Psalms Through the Centuries, Volume 3. Susan Gillingham. Читать онлайн. Newlib. NEWLIB.NET

Автор: Susan Gillingham
Издательство: John Wiley & Sons Limited
Серия:
Жанр произведения: Религия: прочее
Год издания: 0
isbn: 9781119542261
Скачать книгу
459

      490  460

      491  461

      492  462

      493  463

      494  464

      495  465

      496  466

      497  467

      498  468

      499  469

      500  470

      501  471

      502  472

      503  473

      504 474

      505 475

      506 476

      507 477

      508 478

      509 479

      510 480

      511 481

      512 482

      513 483

      514 484

      515 485

      516 486

      517 487

      518 488

      519 489

      520 490

      521 491

      522 492

      523 493

      524 494

      525  495

      526 496

      527 497

      528 498

      529 499

      530 500

      531 501

      532 502

      533 503

      534 504

      535  505

      536 506

      537 507

      538 508

      539 509

      540  510

      541 511

      542 512

      543 513

      544 514

      545 515

      546 516

      547 517

      548 518

      549 519

      550 520

      551 521

      552 522

      553 523

      Figures

      Book Three (Psalms 73–89

      Figure 2 ‘But he, being full of compassion, forgave their iniquity and destroyed them not’. (Ps. 78:38). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

      Figure 3 Michael Jessing, Ps. 80:8–9. The Vine with Human Figures. Source: http://www.psalms-mixastudio.com/psalms-69-84.php.

      Figure 4 Interpretation of singing of Psalm 82 in its earliest setting. Reproduced with the kind permission of David Mitchell, Director of Music in Holy Trinity Pro-Cathedral, Brussels; website https://brightmorningstar.org/wp-content/uploads/2020/06/Ps-082.pdf.

      Figure 5 Interpretation of singing of Psalm 87 in its earliest setting. Reproduced with the kind permission of David Mitchell, Director of Music in Holy Trinity Pro-Cathedral, Brussels; website https://brightmorningstar.org/wp-content/uploads/2020/06/Ps-087.pdf

      Figure 6 Roger Wagner, Ps. 89:44–45: The King and the Cross. Source: Wagner, R. 2013. The Book of Praises: A Translation of the Psalms. Book Three. Oxford: The Besalel Press.

       Book Four (Psalms 90–106)

      Figure 7 Michael Jessing: An Ecological Interpretation of Psalm 104. Source: http://www.psalms-mixastudio.com/psalms-101-116.php.

      Book Five (Psalms 107–151)

      Figure 8 Interpretation of singing of Psalm 114 in its earliest setting. Reproduced with the kind permission of David Mitchell, Director of Music in Holy Trinity Pro-Cathedral, Brussels; website https://brightmorningstar.org/wp-content/uploads/2020/06/Ps-114.pdf.

      Figure 9 Arthur Wragg, ‘But the earth hath he given to the children of men’ (Ps. 115:16). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

      Figure 11 R. B. Benn, ‘I lift my eyes unto the mountains: from where shall my help come?’ (Ps. 121:1). Source: Benn, R. B. 1970. Les Psaumes. Lyon: Musee des Beaux-Arts.

      Figure 12 Arthur Wragg, ‘Unto thee lift I up mine eyes, O thou that dwellest in the heavens’ (Psalm 123:1). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

      Figure 13 Interpretation of singing of Psalm 134 in its earliest setting. Reproduced with the kind permission of David Mitchell, Director of Music in Holy Trinity Pro-Cathedral, Brussels; website https://brightmorningstar.org/wp-content/uploads/2020/06/Ps-134.pdf.

      Figure 14 Arthur Wragg, ‘How long shall we sing the Lord’s song in a strange land?’ (Ps. 137:4). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

      Figure 15 R. B. Benn ‘Let my prayer be set forth before thee as incense; and the lifting up of my hands as the evening offering’ (Ps 141:1‒2). Source: Benn, R. B. 1970. Les Psaumes. Lyon: Musee des Beaux-Arts.

      Figure 16 Arthur Wragg, ‘I cried unto thee, O Lord: I said, Thou art my refuge and my portion in the land of the living’ (Ps. 142:5). Source: Wragg, A. 1934: The Psalms for Modern Life. New York: Claude Kendall.

      Figure 17 A liturgical Score of the Ashrei (Psalm 144:15). Taken from F. L. Cohen (ed.) 1993:181. Source