He is, for instance, surprised, and indeed somewhat relieved, when he discovers that the drivers of the jaunting-cars that take him on his shooting-expeditions are not all modern Joe Millers, and do not let off witty remarks, like bombshells, every two minutes.
He is perhaps disappointed in that every Irish cloak does not conceal a face beautiful as a houri's. And he learns by degrees that only one in ten says "bedad," and that "och murther?" is an expression almost extinct.
They appear a kindly, gentle, good-humored people,—easily led, no doubt (which is their undoing), but generous to the heart's core; a people who can speak English fluently (though with a rich brogue) and more grammatically than the Sassenachs themselves (of their own class), inasmuch as they respect their aspirates and never put an h in or leave one out in the wrong place.
The typical Irishman, in whom Lever delighted, with his knee-breeches and long-tailed coat, his pig under one arm and his shillalah under the other, is literally nowhere! The caubeen and the dhudheen which we are always hearing about may indeed be seen, but they are very usual objects in all lands, if one just alters the names, and scarcely create astonishment in the eyes of the on-looker.
The dhudheen is an institution, no doubt, but the owner of it, as a rule, is not to be found seated on a five-barred gate, with a shamrock pinned in his hat and a straw in his mouth, singing "Rory O'More" or "Paddy O'Rafferty," as the case may be. On the contrary, poor soul, he is found by Geoffrey either digging up his potatoes or stocking his turf for winter use.
Altogether, things are very disappointing; though perhaps there is comfort in the thought that no one is waiting round a corner, or lying perdu in a ditch, ready to smash the first comer with a blackthorn stick, or reduce him to submission with a pike, irrespective of cause or reason.
Rodney, with the boy at his side, is covering ground in a state of blissful uncertainty. He may be a mile from home, or ten miles, for all he knows, and the boy seems none the wiser.
"Where are we now?" says Geoffrey, suddenly, stopping and facing "the boy."
"I don't know, sir."
"But you said you knew the entire locality,—couldn't be puzzled within a radius of thirty miles. How far are we from home?"
"I don't know, sir. I never was abroad before, an' I'm dead bate now, an' the bag's like lead."
"You're a nice boy, you are!" says Mr. Rodney; "Here, give me the bag! Perhaps you would like me to carry you too; but I shan't, so you needn't ask me. Are you hungry?"
"No," says the boy valiantly; but he looks hungry, and Geoffrey's heart smites him, the more in that he himself is starving likewise.
"Come a little farther," he says, gently, slinging the heavy bag across his own shoulders. "There must be a farmhouse somewhere."
There is. In the distance, imbedded in trees, lies an extensive farmstead, larger and more home-like than any he has yet seen.
"Now, then, cheer up, Paddy!" he says to the boy: "yonder lies an oasis in our howling wilderness."
Whereat the boy smiles and grins consumedly, as though charmed with his companion's metaphor, though in reality he understands it not at all.
As they draw still nearer, Geoffrey becomes aware that the farmyard before him is rich with life. Cocks are crowing, geese are cackling, and in the midst of all this life stands a girl with her back turned to the weary travellers.
"Wait here," says Geoffrey to his squire, and, going forward, rests the bag upon a low wall, and waits until the girl in question shall turn her head. When she does move he is still silent, for, behold, she has turned his head!
She is country bred, and clothed in country garments, yet her beauty is too great to be deniable. She is not "divinely tall," but rather of medium height, with an oval face, and eyes of "heaven's own blue." Their color changes too, and deepens, and darkens, and grows black and purple, as doth the dome above us. Her mouth is large, but gracious, and full of laughter mixed with truth and firmness. There is no feature that can so truly express character as the mouth. The eyes can shift and change, but the mouth retains its expression always.
She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice.
Presently her cry is answered. A thick cloud of pigeons—brown and white and bronze and gray—come wheeling into sight from behind the old house, and tumble down upon her in a reckless fashion. They perch upon her head, her shoulders, her white soft arms, even her hands, and one, more adventurous than the rest, has even tried to find a slippery resting-place upon her bosom.
"What greedy little things!" cries she aloud, with the merriest laugh in the world. "Sure you can't eat more than enough, can you? an' do your best! Oh, Brownie," reproachfully, "what a selfish bird you are!"
Here Geoffrey comes forward quietly, and lifts his hat to her with all the air of a man who is doing homage to a princess. It has occurred to him that perhaps this peerless being in the cotton gown will feel some natural chagrin on being discovered by one of the other sex with her sleeves tucked up. But in this instance his knowledge of human nature receives a severe shock.
Far from being disconcerted, this farmyard goddess is not even ashamed (as indeed how could she be?) of her naked arms, and, coming up to him, rests them upon the upper rung of the entrance-gate and surveys him calmly if kindly.
"What can I do for you?" she asks, gently.
"I think," says Geoffrey, slightly disconcerted by the sweet leisure of her gaze, "I have lost my way. I have been walking since sunrise, and I want you to tell me where I am."
"You are at Mangle Farm," returns she. Then, judging by the blank expression on his face that her words bring him no comfort, she continues with a smile, "That doesn't seem to help you much, does it?"
He returns her smile in full,—very full. "I confess it doesn't help me at all," he says. "Mangle Farm, I am sure, is the most attractive spot on earth, but it tells me nothing about latitude or longitude. Give me some further help."
"Then tell me where you come from, and perhaps I may be able." She speaks softly, but quickly, as do all the Irish, and with a brogue musical but unmistakable.
"I am staying at a shooting-lodge called Coolnagurtheen. Do you know where that is."
"Oh, of course," returns she, with a sudden accession of animation. "I have often seen it. That is where the young English gentleman is staying for the shooting."
"Quite right. And I am the young English gentleman," says Geoffrey, lifting his hat again by way of introduction.
"Indeed, are you?" asks she, raising her pretty brows. Then she smiles involuntarily, and the pink flush in her rounded cheeks grows a shade deeper. Yet she does not lower her eyes, or show the slightest touch of confusion. "I might have guessed it," she says, after a minute's survey of the tall gray-coated young man before her. "You are not a bit like the others down here."
"Am I not?" says he, humbly, putting on his carefully crestfallen air that has generally been found so highly successful. "Tell me my fault."
"I will—when I find it," returns she, with an irrepressible glance, full of native but innocent coquetry, from her beautiful eyes.
At this moment one of the pigeons—a small, pretty thing, bronze-tinged—flies to her, and, resting on her shoulder, makes a tender cooing sound, and picks at her cheek reproachfully, as though imploring more corn.
"Would you bite me?" murmurs she, fondly, as the bird flies off again