The Story of Chautauqua. Jesse Lyman Hurlbut. Читать онлайн. Newlib. NEWLIB.NET

Автор: Jesse Lyman Hurlbut
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 4057664580610
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any speaker from attacking the doctrines of some other church, or even from speaking against the fundamental doctrines of Christianity?" "Nothing in the world," I said, "except that nobody at Chautauqua ever wishes to attack any other Christian body. If anyone did such a thing, I don't believe that it would be thought necessary to disown or even to answer him. But I am quite certain that it would be his last appearance on the Chautauqua platform."

      In this chapter I have sought to point out the foundation stones of Chautauqua, as they were laid nearly half a century ago. Others were placed later in the successive years; but these were the original principles, and these have been maintained for more than a generation. Let us fix them in memory by a restatement and an enumeration. First, Chautauqua, now an institution for general and popular education, began in the department of religion as taught in the Sunday School. Second, it was an out-of-doors school, held in the forest, blazing the way and setting the pace of summer schools in the open air throughout the nation and the world. Third, although held upon a camp-meeting ground it was widely different in aim and method, spirit and clientele from the old-fashioned camp meeting. Fourth, it maintained the sanctity of the Sabbath, closed its gates, and frowned upon every attempt to secularize or commercialize the holy day, or to make it a day of pleasure. Fifth, the enterprise was supported, not by collections at its services, or by contributions from patrons, but by a fee upon entrance from every comer. Sixth, it was to represent not one branch of the church, but to bring together all the churches in acquaintance and friendship, to promote, not church union, but church unity. And seventh, let it be added that it was to be in no sense a money-making institution. There were trustees but no stockholders, and no dividends. If any funds remained after paying the necessary expenses, they were to be used for improvement of the grounds or the enlargement of the program. Upon these foundations Chautauqua has stood and has grown to greatness.

       Table of Contents

       Table of Contents

      But let us come to the opening session of the Assembly, destined to greater fortune and fame than even its founders at that time dreamed. It was named "The Sunday School Teachers' Assembly," for the wider field of general education then lay only in the depths of one founder's mind. For the sake of history, let us name the officers of this first Assembly. They were as follows:

Chairman—Lewis Miller, Esq., of Akron, Ohio.
Department of Instruction—Rev. John H. Vincent, D.D., of New York.
Department of Entertainment—Rev. R. W. Scott, Mayville, N. Y.
Department of Supplies—J. E. Wesener, Esq., Akron, Ohio.
Department of Order—Rev. R. M. Warren, Fredonia, N. Y.
Department of Recreation—Rev. W. W. Wythe, M.D., Meadville, Pa.
Sanitary Department—J. C. Stubbs, M.D., Corry, Pa.

      

      The property of the Camp Meeting Association, leased for the season to the Assembly, embraced less than one fourth of the present dimensions of Chautauqua, even without the golf course and other property outside the gates. East and west it extended as it does now from the Point and the Pier to the public highway. But on the north where Kellogg Memorial Hall now stands was the boundary indicated by the present Scott Avenue, though at that time unmarked. The site of Normal Hall and all north of it were outside the fence. And on the south its boundary was the winding way of Palestine Avenue. The ravine now covered by the Amphitheater was within the bounds, but the site of the Hotel Athenæum was without the limit.

      Lewis Miller, Cottage and Tent Lewis Miller, Cottage and Tent

      Bishop Vincent's Tent-Cottage Bishop Vincent's Tent-Cottage

      What is now Miller Park, the level ground and lovely grove at the foot of the hill, was then the Auditorium, where stood a platform and desk sheltered from sun on some days and rain on others. Before it was an array of seats, lacking backs, instead of which the audience used their own backbones. Perhaps two thousand people could find sitting-room under the open sky, shaded by the noble trees. A sudden shower would shoot up a thousand umbrellas. One speaker said that happening to look up from his manuscript he perceived that an acre of toadstools had sprouted in a minute. At the lower end of this park stood the tent wherein Dr. Vincent dwelt during many seasons; at the upper end was the new cottage of the Miller family with a tent frame beside it for guests. At this Auditorium all the great lectures were given for the first four years of Chautauqua history, except when continued rain forbade. Then an adjournment, sometimes hasty, was made to a large tent up the hill, known as the Tabernacle.

      One day, during the second season of the Assembly in 1875, Professor William F. Sherwin, singer, chorus leader, Bible teacher, and wit of the first water, was conducting a meeting in the Auditorium. The weather had been uncertain, an "open and shut day," and people hardly knew whether to meet for Sherwin's service in the grove or in the tent on the hill. Suddenly a tall form, well known at Chautauqua, came tearing down the hill and up the steps of the platform, breathless, wild-eyed, with mop of hair flying loose, bursting into the professor's address with the words, "Professor Sherwin, I come as a committee of fifty to invite you to bring your meeting up to the Tabernacle, safe from the weather, where a large crowd is gathered!" "Well," responded Sherwin, "you may be a committee of fifty, but you look like sixty!" And from that day ever after at Chautauqua a highly respected gentleman from Washington, D.C., was universally known as "the man who looks like sixty."

      When we speak of Sherwin, inevitably we think of Frank Beard, the cartoonist, whose jokes were as original as his pictures. He would draw in presence of the audience a striking picture, seemingly serious, and then in a few quick strokes transform it into something absurdly funny. For instance, his "Moses in the Bulrushes" was a beautiful baby surrounded by waving reeds. A sudden twist of the crayon, and lo, a wild bull was charging at the basket and its baby. This was "The Bull Rushes." Beard was as gifted with tongue as with pen, and in the comradeship of the Chautauqua platform he and Sherwin were continually hurling jokes at each other. Oftentimes the retort was so pat that one couldn't help an inward question whether the two jesters had not arranged it in advance.

      Frank Beard used to hold a question drawer occasionally. There was a show of collecting questions from the audience, but those to be answered had been prepared by Mr. Beard and his equally witty wife, and written on paper easily recognized. One by one, these were taken out, read with great dignity, and answered in a manner that kept the crowd in a roar. On one occasion Professor Sherwin was presiding at Mr. Beard's question drawer—for it was the