Homes and Haunts of the Most Eminent British Poets. William Howitt. Читать онлайн. Newlib. NEWLIB.NET

Автор: William Howitt
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Жанр произведения: Изобразительное искусство, фотография
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isbn: 4064066382773
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never in cold water in his life, and that the other particulars were just as true. The anecdote of Quin, regarding Thomson's splendid description of sunrise, has been equally diffused. He, like Savage, asserted that he believed Thomson never saw the sun rise in his life, and related that, going one day to see him at Richmond, he found him in bed at noon, and asking him why he did not get up earlier, he replied, listlessly, that "he had nae motive."

      That no man ever lived more completely in a castle of indolence there can be little question, and perhaps as little that it cut his life short. He died at forty-eight, of cold taken on the Thames between Kew and Richmond. He used, it seems, to be in the habit of walking from town to his house at Richmond, and crossed at a boat-house somewhere here about, which being also a public house, he there took a rest and refreshment. The place is still shown. Here, it would seem, he came warm from his walk, and, crossing in a damp wind, took cold; but this susceptibility to cold was the direct result of his indolent, self-indulgent, and effeminate habits. Had he followed those practices of healthy activity so finely described in his poem, how much longer and more useful might his life have been! Yet it must be a fact unquestionable, that Thomson, as a boy, rose early, saw both sunrises and all the glories of nature, plunged into the summer flood, and braved the severity of winter. No man could so vividly or so accurately describe what he had not experienced, and they who know best the country know how exact is his knowledge of it. Every one can feel how masterly are his descriptions of the grandest phenomena of nature in every region of the world, when such descriptions are deducible from books. In those, however, which came under his own eye, there is a life, and there are beauties that attest that personal knowledge. The faults of his Seasons are those of style. His blank verse is peculiar; you can never mistake it for that of any other poet; but it has not the charm of that of Milton, of Wordsworth, or of various other poets. It is often turgid, and still more often prosaic. There are strange inversions used; and with his adverbs and adjectives he plays the most terrible havoc. Frequently the adjective is tossed behind the substantive, just for the sake of the meter, and regardless of all other effect, as,

      "Driving sleets

       Deform the day delightless,"

      instead of the delightless day. His adverbs are continually lopped of their last syllable, and stand like wretched adjectives out of place; as, the sower "liberal throws the grain," instead of liberally: clouds, "cheerless, drown the crude, unripened year," instead of cheerlessly: the herb dies, though with vital power: "it is copious blest," instead of copiously. These barbarisms, which greatly deface this poem, abound; but especially in the Spring, which was not published first in its native position, but third, the routine of appearance being Winter, Summer, Spring, and Autumn.

      But, above its faults, how far ascend the beauties and excellences of this poem, the finest of which spring out of that firm, glowing, and noble spirit of patriotism and religion which animated James Thomson. His patriotism bursts forth on all occasions, but more especially in that elaborate description of England, her deeds and worthies, in the Summer, commencing,

      "Heavens! what a goodly prospect spreads around,

       Of hills and dales, of woods and lawns, and spires

       And glittering towns, and gilded streams, till all

       The stretching landscape into smoke decays.

       Happy Britannia!" &c.

      His piety, the piety of love and wonder, of that profound admiration which the contemplation of the works of the Divine Creator had inspired him with, and of that grateful love and trust which the manifestations of parental goodness every where had impressed upon his heart, these are, as it were, the living soul of the poem, and the principles of imperishable vitality. These sentiments, diffused throughout the poem itself, concentrate themselves at its conclusion as predominant over all others, and burst forth in that magnificent hymn, which has no rival in the language except the glorious one of Milton, the morning hymn of our first parents, beginning,

      "These are thy glorious works, Parent of good,

       Almighty! Thine this universal frame,

       This wondrous fair; Thyself how wondrous then," &c.

      The religion, too, of Thomson was the religion not of creeds and crabbed doctrines of humanity. He had studied nature in the spirit of its Maker, and the fruit of that study was an enlarged and tender sympathy for his fellow-men. This sentiment is every where conspicuous as his piety; and in the passage following the fine account of the man perishing in the snow, rises to the power and descriptive eloquence of Shakspeare.

      "Ah! little think the gay, licentious proud,

       Whom pleasure, power, and affluence surround;

       They who their thoughtless hours in giddy mirth,

       And wanton, often cruel, riot waste;

       Ah! little think they, while they dance along,

       How many feel, this very moment, death,

       And all the sad variety of pain;

       How many sink in the devouring flood,

       Or more devouring flame; how many bleed,

       By shameful variance betwixt man and man;

       How many pine in want, and dungeon glooms;

       Shut from the common air, and common use

       Of their own limbs; how many drink the cup

       Of baneful grief, or eat the bitter bread

       Of misery; sore pierced by wintry winds,

       How many shrink into the sordid hut

       Of cheerless poverty! How many shake

       With all the fiercer tortures of the mind,

       Unbounded passion, madness, guilt, remorse;

       Whence tumbled headlong from the height of life.

       They furnish matter for the tragic Muse.

       Even in the vale where Wisdom loves to dwell,

       With Friendship, Peace, and Contemplation joined,

       How many, racked with honest passions, droop

       In deep retired distress. How many stand

       Around the death-bed of their dearest friends,

       And point the parting anguish. Thought fond man

       Of these, and all the thousand nameless ills,

       That one incessant struggle render life,

       One scene of toil, of suffering, and of fate,

       Vice in his high career would stand appalled,

       And heedless, rambling Impulse learn to think;

       The conscious heart of Charity would warm,

       And her wide wish Benevolence dilate;

       The social tear would rise, the social sigh;

       And into clear perfection, gradual bliss,

       Refining still, the social passions work."—Winter, p. 147.

      Yes, if the great sentiment of this passage were but firmly imprinted on the hearts of all men and all women, but especially the rich and powerful, how soon would the face of this earth be changed, and the vale of tears be converted into a lesser heaven! It is the grand defect of our systems of education, for rich and for poor, but pre-eminently for the former, that it is not taught that no man can live innocently who lives only for his own enjoyment; that to live merely to enjoy ourselves is the highest treason against God and man; that God does not live merely for himself, his eternal existence is one constant work of beneficence; and that it is the social duty of every rational being to live like God, his Creator, for the good of others. Were this law of duty taught faithfully in all our schools, with all its responsibilities, the penalties of its neglect, the ineffable delight of its due discharge, there would be no longer seen that moral monster, the man or woman who lives alone for the mere purpose of selfish enjoyment. That host of gay and idle creatures, who pass through life only to glitter in the circles of fashion; to seek admiration for personal attractions and accomplishments—for