The Invention of the 'Underclass'. Loic Wacquant. Читать онлайн. Newlib. NEWLIB.NET

Автор: Loic Wacquant
Издательство: John Wiley & Sons Limited
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Жанр произведения: Социология
Год издания: 0
isbn: 9781509552191
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and class structure. But the “underclass” failed to make a mark in university, media, and government circles because two rival notions captured the public imagination at that time: Daniel Patrick Moynihan’s “tangle of pathology” and Oscar Lewis’s “culture of poverty.” Applying Koselleck’s prescriptions for conceptual history, we must grasp these three notions in their interrelationships as part of a single “historical arrangement” of mental constructs emerging in the political turmoil of the mid-1960s. And, consistent with Bourdieu’s theory of classification struggles, we must spotlight the contest to establish one or another label as the right diagnosis for the ills of the collapsing ghetto.

      The explosive expression “tangle of pathology” was not Moynihan’s; it was coined by the renowned black psychologist Kenneth B. Clark in a report to Harlem Youth Opportunities Unlimited, a community action program, that served as basis for his book, Dark Ghetto: Dilemmas of Social Power, published to considerable acclaim in 1965 amidst the race riots shaking the country from coast to coast. In that book, Clark wrote somberly:

      The dark ghetto is institutionalized pathology, it is chronic, self-perpetuating pathology; and it is the futile attempt by those with power to confine that pathology so as to prevent the spread of its contagion to the “larger community.” . . . Not only is the pathology of the ghetto self-perpetuating, but one kind of pathology breeds another.6

      Clark also used the expression “tangle of antisocial activities dominated by apathy and despair” in reference to delinquent youths at the center of his inquiry, and he repeatedly resorted to the biological idiom of illness and epidemic to describe social conditions.7 Indeed, we will see in the next chapter that Clark’s enumeration of the woes of the ghetto, “low aspiration, poor education, family instability, illegitimacy, unemployment, crime, drug addiction and alcoholism, frequent illness and early death,” was a prescient anticipation of the tale of the “underclass.”8

      Regardless of the report’s caveats and merits, the language of pathology had the effect of turning the policy focus away from the economic and political causes of the deteriorating condition of the black precariat – the racially skewed functioning of the labor and housing markets, for instance, was not labelled pathological. It enabled Moynihan to fudge the difference between empirical observation and moral adjudication, and to treat the nuclear white middle-class family as an absolute norm by which to judge and remake the African-American family in the hyperghetto. In this anticipation of the discourse of the “underclass,” the asymmetric counterpart to the disorganized black lower class in the city was out in the open.

      The storm over the “tangle of pathology” was still raging when another concept arose to occupy the intellectual scene at the intersection of academy and policy, and prevented the “underclass” from taking hold: the “culture of poverty.” The anthropologist Oscar Lewis fashioned the notion to account for what he saw as the self-perpetuating dynamic of destitution in Western nations. Based on a field study of the everyday life of five families in a Mexican village and a team ethnography of Puerto Rican families in San Juan and New York City, Lewis claimed that the poor in capitalist societies develop a distinct “subculture” or lifestyle in “an effort to cope with feelings of hopelessness and despair” arising from “the improbability of their achieving success” according to the prevailing values.18 Born as “an adaptation and a reaction to their marginal position in a class-stratified, highly individuated, capitalistic society,” this subculture tends to lock them into marginality across generations because it is transmitted to their children even as “it goes counter to the cherished ideals of the larger society.”

      As a result, the “culture of poverty” became the epicenter of a second venomous debate among social researchers, much as the “tangle of pathology” fixated discussion among policy-oriented scholars. These two notions worked in tandem to fasten attention on the internal properties of the (hyper) ghetto and its inhabitants, effectively obscuring the web of external relations linking the latter to the broader structure of the city, the economy, and the state.