Paul Clifford. Эдвард Бульвер-Литтон. Читать онлайн. Newlib. NEWLIB.NET

Автор: Эдвард Бульвер-Литтон
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066383848
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half-effaced characters, was written “Thames Court.” Halting at the most conspicuous of these buildings, an inn or alehouse, through the half-closed windows of which blazed out in ruddy comfort the beams of the hospitable hearth, he knocked hastily at the door. He was admitted by a lady of a certain age, and endowed with a comely rotundity of face and person.

      “Hast got it, Dummie?” said she, quickly, as she closed the door on the guest.

      “Noa, noa! not exactly; but I thinks as 'ow—”

      “Pish, you fool!” cried the woman, interrupting him peevishly. “Vy, it is no use desaving me. You knows you has only stepped from my boosing-ken to another, and you has not been arter the book at all. So there's the poor cretur a raving and a dying, and you—”

      “Let I speak!” interrupted Dummie in his turn. “I tells you I vent first to Mother Bussblone's, who, I knows, chops the whiners morning and evening to the young ladies, and I axes there for a Bible; and she says, says she, 'I' as only a “Companion to the Halter,” but you'll get a Bible, I think, at Master Talkins', the cobbler as preaches.' So I goes to Master Talkins, and he says, says he, 'I 'as no call for the Bible—'cause vy? I 'as a call vithout; but mayhap you'll be a getting it at the butcher's hover the vay—'cause vy? The butcher 'll be damned!' So I goes hover the vay, and the butcher says, says he, 'I 'as not a Bible, but I 'as a book of plays bound for all the vorld just like 'un, and mayhap the poor cretur may n't see the difference.' So I takes the plays, Mrs. Margery, and here they be surely! And how's poor Judy?”

      “Fearsome! she'll not be over the night, I'm a thinking.”

      “Vell, I'll track up the dancers!”

      So saying, Dummie ascended a doorless staircase, across the entrance of which a blanket, stretched angularly from the wall to the chimney, afforded a kind of screen; and presently he stood within a chamber which the dark and painful genius of Crabbe might have delighted to portray. The walls were whitewashed, and at sundry places strange figures and grotesque characters had been traced by some mirthful inmate, in such sable outline as the end of a smoked stick or the edge of a piece of charcoal is wont to produce. The wan and flickering light afforded by a farthing candle gave a sort of grimness and menace to these achievements of pictorial art, especially as they more than once received embellishments from portraits of Satan such as he is accustomed to be drawn. A low fire burned gloomily in the sooty grate, and on the hob hissed “the still small voice” of an iron kettle. On a round deal table were two vials, a cracked cup, a broken spoon of some dull metal, and upon two or three mutilated chairs were scattered various articles of female attire. On another table, placed below a high, narrow, shutterless casement (athwart which, instead of a curtain, a checked apron had been loosely hung, and now waved fitfully to and fro in the gusts of wind that made easy ingress through many a chink and cranny), were a looking-glass, sundry appliances of the toilet, a box of coarse rouge, a few ornaments of more show than value, and a watch, the regular and calm click of which produced that indescribably painful feeling which, we fear, many of our readers who have heard the sound in a sick-chamber can easily recall. A large tester-bed stood opposite to this table, and the looking-glass partially reflected curtains of a faded stripe, and ever and anon (as the position of the sufferer followed the restless emotion of a disordered mind) glimpses of the face of one on whom Death was rapidly hastening. Beside this bed now stood Dummie, a small, thin man dressed in a tattered plush jerkin, from which the rain-drops slowly dripped, and with a thin, yellow, cunning physiognomy grotesquely hideous in feature, but not positively villanous in expression. On the other side of the bed stood a little boy of about three years old, dressed as if belonging to the better classes, although the garb was somewhat tattered and discoloured. The poor child trembled violently, and evidently looked with a feeling of relief on the entrance of Dummie. And now there slowly, and with many a phthisical sigh, heaved towards the foot of the bed the heavy frame of the woman who had accosted Dummie below, and had followed him, haud passibus aequis, to the room of the sufferer; she stood with a bottle of medicine in her hand, shaking its contents up and down, and with a kindly yet timid compassion spread over a countenance crimsoned with habitual libations. This made the scene—save that on a chair by the bedside lay a profusion of long, glossy, golden ringlets, which had been cut from the head of the sufferer when the fever had begun to mount upwards, but which, with a jealousy that portrayed the darling littleness of a vain heart, she had seized and insisted on retaining near her; and save that, by the fire, perfectly inattentive to the event about to take place within the chamber, and to which we of the biped race attach so awful an importance, lay a large gray cat, curled in a ball, and dozing with half-shut eyes, and ears that now and then denoted, by a gentle inflection, the jar of a louder or nearer sound than usual upon her lethargic senses. The dying woman did not at first attend to the entrance either of Dummie or the female at the foot of the bed, but she turned herself round towards the child, and grasping his arm fiercely, she drew him towards her, and gazed on his terrified features with a look in which exhaustion and an exceeding wanness of complexion were even horribly contrasted by the glare and energy of delirium.

