Cedric Robinson. Joshua Myers. Читать онлайн. Newlib. NEWLIB.NET

Автор: Joshua Myers
Издательство: John Wiley & Sons Limited
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Жанр произведения: История
Год издания: 0
isbn: 9781509537938
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in the Kongo cosmogram (tendwa nza Kongo) as a mode of realizing how “the four moments of the sun” mirror not only individual lives, but also communal existence. We live our lives as we experience being within the larger universe. Human existence is akin to bodies arranged about the sun: constant motion and movement, darkness and light. But the creation of society, of human relationships within and amid existence, is not mechanical. The cycles that the Bakongo observed did not produce natural laws that govern our interaction in space. To be human, for the Bakongo, is to seek to understand, grow, and mature in rhythm with ancestors and the natural world, and to align them with a vision of and for community. Yet there is no guarantee that simply being alive will produce such connections. The Bakongo believed that tuzingu, or “rolls of life,” give us a record of what happened in the experiences of our ancestors, as we ourselves experience the cycles that mark our journeys around the sun. These records are required to pass down “lived accumulated experienceknowledge” to create social togetherness. They are there for us to see how it looked for others, so we can sense how it will be for us. Our lives are inherently linked, but they are our lives.1 As Jacob Carruthers writes, time and eternity coexist and are in communion.2

      Perhaps this is also a conceptual foundation for one definition of the Black Radical tradition found in the work of Cedric James Robinson. In the 2000 preface to his bestknown text, Black Marxism, he describes that tradition as “an accretion, over generations, of collective intelligence gathered from struggle.”3 Enslavement, inasmuch as it provided the occasion for struggle over and within a particular kind of existence, was ultimately a challenge that required Africans to remain connected, to create the records – the collective intelligence – of those struggles and prior knowledges in order to continuously apply them to the realization of an otherwise to that existence and a more familiar mode of being à la Bakongo. Cedric’s conception of the Black Radical tradition as that accretion, then, is consistent with the worldviews of our enslaved African ancestors. And we might easily find direct familial and ancestral ties between Cedric, an African with roots in Alabama, and the peoples of the region who conceived of the tendwa nza Kongo, who later found themselves in the western hemisphere in large numbers, helping to produce the artistic and spiritual cultures that have been collected under the designation, “black Atlantic.”4

      The point is that the construction of periods of time is only a sort of catchment for events. Their limited utility, though, is often abused when we turn from the ordering of things, that is chronological sequencings, to the order of things, that is the arrangement of their significances, meanings, and relations. Increments of time contoured to abstract measure rarely match the rhythms of human action.9

      “Significances, meanings, and relations” are deeper than the order of time and are the points of departure that this text will take in thinking with the life of Cedric Robinson. As an intellectual biography, it speaks to and with the larger themes and considerations of his work, while thinking through the contexts that made the work, the moments that made the worker. It is chronological but also thematic. The first few chapters look at the foundation of Cedric’s relations. They are followed by chapters that consider the meanings of his work. And a final chapter considers the significance of it all. This book is imagined as a contribution to the larger constellation of that work, an offering to future workers, an entry into Cedric’s roll of life.

      What is “thinkable” is that which is reasonable. The meaning of time as “measurable movement” in western civilization is a product of the conceptual architecture of Enlightenment, premised as it was on knowledge as the preserve of Man.11 Though borrowing from such “classical” sources as Aristotle and St Augustine, much of what enters the western intellectual tradition owes its birth to the need to develop a form of measuring time that is ultimately about how patterns of human relationships with the natural environment can be understood. After all, if knowing through reason is a specifically human practice, then any attempt to naturalize humanity would have to also naturalize the environment in which such reasoning occurs. It is through a conception of human nature as naturally occurring that time as mathematical precision is assumed. But none of this is actually natural; it, too, is a conceit. Time’s meaning is not given in nature, it is given in the human understanding of nature. It is a social affair. The attempt to naturalize time is the practice of “temporalizing,” which requires also that human relationships to the past be imagined and narrated. And thus came the emergence of history as a conception for measuring and living with change.12