The Village Notary. báró József Eötvös

Tengelyi, whom we mentioned as notary of Tissaret. The life of Esaias Tengelyi passed peaceably and unnoticed, like the place in which he exercised his sacred calling, or the valley and the mountain side which sheltered his humble cottage. The condition of the Reformed Church in Hungary does not by any means deserve the epithet of "brilliant," even in our own days; but the present village pastors are most enviably situated in comparison to their brethren of fifty years ago. Still the life of the Reverend Esaias Tengelyi, though full of privations, was rich in enjoyment. He loved his cottage, its straw-covered roof, and the brown rafters of its ceiling. Sometimes, indeed, he wished to have the windows of his room a little larger,—and he went even so far as to take the resolution of administering, at his own expense, to this drawback to the comforts of his home. The huge stove, too, which served also the purpose of an oven, made his room preposterously small, and on baking days it threw out a greater quantity of heat than was consistent with comfort. The neighbouring curates, whenever they came to pay their respects to the Reverend Esaias, were violent in their strictures upon the parish of Bard, for neglecting to provide their pastor's study with a decent flooring: nay, more, the good man was seriously reproved, and earnestly adjured to follow the example of his brethren in office, who had successfully petitioned the Synod respecting the gross indecency of pastoral clay floors. But Tengelyi could not be moved to stir in behalf of his house: perhaps he liked it better as it was. Its windows were indeed small; but then he had often sat by them reading the Scriptures; and they had seen the roses on his wife's cheek. The stove was large,—of course it was,—but in winter it offered a convenient and warm seat; and the clay floor of his study was the same on which his father's feet had trod, when he was meditating his sermons, while the son made his first attempt to stand on a pair of trembling little legs. After all, there was nothing like the window, the stove, and the floor, for a countless number of sweet and tender emotions were connected with them. Esaias Tengelyi was happy; he felt that the largest window, that the smallest stove, and the most splendid floor of old oak, could not add to his happiness.

      But that happiness could be lessened. The pastor's wife died, and the heart which had harboured so much bliss was henceforth the home of bitter sorrow. Tengelyi gave no words to his anguish, nor did he strive to add to or lessen his grief; but his friends felt that time was as nothing to the sorrow of his heart, and that his hopes and wishes were not on this side of the grave. His little son, Jonas, was the only tie which bound the old pastor to the world. The boy was but four years of age when his mother died; what would become of him, if he were also bereft of his father? People have scarcely a heart for their own children; how then is an orphan to fare for love? And the boy was most beautiful, when he cast his deep blue eyes upwards to the father's sad face! His voice had the tones of that dear voice which taught him his first words; his yellow locks were smooth and orderly, as if fresh from his mother's hands;—what was to become of the child on this wide earth, and with no kindred, but his parents in the grave? Tengelyi would not be comforted, but a sense of his duty kept him alive.

      Little Jonas throve under his father's care. He knew not what it was to be motherless in this world, where the heart finds that trusty, faithful love it yearns for, only at a mother's breast. A child's heart is a little treasury of joy, and there is no room in it for great griefs. In the first days after the event, little Jonas called for his mother, and receiving no answer from that mild, loving voice, he sat down and wept his fill; in the night he dreamed of her, and lisped her name. But as time wore on, his mother's name was rarely mentioned, and when spring came, with its flowers, her memory passed away like the distant notes of a song. All this was natural. Children are most enviable, because they are most forgetful. A thousand flowers are blooming round a child: why should it ponder on the sorrows of the past? A thousand melodies flit around it, and the young heart leaps to them: it has no ear for the sad accents of distant love.

      Thus did the first years pass away. When Jonas had completed his eighth year, his father commenced his education. The old pastor's plan was extremely simple. He made the child ask questions, and answered them in a manner which was at once explicit and adapted to the boy's capacities. He had no idea of making his son a phenomenon; on the contrary, he did all in his power to limit his mental activity to a narrow circle, to prevent his being confused by a variety of subjects. The classical languages, as far as Jonas could understand them, and the rudiments of natural and political history, were all that old Esaias taught his son; they were all he thought necessary for that son's future vocation.

      For old Tengelyi, like the majority of fathers, had already chosen a profession for his son, and though, on consideration, he would have shrunk from the idea of forcing anybody, and much less his own boy, into a career which might be repugnant to his tastes, still, when he thought of his child's future life, he could not possibly fancy that his son should wish for any thing besides the curacy of Bard. Old Tengelyi had himself followed his father in that sacred office. It was so natural to think that he in his turn would be followed by his son. But while the father was thus tracing out his future career, and planting in the garden, besides improving the house, as he thought, for the child of his heart, the boy Jonas Tengelyi anticipated other scenes and a different sphere of action. The poor curate's library contained but few books, but among them was a great treasure; namely, a copy of Plutarch—a relic of college life, with a portrait of the hero to each biography. This illustrated copy of Plutarch was the only book of its kind in the vicarage, and indeed in the village of Bard. Jonas passed many hours in looking at the solemn faces of the classic heroes, nor was it long before he knew all their names and actions; and though the old pastor regretted that the book was not an illustrated Bible, by which means he might impress upon his boy's mind the history and the deeds of the heroes of our faith, still his heart grew big with joy when the child expatiated on the virtues of Aristides, or (his little cheeks glowing all the while) told of the death of Leonidas and Socrates. And old Esaias blessed the pagan author who wrote the book, and the college-chum who made him a present of it, and even the very printer who had produced it. The whole future life of Jonas was influenced by these early lessons; and though the milder doctrines of Christianity made a deep impression on his heart, yet his mind would always return to the models of classic excellence. His sympathies were all with the heroes of Plutarch.

      At times, when old Tengelyi was from home, Jonas would follow his fancies through the dark shades of the woods. He would sit on the ruins of Bard Castle, looking at the forest-clad mountains and the wide distant plain, and there he sat and pondered until the sun went down and the evening breeze woke him from his dreams. There he was happy; for there is no greater happiness than the delight which a pure heart feels when thinking of great deeds and generous men. The childhood of nations and individuals idolises all heroes, and thus did Jonas.

      A child's perceptions of distance are very weak: it is the same in the moral world. Children try to grasp any shining bauble which strikes their eyes, no matter whether far or near. Life has not yet taught them to wait, to plod, and perhaps to be disappointed. The boy is equally ignorant of the bitter truth, that there is usually but one road which leads to the high places of this world, and that the ascent, though easy to some, is impossible to others, for from where they stand there is no path which leads to the top. And yet how closely is our boyish admiration of a great man allied to the idea that he is our example and our hope! Children, when isolated,—that is to say, when they are deprived of the society of other children,—are apt to become dreamers: and this was young Tengelyi's case. His dreams were of a dangerous kind, and his conversation was such that his hearers became convinced of fate having destined that boy to be either very great or very wretched.

      Old Esaias did not indeed suffer from these apprehensions. His son's enthusiasm, his hatred of tyranny, his love of his kind, proved nothing to old Tengelyi but that Jonas would turn out a first-rate village pastor. He never dreamt of this enthusiasm being applied to other purposes than those of the pulpit; and he did all in his power to develop the talents of so hopeful a preacher. He enlarged on the sufferings of the poor and the cruelty of the rich; on the equality of mankind before God, and the duties we owe to our fellow men.

      In the course of time Jonas was sent to school at Debrezin. Though he was only thirteen, his character was already formed. His was a boundless enthusiasm for all things noble and generous; his was an equally boundless hate against all that is mean; his was the daring which is ever ready to oppose injustice with words and with deeds; and his was that austerity of principle