The Conquest. Micheaux Oscar

her hand and seemed delighted to see me after the years of separation.

      After awhile her mother and my sister accommodatingly found an excuse to go up town, and a few minutes later with her on the settee beside me, I was telling of my big plans and the air castles I was building on the great plains of the west. Finally, drawing her hand into mine and finding that she offered no resistance, I put my arm around her waist, drew her close and declared I loved her. Then I caught myself and dared not go farther with so serious a subject when I recalled the wild, rough, and lonely place out on the plains that I had selected as a home, and finally asked that we defer anything further until the claim on the Little Crow should develop into something more like an Illinois home.

      "O, we don't know what will happen before that time," she spoke for the first time, with a blush as I squeezed her hand.

      "But nothing can happen," I defended, nonplused, "can there?"

      "Well, no," she answered hesitatingly, leaning away.

      "Then we will, won't we?" I urged.

      "Well, yes", she answered, looking down and appearing a trifle doubtful. I admired her the more. Love is something I had longed for more than anything else, but my ambition to overcome the vagaries of my race by accomplishing something worthy of note, hadn't given me much time to seek love.

      I went to my old occupation of the road for awhile and spent most of the winter on a run to Florida, where the tipping was as good as it had been on the run from St. Louis to New York. However, about a month before I quit I was assigned to a run to Boston. By this time I had seen nearly all the important cities in the United States and of them all none interested me so much as Boston.

      What always appeared odd to me, however, was the fact that the passenger yards were right at the door of the fashionable Back Bay district on Huntington Avenue, near the Hotel Nottingham, not three blocks from where the intersection of Huntington Avenue and Boylston Street form an acute angle in which stands the Public Library, and in the opposite angle stands Trinity Church, so thickly purpled with aristocracy and the memory big with the tradition of Philip Brooks, the last of that group of mighty American pulpit orators, of whom I had read so much. A little farther on stands the Massachusetts Institute of Technology.

      The mornings I spent wandering around the city, visiting Faneuil Hall, the old State House, Boston commons, Bunker Hill, and a thousand other reminders of the early heroism, rugged courage, and far seeing greatness of Boston's early citizens. Afternoons generally found me on Tremont or Washington Street attending a matinee or hearing music. There once I heard Caruso, Melba, and two or three other grand opera stars in the popular Rigoletto Quartette, and another time I witnessed "Siberia" and the gorgeous and blood-curdling reproduction of the Kishneff Massacre, with two hundred people on the stage. On my last trip to Boston I saw Chauncy Olcott in "Terrence the Coach Boy", a romance of old Ireland with the scene laid in Valley Bay, which seemed to correspond to the Back Bay a few blocks away.

      Dear old Boston, when will I see you again, was my thought as the train pulled out through the most fashionable part of America, so stately and so grand. Even now I recall the last trip with a sigh. If the Little Crow, with Oristown as its gateway, was a land of hope; through Massachusetts; Worcester, with the Polytechnic Institute arising in the back ground; Springfield, and Smith School for girls, Pittsfield, Brookfield, and on to Albany on the Hudson, is a memory never to be forgotten, which evolved in my mind many long years afterward, in my shack on the homestead.

      CHAPTER IX

       THE RETURN—ERNEST NICHOLSON

       Table of Contents

      I left St. Louis about April first with about three thousand dollars in the bank and started again for Oristown, this time to stay. I had just paid Jessie a visit and I felt a little lonely. With the grim reality of the situation facing me, I now began to steel my nerves for a lot of new experience which soon came thick and fast

      Slater met the train at Oristown, and as soon as he spied me he informed me that I was a lucky man. That a town had been started ajoining my land and was being promoted by his brother and the sons of a former Iowa Governor, and gave every promise of making a good town, also, if I cared to sell, he had a buyer who was willing to pay me a neat advance over what I had paid. However, I had no idea of parting with the land, but I was delighted over the news, and the next morning found me among Dad Durpee's through stage coach passengers, for Calias, the new town joining my homestead, via Hedrick and Kirk. As we passed through Hedrick I noticed that several frame shacks had been put up and some better buildings were under way. The ground had been frozen for five months, so sod-house building had been temporarily abandoned.

      It was a long ride, but I was beside myself with enthusiasm. Calias finally loomed up, conspicuously perched on a hill, and could be seen long before the stage arrived, and was the scene of much activity. It had been reported that a colored man had a claim adjoining the town on the north, so when I stepped from the stage before the postoffice, the many knowing glances informed me that I was being looked for. A fellow who had a claim near and whom I met in Oristown, introduced me to the Postmaster whose name was Billinger, an individual with dry complexion and thin, light hair. Then to the president of the Townsite Company, second of three sons of the Iowa Governor.

      My long experience with all classes of humanity had made me somewhat of a student of human nature, and I could see at a glance that here was a person of unusual agressiveness and great capacity for doing things. As he looked at me his eyes seemed to bore clear through, and as he asked a few questions his searching look would make a person tell the truth whether he would or no. This was Ernest Nicholson, and in the following years he had much to do with the development of the Little Crow.