After Lockdown. Bruno Latour. Читать онлайн. Newlib. NEWLIB.NET

Автор: Bruno Latour
Издательство: John Wiley & Sons Limited
Серия:
Жанр произведения: Социология
Год издания: 0
isbn: 9781509550036
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resemblance.

      I need a term that says that, on Earth, ‘everything is made of life’, if you understand by that the rigid body of the termite mound every bit as much as the agitated body of a termite, Charles Bridge every bit as much as the crowds swarming onto Charles Bridge, the fox fur every bit as much as the fox, the dam the beaver builds every bit as much as the beaver, the oxygen bacteria and plants give off every bit as much as the bacteria and plants themselves. Bioclastic? Biogenic? In any case artificial in the somewhat unusual sense that freedom and invention are always involved – hence the surprises at every turn. Not to mention the sedimentation that means that the termite mound, Charles Bridge, the fur, the dam and the oxygen hang on a bit longer than those from which they emanate – provided that other agencies, termites, builders, foxes, beavers or bacteria maintain their momentum. Unlike the generation that precedes us with their odd habits, we terrestrials have learned to use the adjective ‘living’ to refer to both lists, the one that starts with termite, and the one that starts with termite mound, without ever separating them. Which is something other peoples never forgot.

      I’ve just realised that the same thing goes for the ferns, spruces, beeches and lichens that try to withstand the harsh winters of the Vercors. But it was the same for the coral reefs that have since turned into this lovely Urgonian limestone that is the beautiful thing about the Grand Veymont, whose steep rock face dominates the celebrated Mont Aiguille. They all have to deal with issues of subsistence in the very simple sense that they must learn to stay alive. So I can understand how the engineers of the city of Prague are also keen to maintain Charles Bridge, jewel of the city, through regular inspections and numerous facelifts; how it is indeed the same kind of concerns that lead Baptiste Morizot to bring together wolves, sheep, dairy farmers, hunters and organic farmers around the ASPAS nature reserve in the Vercors; how it is indeed also through subtle inventions that the famous virus to whom we owe lockdown keeps on recombining so as to last a bit longer and spread further from mouth to mouth. What we can say of Earth is that it is the connection, association, overlapping, combination of all those who have subsistence and engendering concerns. An issue the Samsa family obviously simplified somewhat when Grete had the cruelty to ask: ‘How do we get rid of it?’ – speaking of her dear insect-brother …

      Little by little, we see that the word ‘Earth’ doesn’t refer to one planet among others according to the old positioning system, as if it were a name common to numerous celestial bodies. It’s a proper noun that gathers together all existing beings. But that’s just it: they are never gathered together into a whole – they have a family resemblance because they have a common origin and have spread, spilled over, mixed, overlapped, just about everywhere, transforming everything from top to bottom, incessantly repairing their initial conditions with their successive inventions. It turns out that every terrestrial recognises in his predecessors those who have created the conditions of liveability that he benefits from – Prague for the Samsa family, the anthill for the ant, the forest for the trees, the sea for the algae, their gardens for the Achuar – and that he expects to have to look after his successors. ‘Just about everywhere’ means as far as terrestrials have been able to extend and share their unique experience – but no further.