Malfeasance takes a very different subject, as is clear from the book’s subtitle: Appropriation through Pollution? From the very first pages, Serres turns his attention to territories: ‘Tigers piss on the edge of their lair. And so do lions and dogs. Like those carnivorous mammals, many animals, our cousins, mark their territory with their harsh, stinking urine or with their howling, while others such as finches and nightingales use sweet songs.’17 Such practices, according to Serres, are the ways in which the living inhabit a specific space, establish it and recognize it. These places are defined and protected by male excrement. All of them constitute different ways of appropriating, whether by men or by animals: ‘Whoever spits in the soup keeps it; no one will touch the salad or the cheese polluted in this way. To make something its own, the body knows how to leave some personal stain: sweat on a garment, saliva or feet put into a dish, waste in space, aroma, perfume, or excrement, all of them rather hard things …’18 Serres then observes that the verb ‘to have’, expressing possession, has the same origin in Latin as ‘to inhabit’. ‘From the mists of time’, he writes, ‘our languages echo the profound relationship between the nest and appropriation, between the living space and possession: I inhabit, therefore I have.’19 For Serres, the act of appropriating stems from ‘an animal origin that is ethological, bodily, psychological, organic, vital ….’ not from a convention or from some positive right: ‘I sense there’, he writes, ‘a collection of urine, blood, excretions, rotting corpses.’20 I have indicated already that, in this context, Serres is no longer concerned with a fight against anthropocentrism and against this strange historical amnesia to anything which is not human. His mission in this case is to mount an attack on all forms of appropriation through pollution, whether air pollution, the invasion of visual or sound space to which we are submitted in the form of advertising, cars, machines … all of them just as filthy and polluting as the excrements used to signal appropriation. ‘You obtain and keep what is properly yours through dirt,’ he writes, or, even more explicitly, ‘The spit spoils the soup, the logo the object, the signature the page: property, propriety, or cleanliness. The same word tells of the same struggle; in French, it has the same origin and the same meaning. Property is marked, just as the footstep leaves its imprint.’21
But this is not the reason for my severity towards him – quite the contrary in fact. That Serres should want to make us aware of, and outraged by, all the various market-driven operations of expropriation and appropriation is not the issue here, and I very much share his opinion on that subject. However, the fact that, for him, garbage and marks, as soiling gestures, are of animal origin seems to me all the more seriously problematic in that the gesture of appropriation is, in his view, synonymous with that of disappropriation and exclusion.22 The equation is too hasty. For this connection can be made only at the cost of a double simplification, a double negligence. Firstly, because it means forgetting that, for a tiger, a dog or a nightingale, territory does not equate to this or, indeed, to any one ‘single’ thing which could claim to unify a certain combination of types of behaviour. And, secondly, because this definition of ownership as a process of monopolizing and taking over seems to me to define living in a territory in too facile and simplistic a manner. By advocating a form of naturality in terms of territorial behaviour as an argument to denounce the right assumed by some people to pollute the air, the acoustic environment, shared things and space, Serres, without pause for question, associates the territorial behaviour of animals with a regime of possession and ownership and, as a result, assimilates it to a form of natural rights. In short, he attributes a modern and unchallenged conception of ownership to animals, turning the latter into petty little bourgeois property owners preoccupied with claiming exclusive ownership.
For me, it is not about wanting to defend the violated dignity of these animals caught up in a project which sets out to defend a damaged earth or polluted existences. But if we are indeed to reflect on the reappropriation of the earth, I believe that it is important to pay attention to the different ways of inhabiting it and to those who inhabit it alongside us. With this oversimplified ethology we are off to a very bad start.
It should be pointed out first of all that it is highly questionable to associate animal markings with dirtiness and to regard the latter as somehow the opposite of cleanliness. It is us, or most of us, who see excrement as dirty, but for many animals things are much more complicated. Anyone who has watched their dog wallowing enthusiastically in a decaying carcase or rolling in animal droppings will immediately understand that, as far as smells are concerned, we inhabit completely different universes. Secondly, putting mammals and birds in the same category is not really a good idea. True, marking and singing appear to share a common function in that both are done in order to signal presence. But mammals and birds have very different problems to resolve when it comes to announcing their presence and any similarities should be approached with considerable caution. It makes little sense to refer simply to ‘animals’. If certain birds – though this is more unusual – can indeed mark their presence by their droppings, they generally tend to favour the use of song and of what might be called intense demonstrations of their physical presence. Mammals, for the most part, have opted simply to suggest their presence. For most birds, territory is a site for display and spectacle. It is the place which enables the bird to be both seen and heard. Indeed, it would be perfectly reasonable to wonder if in certain cases (in the case of leks, or mating grounds, this is indisputably how things stand) it is not so much in order to defend their territory that birds sing and perform their various displays as that the territory provides them with a stage for those songs and displays. Some ornithologists have indeed suggested this to be the case.
Clearly many mammals have a very different ambition and therefore correspond closely to Jean-Christophe Bailly’s proposed definition of territory as a place where it is possible to hide, or, more precisely, a place where animals know where to hide.23 Songs and tracks or traces therefore already have only superficial similarities. It could be said that mammals are experts in the use of the metaphor in absentia – the tracks and traces suggest presence so that animals make their presence felt in their absence. For birds, on the other hand, having chosen the more literal choice of ‘Here I am’, everything is pretext for being seen and heard. One writer uses the term ‘broadcasting’ in reference to this process, a term which suggests dissemination, and this is clearly the case here, but one which also refers to advertising or promotion via the media (radio or television).24 If the term ‘broadcasting’ can be applied to both birds and mammals, it would nevertheless be used somewhat differently in each case. In the case of birds, the focus would be very much on the notion of ‘promotion’, of advertising, whereas for mammals who mark their territory, it would refer to the fact that not only are the transmitter and the message in different locations, but that the transmitter is able to leave multiple indications of presence by making sure every trace or mark left behind continues to broadcast its presence. The deferred power of ubiquity through messages.
Mammals need to resolve a problem which is much less difficult for birds, notably that of being present everywhere. Birds have the advantage of a much greater mobility and are capable of flying over their territory rapidly from one point to another, which is not the case for mammals, particularly