In AI We Trust. Helga Nowotny. Читать онлайн. Newlib. NEWLIB.NET

Автор: Helga Nowotny
Издательство: John Wiley & Sons Limited
Серия:
Жанр произведения: Математика
Год издания: 0
isbn: 9781509548828
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      Power, Illusion and Control of Predictive Algorithms

      Helga Nowotny

      polity

      Copyright © Helga Nowotny 2021

      The right of Helga Nowotny to be identified as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

      First published in 2021 by Polity Press

      Polity Press

      65 Bridge Street

      Cambridge CB2 1UR, UK

      Polity Press

      101 Station Landing

      Suite 300

      Medford, MA 02155, USA

      All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

      ISBN-13: 978-1-5095-4881-1

      A catalogue record for this book is available from the British Library.

      Library of Congress Cataloging-in-Publication Data

      Names: Nowotny, Helga, author.

      Title: In AI we trust : power, illusion and control of predictive algorithms / Helga Nowotny.

      Description: Medford, MA : Polity Press, 2021. | Includes bibliographical references and index. | Summary: “A highly original account of the nature of artificial intelligence and its implications for our future”-- Provided by publisher.

      Identifiers: LCCN 2021003322 (print) | LCCN 2021003323 (ebook) | ISBN 9781509548811 (hardback) | ISBN 9781509548828 (epub)

      Subjects: LCSH: Artificial intelligence.

      Classification: LCC Q335 .N685 2021 (print) | LCC Q335 (ebook) | DDC 006.3--dc23

      LC record available at https://lccn.loc.gov/2021003322

      LC ebook record available at https://lccn.loc.gov/2021003323

      by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NL

      The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.

      Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

      For further information on Polity, visit our website: politybooks.com

      This book has been in the making for a long time, the strands of thought interrupted by travel and other obligations. There were several unsatisfactory starts and abandonments before what I was looking for came into focus. The actual process of writing benefited, perhaps paradoxically, from several COVID-19 lockdown periods, with the obligatory and, in my case, productive solitude they imposed. As an unprecedented event for everyone living in the twenty-first century, the pandemic also led me to reflect on its many unintended consequences, including some that have a direct bearing on the themes of this book.

      When I approached John Thompson of Polity Press at the beginning of summer 2020 with an outline of the book, he responded without hesitation. Ever since, the process of getting the book published has unfolded in an ideal spirit of cooperation. I also want to thank the anonymous reviewers organized by Polity. One of them especially provided me with precious and concise feedback. I am also extremely lucky to have a splendid grand-daughter, Isabel Frey, who volunteered to be my personal editorial assistant. Isabel is not only a wonderful singer of Yiddish protest songs, but an engaged activist and researcher who represents the younger generation acting to change the world. Barbara Blatterer, my long-term personal assistant, took meticulous and efficient care in getting the manuscript through several versions to the final and decisive cuts, advising me also on the book’s cover. To all of you, my heartfelt thanks.

      Carlo