredth time, would at last have the effect of making Gilberte suddenly burst into the room, come to live with us for ever. I had already sung the praises of the old lady who read the Débats (I had hinted to my parents that she must at least be an Ambassador’s widow, if not actually a Highness) and I continued to descant on her beauty, her splendour, her nobility, until the day on which I mentioned that, by what I had heard Gilberte call her, she appeared to be a Mme. Blatin.
“Oh, now I know whom you mean,” cried my mother, while I felt myself grow red all over with shame. “On guard! on guard!—as your grandfather says. And so it’s she that you think so wonderful? Why, she’s perfectly horrible, and always has been. She’s the widow of a bailiff. You can’t remember, when you were little, all the trouble I used to have to avoid her at your gymnastic lessons, where she was always trying to get hold of me—I didn’t know the woman, of course—to tell me that you were ‘much too nice-looking for a boy.’ She has always had an insane desire to get to know people, and she must be quite insane, as I have always thought, if she really does know Mme. Swann. For even if she does come of very common people, I have never heard anything said against her character. But she must always be forcing herself upon strangers. She is, really, a horrible woman, frightfully vulgar, and besides, she is always creating awkward situations.”
As for Swann, in my attempts to resemble him, I spent the whole time, when I was at table, in drawing my finger along my nose and in rubbing my eyes. My father would exclaim: “The child’s a perfect idiot, he’s becoming quite impossible.” More than all else I should have liked to be as bald as Swann. He appeared to me to be a creature so extraordinary that I found it impossible to believe that people whom I knew and often saw knew him also, and that in the course of the day anyone might run against him. And once my mother, while she was telling us, as she did every evening at dinner, where she had been and what she had done that afternoon, merely by the words: “By the way, guess whom I saw at the Trois Quartiers—at the umbrella counter—Swann!” caused to burst open in the midst of her narrative (an arid desert to me) a mystic blossom. What a melancholy satisfaction to learn that, that very afternoon, threading through the crowd his supernatural form, Swann had gone to buy an umbrella. Among the events of the day, great and small, but all equally unimportant, that one alone aroused in me those peculiar vibrations by which