"Did his lordship expect you, sir?" he asked with some emphasis; as though, had it been the case, he certainly should have been informed of it. The reply found him all civility.
"I should have been here by the train arriving at half-past six," said Gavin Ord, the passenger in question—"it is my fault, certainly. No doubt, they sent to meet me——"
"The brown shay and a pair of 'osses stood in the yard more'n an hour," exclaimed the porter with just reproach. "I'll tell Mr. Jacob. He knows his betters when he sees him, drunk or sober——"
"Thank you," said Gavin quietly, "but I will not put his knowledge to the proof. After all, it's only five miles, you say——"
"And a public-house at Moretown if the dust sticks in your throat. You'll do better walking than up alongside old Jacob at this time of night, sir——"
"Had we known that his lordship expected a guest, we'd have answered for a carriage," added the station-master, still apologetically.
The tall, fair-haired Englishman perplexed him. He hardly knew whether he addressed a Duke or a commoner. The voice and manner suggested the former; the intention to walk spoke of a vulgar habit rather befitting his lordship's curate than the honored guest of Melbourne Hall. Gavin Ord, upon his part, perhaps, delighted in perplexing people. He quite understood the kind of curiosity he had aroused; and, refusing to gratify it, he snatched up a light dressing bag; and leaving directions for his heavier luggage to be forwarded in the morning, he set off briskly upon the high road to Moretown, beyond which, as all the world knows, lies the Manor of Melbourne.
"Going to make a long stay, sir?" had been the amiable station-master's last shot.
"Oh, I may settle down there for a long time," said Ord in reply; and this news was all over the village in an hour.
Strangers upon the road to Melbourne Hall were not so many that one should escape remark.
"If he's for the Lady Evelyn," the blithe porter confessed over his cups at a later hour, "she might go farther and get a worse-looking man. Gave me a shillin', he did, and carried his bag hisself. That's what I call a gentleman, now."
Unconscious of this tribute to his qualities, Gavin Ord was then more than three miles upon his road to Melbourne Hall. A hot day of August had given place to a delicious night, fresh and cool and redolent of sweet perfumes. The moon stood high above the horizon, shining with glorious mellow light upon the gathered sheaves and the grattan where the wheat was garnered. So plain were the hill-tops to be seen that the very flocks could almost be numbered upon them; while the bare walls of limestone, the tors of spar, and the higher mounts were veined as by rifts of jewels, giving back in glittering flashes the moonbeams they had husbanded. The roads themselves were eloquent by night. When a farmer's cart went rumbling by, Gavin could hear the echo of the horse's hoofs and the rolling sound of wheels for quite a long time.
He was a man of redoubtable physique, trained by laborious days at home and abroad to the finer qualities of his endurance; and nothing was more to his liking than this lonely pilgrimage to a splendid house wherein he believed that an advantageous welcome awaited him. A stranger to Lord Melbourne, he never allowed himself to forget that his own talents and achievements had made this visit possible and opened to him the doors of a house which few even of the aristocracy now entered. For Gavin Ord was callen in London the first among the younger school of architects—an artist of prodigious originality and daring, and one with as many sides to his talent as a diamond has facets. Already had Burlington House heaped her honors upon him. The great Church at Kensington would, he believed, stand as his memorial to all time. But for a prodigality and a refusal to consider a mere matter of money, his plans for a new cathedral in the North would certainly have been accepted by the committee. As it was, critics said, "There is the man of to-morrow." He liked to hear them say it, for he had a great conceit in his art if none for himself. Something of the spirit of the old-time builders moved within him. His imagination dwelt in lofty temples, roamed in vast aisles—looked down upon men from a masterpiece of spires. He was but a servant, if only the stone which dominated men's hearts.
And now this famous old recluse, this eccentric unknown Earl of Melbourne, had summoned him to save the stately Melbourne Hall from its only enemy—time. He could not have found a more congenial task upon all the continents.
There can be no journey more pleasant than that which carries us a stage upon the road to our ambitions. Every event of the wayside is then an adventure to us; every inn at which we rest seems to offer us ambrosia. Here was Gavin Ord, at ten o'clock of the night, as good a walker upon the road to Melbourne Hall as any trained athlete out with the lark for a morning breather. Five or ten miles to go, it mattered nothing to him. He had forgotten already the five hours in a stuffy train; his mind was set upon the beauties of the moonlit landscape, the fine wooded slopes of the hills, the twinkling lights in the hollows, the dark towers of the scattered churches—more than all, upon the distant goal and the reception which would await him there.
How earnestly had the old Earl implored him to go to the Manor!
"Here is the finest Tudor house in England," he had written; "you can save it. Make it your home and learn to love it as I do. They tell me that in your leisure you ride and shoot. I will introduce you to the finest fencer in Derbyshire, and you shall tell me what you think of the pheasants. Don't expect to find a house-party. I see few people. I desire to see fewer. My daughter will play tennis with you, and, if you are a golfer, there are lean long women on the hills who talk of nothing else but hazards and whins. These preach sermons in stones. Come and hear them, and my motor shall show you Derbyshire. But, above all, become the servant of the Manor, as every true artist must be."
The letter of a man, Gavin said to himself when he read it. He liked it best because there was no gilt-edge of money upon it. The Earl's prodigious wealth had been the one blot hitherto upon the fair panorama of his desires. "There will be a host of flunkies in red breeches," he had thought, "and every one of them will look the question, 'How much is he good for?'" He knew that the present Master of Melbourne Hall had come to the estate and the title almost by accident late in life, and after an adventurous career which men spoke of openly in clubs, but rarely in private life. A wild man who had been everything from a discredited attaché at Bukharest to an equally unsuccessful miner in Australia—this was the third Earl of Melbourne.
*****
And what of his daughter, the Lady Evelyn?
There were but wild fables spoken about this unknown girl and the secluded life her father compelled her to live at the Manor House. Some said she was the daughter of a Roumanian gypsy whom the Earl had married after his disgrace at Bukharest. Others declared that her dead mother had been an actress who had enjoyed a brief spell of notoriety in Vienna and thence had been driven out by the infatuation of an archduke. None knew the truth, but there were many to suggest what the truth might be. Openly and scandalously, as the world will, idle tongues hinted that the Earl must have some good reason for his eccentric conduct. There were even stories that the Lady Evelyn was unmistakably a gypsy girl herself. "As brown as a walnut chiffonier," said little Backbiter at the Club. The fellow had never been within fifty miles of Melbourne Hall; and if he had met the Earl, he would have gone down on his marrow bones to him.
Gavin Ord recalled some of these stories as he followed the tortuous road and left the solitary village still farther behind him. They did not interest him. He had gone into Derbyshire to see not a woman but a house. Delight that he should be chosen for guardian of such a national treasure as Melbourne Hall went with him upon his way. He must be now, he thought, but a mile from the Manor gates. The road had become narrow and closely bordered by leafy elms. No longer could he see the moonlit heights or the twinkling lights in the valleys. There were no kindly beams to guide his steps. In weird darkness he followed the dusty track and pressed on toward the Manor. The rustling of leaves sounded almost like a human voice in his ears. He liked to think that Nature was still awake and speaking to him.
So it is evident that he possessed that quasi-divine attribute, imagination. His mood of thought responded instantly to any change,