      “If you are like him,” she muttered, “I will strangle you—I will! Ay, tremble, you ought to tremble when your mother touches you, or when he is mentioned. You have his eyes, you have! Out with them, out—the devil sits laughing in them! Oh, you weep, do you, little one? Well, now, be still, my love; be hushed! I would not harm thee! Harm—O God, he is my child after all!” And at these words she clasped the boy passionately to her breast, and burst into tears.

      “Coom, now, coom,” said Dummie, soothingly; “take the stuff, Judith, and then ve'll talk over the hurchin!”

      The mother relaxed her grasp of the boy, and turning towards the speaker, gazed at him for some moments with a bewildered stare; at length she appeared slowly to remember him, and said, as she raised herself on one hand, and pointed the other towards him with an inquiring gesture—“Thou hast brought the book?”

      Dummie answered by lifting up the book he had brought from the honest butcher's.

      “Clear the room, then,” said the sufferer, with that air of mock command so common to the insane. “We would be alone!”

      Dummie winked at the good woman at the foot of the bed; and she (though generally no easy person to order or to persuade) left, without reluctance, the sick chamber.

      “If she be a going to pray,” murmured our landlady (for that office did the good matron hold), “I may indeed as well take myself off, for it's not werry comfortable like to those who be old to hear all that 'ere!”

      With this pious reflection, the hostess of the Mug—so was the hostelry called—heavily descended the creaking stairs. “Now, man,” said the sufferer, sternly, “swear that you will never reveal—swear, I say! And by the great God whose angels are about this night, if ever you break the oath, I will come back and haunt you to your dying day!”

      Dummie's face grew pale, for he was superstitiously affected by the vehemence and the language of the dying woman, and he answered, as he kissed the pretended Bible, that he swore to keep the secret, as much as he knew of it, which, she must be sensible, he said, was very little. As he spoke, the wind swept with a loud and sudden gust down the chimney, and shook the roof above them so violently as to loosen many of the crumbling tiles, which fell one after the other, with a crashing noise, on the pavement below. Dummie started in affright; and perhaps his conscience smote him for the trick he had played with regard to the false Bible. But the woman, whose excited and unstrung nerves led her astray from one subject to another with preternatural celerity, said, with an hysterical laugh, “See, Dummie, they come in state for me; give me the cap—yonder—and bring the looking-glass!”

      Dummie obeyed; and the woman, as she in a low tone uttered something about the unbecoming colour of the ribbons, adjusted the cap on her head, and then, saying in a regretful and petulant voice, “Why should they have cut off my hair? Such a disfigurement!” bade Dummie desire Mrs. Margery once more to ascend to her.

      Left alone with her child, the face of the wretched mother softened as she regarded him, and all the levities and all the vehemences—if we may use the word—which, in the turbulent commotion of her delirium, had been stirred upward to the surface of her