But if we are affected by such actions and characters, as have been described, agreeably or disagreeably, in a different way from the agreeable or disagreeable manner in which meats and drinks affect us; then it must follow, that we are fitted and determined by our nature to receive from the consideration of such actions and characters a particular<115> kind of agreeable or disagreeable sentiment, properly expressed by approbation and disapprobation. For this must be true, in general, that no one thing can give us pleasure or pain unless we are fitted by our make to be so affected by it. We could not, for instance, have the pleasures which the modifications of light and colours give to the eye, if we were not so framed as to perceive them and be agreeably affected by them. Now if we are determined by our nature to approve or disapprove characters, in the way that has been mentioned, we may give and ought to give, this aptitude, this determination in our nature a particular distinguishing name to denote it. Let it therefore be called a sense of the difference between actions or characters, or more shortly, a moral sense.
Whether we have a moral sense or not, is a question of fact.
Arguments to prove we have it.
Let us reason about this matter as much as we will, all we can do is but to turn this question into various shapes, viz. “Whether we are not necessarily determined to approve the public affections in ourselves or others, which lead to such conduct as promotes the good of our fellow creatures, and to disapprove their opposites; and that immediately, so soon as any one of them is presented to our mind.” For the question is about a fact, a part of our constitution; about something felt and experienced within us, in consequence of our frame; and it cannot possibly be decided, but by consciousness, or by attending to our mind, in order to know how we are affected on certain occasions by certain objects. But if any matter of experience merits our attention, this does, and therefore I shall offer the following considerations about it.
From analogy.
For we have a sense of beauty in sensible forms.
I. Did not affections, actions and characters, when they are contemplated by the understanding, and are thus made objects of thought and reflection, move us agreeably or disagreeably, there would be an analogy in nature wanting, which we have no reason from nature to think can be wanting. For there is nothing<116> more certain, than that all sensible forms, so soon as they are presented to the mind, do affect it with the agreeable perception of beauty, or the disagreeable perception of deformity. Some objects of sense do indeed so little affect us, that the perception produced by their contemplation is scarcely attended to; but every perception, as such, must be in some degree either pleasant or painful; tho’ it is only when perceptions have a considerable degree of pleasure or pain, that they considerably interest us, and we are therefore at any pains to class them, and give particular names to their effects upon us. However, setting aside that consideration, it is evident, in fact, with regard almost to all bodies or subjects of sense, that they give us either the idea of beauty or deformity according to the different disposition, measure or arrangement of their several parts. It is the same with respect to sounds; from every combination of them, there necessarily results either harmony or discord. Now, did not moral subjects affect us in like manner with the sense of beauty and deformity, as sensible species or images of bodies do,a there<117> would not be that analogy between the natural and moral world, or between the fabric of our mind with relation to sensible and to moral objects, that one is naturally led to apprehend must take place by the universal analogy of nature to itself observed throughout all its works. No object can indeed be present to the understanding or perceived by it, without affecting it in some manner as an object of the understanding, or as an intelligible species. And therefore every moral object must be fitted to affect the mind with some affection suited to it as a moral species, or an intelligible form. But not to lay any stress at all upon that abstract truth. How can we acknowledge a sense of beauty and deformity with respect to corporeal subjects, and no analogous sense with respect to mental ones? Can we allow the mind to have an eye or an ear for bodily proportions and harmonies; and yet imagine it has no eye or ear by which it can distinguish moral appearances and effects? No sense, whereby it can scan thoughts, and sentiments, and affections, or distinguish the beautiful and deformed, the harmonious and dissonant, the agreeable and disagreeable in them. Does the bodily eye afford us perceptions of pleasure and pain distinct from the sensations of touch? And has the understanding or eye of the mind, when it is employed about moral forms, no such discernment? Has it no class of pleasures and pains belonging to it, as a seeing or discerning faculty? Are all the pleasures or pains excited in or perceived by the mind, with relation to affections and sentiments, only pleasures and pains of mental touch or feeling, so to speak? Is there nothing of the agreeable and disagreeable kind resulting<118> from the contemplation of moral subjects, from their visible, i.e. intelligible proportions, shapes and textures? Is all, I say, that affects the mind with pain or pleasure of the moral kind merely analogous to our sensible pleasures conveyed by outward touch; and has it, indeed, with respect to moral objects, no class of perceptions analogous to those of the eye; none at all which properly belong to the understanding, and are excited in it by the moral species, in like manner as visible ones affect the sense of seeing? Surely it is contrary to analogy to fancy so. But if there really be any such thing as being affected by the appearances of moral subjects to the understanding as such; in language, which is, and must be originally taken from sensible objects, and their effects upon us, the perceptions conveyed to the understanding by moral forms, will very properly be called by the same names, as the analogous ones produced in us by visible forms; that is, beauty and deformity, regularity and irregularity, proportion and disproportion, &c.
From languages, for these suppose it.
II. Language, not being invented by philosophers, but contrived to express common sentiments, or what every one perceives, we may be morally sure, that where universally all languages make a distinction, there is really in nature a difference. Now all languages speak of a beautiful and a deformed, a fair and foul in actions and characters, as well as of advantageousness and disadvantageousness,