Then, when strength becomes aware that it is ready for use—at the moment when one begins to feel that the monotony has lasted long enough—then back comes the delightful world, with a new face of beauty to match the new ardour of love for it that has been silently generating within us. All the light of enterprising and romantic youth was in the gaze I levelled through my binoculars (given to me for my voyage in 1870) at the first substantial token that I was in the gorgeous East, one of the fairylands of imagination (comprising, roughly, all the unknown earth) from the days of infancy when I learned to read. It was an Arab dhow. I knew that pointed wing as well as I knew the shape of chimney-pots, but the wonder that I was seeing it with my bodily eyes, even as a speck upon the horizon, was overwhelming. I stared and stared, but could not speak.
The rest was pure enchantment. As we drew near to the magnificent rock of Aden—hateful place, I know, to its white inhabitants, and an old tale not worth mentioning to the average Australian tourist—I said, in my ecstasy: "This pays for the voyage, if we see nothing more." The first white-awninged launch that bustled up to us, manned by two nondescripts, one huge Nubian negro and one beautiful Somali boy, bore through the brilliant air and water an official gentleman who probably would have sold his soul for a London fog; it was not he, but another official gentleman who swallowed nearly a bottle of ship's brandy while attending to ship's business, and was presented with another bottle on his departure by a sympathiser who understood his case. It was a hot morning in the middle of May, and I had been accustomed from my youth to atmospheric light and colour as glorious as the radiant setting of this strange outpost of Empire in the East. Evidently it is in the eye (backed by a strong imagination) of the gazer that poetic beauty lies.
After this, the unspeakable experiences followed thick and fast. Night in the Straits, with Venus so bright that she cast a reflection like moonlight across the water; the Red Sea in the morning—minarets on the horizon, and those rocks of desolation, with the loneliest human dwelling conceivable (the arcaded lighthouse) on the top of one of the most impressively desolate; that other lighthouse at the gulf entrance, with its flashing rays of red and white, its rock-base velvety purple against a solemn sunset sky; Mount Sinai amongst the hills of Holy Land; the majestic desert of so many dreams. Time was when I sniffed at the colour of Holman Hunt's "Scapegoat" landscape, but here it was, translated into living light, but no fainter in tint than the dead paint had made it. Sapphires were not in it with that blue-green sea at Suez, in which the jostling bumboats floated as in clearest glass. The rocky shores to left were mauve, the right-hand desert and Holman-Hunty hummocks salmon-pink, and no mortal painter was ever born, or ever will be, to "get" the bloomy glow and fairy delicacy of Nature's textures and technique. The Eastern sun blazed broadly over the scene, the temperature at noon was ninety-nine degrees in the shade; the composition was perfect.
Between tea-time and dinner we passed out of the city and close to its domestic doorsteps—the closest I had yet come to Eastern life; and long after we were in the canal it was a picture to look back upon from which I could not tear my eyes. Low on the gleaming water—the two towns linked by the dark thread of the railway embankment, brooded over by that majestic mauve and violet hill—it was a vision of beauty indeed as the light effects changed from moment to moment with the sinking of the gorgeous sun. I could afford no time to dress that night. In my hat, as I was, I snatched a mouthful of dinner, and was up again on deck, to make the most of the short twilight; and so I saw the shadowy last of Suez and more than I expected to see of the canal.
"Just a little ditch in the sand," somebody had told me, as one might say, a primrose by the river's brim was nothing more. Apart from its otherwise tremendous significance, that narrow watercourse was a highway of romance to me. Egypt—Arabia—the very names set one's heart thumping. It would be thrilling to be there even if one were blind. The silence of the desert is more eloquent than any sound. But from the most unsentimental point of view it was a ditch of varied aspects, that only the dullest traveller could call uninteresting.
The Canal Company, it appeared, was widening it to double its original measure across, top and bottom—something like a ten years' job, with millions of money and priceless brain-matter in it—and we saw the engineers at work. That is to say, they were not at work at the moment, because the day's task was done; but there were their excavations and machinery, fine and effective, and I can never look at such, apprehending their meaning, without a lifting of the heart, a sense of the beauty that is in the world unrecognised by that name. What, I wondered, did my schoolgirl idol and apostle of beauty, Ruskin, think of this ditch when it was a-making? Did he say? If, to my knowledge, he had called it a desecration of Nature, I should instantly have agreed with him. Now, to my life-educated eyes and soul, the very Holy Land was sanctified by the faithful endeavour and achievement evidenced in haulage-trucks and pipe-lines and those twin steel rails that he hated so much, telling all their serious story to whoever could understand it.
It was indeed a beautiful as well as an instructive picture, that left bank, as we moved beside it. The native labourers, after their work, squatted in their little camps and dug-outs, and in the sand, or stood statue-like to watch our passing, sharply silhouetted figures and groups against the translucent sky, each a "study" that, if in a gallery, one would go miles to see. Strings of camels were being led to water or were wending homeward with their loads. Little encampments straight out of the Bible, desert palm-trees, desert distances, all in the golden afterglow, the clear-shining twilight, the evening peace that was too peaceful for words, were gems for the collector of poetic impressions, to be for ever cherished and preserved. And then how striking was the rare glimpse of a Saxon face, the glance at us of grave eyes that one knew had the all-governing brain behind them. The British Occupation in Egypt—there it was, in the person of that lonely man in tent or boat-house, advance agent of the Civilisation that spells Prosperity in whatever part of the world it goes. One of these, out riding with a lady, rode down to the water's edge to watch us pass. In their white garb they were perfectly groomed, like their beautiful Arab horses, which they sat in a style that was good to see; but they were pathetic figures, with that lonely waste around them. I divined a deadly homesickness in the eyes that followed our progress as long as we could be seen, the same ache of the heart that afflicted me, for so many years, whenever I saw a ship going to England without me. Yet one could be quite sure that they never dreamed of slipping cables on their own account as long as duty to the Empire held them where they were. Not the man, at any rate.
And so it grew too dark to see anything beyond the edge of our searchlight, which showed only post-heads in the water, and I went to bed.
I was asleep when we passed Ismailia, contrary to my intentions, but I got up at four o'clock, to lose no more. Still unbroken desert to the right; to the left a well-made embankment with a roadway atop, and behind that a belt of bamboos and greenery, telegraph lines and a railway, broken at intervals by the oases of the gares. An American navy-boat made way for us at one of these, a pair of submarines conspicuous on her deck. At a little before five the sun of a lovely morning rose on our starboard side, and one saw the desert wet and dark, yielding its immemorial savagery to the civilising hand and brain. One of the fine up-to-date dredges, amongst the many dredges, was pumping the mud up on the land as it sucked it from the canal bottom. In the shining sun-flushed pools of its creation black forms of storks moved statelily, apparently finding nourishment already where there had