In the county of Northampton there are various places connected with Dryden. He was of the old family of the Drydens, or Dridens, of Canons-Ashby, which family there still remains. The poet was born at the parsonage-house of Aldwinkle All-Saints. His father was Erasmus Dryden, and his mother Mary Pickering, the daughter of the rector of Aldwinkle, a son of the well-known Sir Gilbert Pickering, a zealous Puritan. It appears that our author's father lived at Tichmarsh, and that his son was born under his grandfather's roof. At Tichmarsh, accordingly, we find Dryden receiving his first education, whence he proceeded to Westminster, and studied under Dr. Busby, and thence to Cambridge.
Scott says, "If we can believe an ancient tradition, the poem of the 'Hind and Panther' was chiefly composed in a country retirement at Rushton, in Northamptonshire. There was an embowered walk at this place, which, from the pleasure which the poet took in it, retained the name of Dryden's Walk; and here was erected, about the middle of the last century, an urn, with the following inscription: 'In memory of Dryden, who frequented these shades, and is here said to have composed his poem of "The Hind and Panther."'"
This spot was, no doubt, the old house and park of the Treshams; that old, zealous Catholic family, of which one member, Sir Francis Tresham, played so conspicuous a part in the Gunpowder Plot. This Sir Francis Tresham had been actively engaged in the affair of the Earl of Essex, and his head had only been rescued from the block by his father bribing a great lady, and some people about the court, with several thousand pounds. This business was so closely veiled, that for some time the direct proofs of Tresham's connection with the business escaped the hands of the historians. The late examinations into the treasures of the State Paper Office have, however, made this fact, like so many others, clear. Long ago, also, original documents, fully proving it, fell into the hands of Mr. Baker, the excellent historian of Northamptonshire, including an admirable love-letter by this Sir Francis, who, notwithstanding his narrow escape, again rushed into the Gunpowder Treason, being a near relation of Catesby, the prime actor in it. The movements of Tresham in the matter have all the character of those of an actor in some strange romance. From the moment that he was admitted to the secret, Catesby was struck with inward terror and misgivings. Tresham augmented this alarm by beginning soon to plead warmly for warning the Lords Stourton and Mounteagle, who had married his sisters. A few days after, he suddenly came upon Catesby, Winter, and Fawkes, in Enfield Chase, and reiterated his entreaty. They refused; and then, on the 26th of October, as Lord Mounteagle was sitting at supper, at an old seat of his at Hoxton, which he seldom visited, and to which he had now come suddenly, a letter was brought in by his page, saying, he had received it from a tall man whose face he could not discern in the dark, and who went hastily away. The letter was tossed carelessly by Mounteagle to a gentleman in his service, who read it aloud. It was the very warning which Tresham wished so earnestly to convey to him. Mounteagle, in astonishment, carried the letter to Cecil the next morning, and thus the secret of the impending catastrophe was out. Once more Catesby and Winter appointed a meeting with Tresham in Enfield Chase. Their purpose was to charge him with the warning of Mounteagle, and, if he were found guilty, to stab him to the heart on the spot. But while they told him what had been done, they fixed their eyes searchingly on his countenance; all was clear and firm; not a muscle moved, not a tone faltered; he swore solemn oaths that he was ignorant of the letter, and they let him go. This man, when part of the conspirators were arrested, remained at large; while others fled, he hastened to the council to offer his services in apprehending the rebels. Finally, arrested and conveyed to the Tower himself, there, under torture, he implicated the Jesuits, Garnet and Greenway, in some treason in Queen Elizabeth's time, then retracted the confession, and died in agony, as the Catholics believed, of poison. Such was the career and end of this strange man. The family estate passed away into the hands of the Cockaynes, and is now the property of Mr. Hope. Could there be a more inspiring solitude for the composition of a poem, the object of which was to smooth the way for the return of Catholic ascendency, and that by a poet warm with the first fires of a proselyte zeal?
Among other places of Dryden's occasional sojourn may be mentioned Charlton, in Wiltshire, the seat of his wife's father, the Earl of Berkshire, whence he dates the introduction to his Annus Mirabilis; and Chesterton, in Huntingdonshire, the seat of his kinsman, John Driden, where he translated part of Virgil. In the country he delighted in the pastime of fishing, and used, says Malone, to spend some time with Mr. Jones, of Ramsden, in Wiltshire. Durfey was sometimes of this party; but Dryden appears to have underrated his skill in fishing, as much as his attempt at poetry. Hence Fenton, in his epistle to Lambard:
"By long experience, Durfey may, no doubt,
Ensnare a gudgeon, or sometimes a trout;
Yet Dryden once exclaimed in partial spite,
'He fish!' because the man attempts to write."
And, finally, Canons-Ashby connects itself inevitably with his name. It was the ancient patrimony of the family. It was not his father's, it was not his, or his sons, though the title generally connected with it fell to his son, and there his son lived and died; yet, as the place which gives name and status to the line, it will always maintain an association with the memory of the poet. These are the particulars respecting it collected by Mr. Baker. The mansion of the Drydens, seated in a small deer park, is a singular building of different periods. The oldest part, as early as the beginning of the sixteenth century, or perhaps earlier, is built round a small quadrangle. There is a dining-room in the house thirty feet long by twenty feet wide, which is said to be entirely floored and wainscoted with the timber of one single oak, which grew in this lordship. In this room are various portraits of persons of, and connected with, the family. The drawing-room is traditionally supposed to have been fitted up for the reception of Anne of Denmark, queen of James I. The estate is good, but not so large as formerly, owing to the strange conduct of the late Lady Dryden, who cut off her own children, three sons and two daughters, leaving the whole ancient patrimonial property from them to the son of her lawyer, the lawyer himself refusing to have it, or make such a will. The estate here was, it appears, regained, but only by the sacrifice of one in Lincolnshire. Such are the strange events in the annals of families which local historians rarely record. How little could this lady comprehend the honor lying in the name of Dryden; how much less the nature and duties of a mother.
The monument of the poet in Westminster Abbey is familiar to the public, placed there by Sheffield, duke of Buckingham, bearing only a single word, the illustrious name of—Dryden.
JOSEPH ADDISON.
Addison was a fortunate man; the houses in which he lived testify it. His fame as a poet, though considerable in his own time, has now dwindled to a point which would not warrant us to include him in this work, were not his reputation altogether of that kind which inseparably binds him up with the poetical history of his