The Journal of a Voyage to Lisbon. Henry Fielding

is to the same kindness that I owe the opportunity of presenting the reader with something indisputably Fielding's and very characteristic of him, which Murphy did not print, and which has not, so far as I know, ever appeared either in a collection or a selection of Fielding's work. After the success of David Simple, Fielding gave his sister, for whom he had already written a preface to that novel, another preface for a set of Familiar Letters between the characters of David Simple and others. This preface Murphy reprinted; but he either did not notice, or did not choose to attend to, a note towards the end of the book attributing certain of the letters to the author of the preface, the attribution being accompanied by an agreeably warm and sisterly denunciation of those who ascribed to Fielding matter unworthy of him. From these the letter which I have chosen, describing a row on the Thames, seems to me not only characteristic, but, like all this miscellaneous work, interesting no less for its weakness than for its strength. In hardly any other instance known to me can we trace so clearly the influence of a suitable medium and form on the genius of the artist. There are some writers—Dryden is perhaps the greatest of them—to whom form and medium seem almost indifferent, their all-round craftsmanship being such that they can turn any kind and every style to their purpose. There are others, of whom I think our present author is the chief, who are never really at home but in one kind. In Fielding's case that kind was narrative of a peculiar sort, half-sentimental, half-satirical, and almost wholly sympathetic—narrative which has the singular gift of portraying the liveliest character and yet of admitting the widest disgression and soliloquy.

      Until comparatively late in his too short life, when he found this special path of his (and it is impossible to say whether the actual finding was in the case of Jonathan or in the case of Joseph), he did but flounder and slip. When he had found it, and was content to walk in it, he strode with as sure and steady a step as any other, even the greatest, of those who carry and hand on the torch of literature through the ages. But it is impossible to derive full satisfaction from his feats in this part of the race without some notion of his performances elsewhere; and I believe that such a notion will be supplied to the readers of his novels by the following volumes, in a very large number of cases, for the first time.

THE JOURNAL OF A VOYAGE TO LISBON

       Table of Contents

      DEDICATION TO THE PUBLIC

       Table of Contents

      Your candor is desired on the perusal of the following sheets, as they are the product of a genius that has long been your delight and entertainment. It must be acknowledged that a lamp almost burnt out does not give so steady and uniform a light as when it blazes in its full vigor; but yet it is well known that by its wavering, as if struggling against its own dissolution, it sometimes darts a ray as bright as ever. In like manner, a strong and lively genius will, in its last struggles, sometimes mount aloft, and throw forth the most striking marks of its original luster.

      Wherever these are to be found, do you, the genuine patrons of extraordinary capacities, be as liberal in your applauses of him who is now no more as you were of him whilst he was yet amongst you. And, on the other hand, if in this little work there should appear any traces of a weakened and decayed life, let your own imaginations place before your eyes a true picture in that of a hand trembling in almost its latest hour, of a body emaciated with pains, yet struggling for your entertainment; and let this affecting picture open each tender heart, and call forth a melting tear, to blot out whatever failings may be found in a work begun in pain, and finished almost at the same period with life. It was thought proper by the friends of the deceased that this little piece should come into your hands as it came from the hands of the author, it being judged that you would be better pleased to have an opportunity of observing the faintest traces of a genius you have long admired, than have it patched by a different hand, by which means the marks of its true author might have been effaced. That the success of the last written, though first published, volume of the author's posthumous pieces may be attended with some convenience to those innocents he hath left behind, will no doubt be a motive to encourage its circulation through the kingdom, which will engage every future genius to exert itself for your pleasure. The principles and spirit which breathe in every line of the small fragment begun in answer to Lord Bolingbroke will unquestionably be a sufficient apology for its publication, although vital strength was wanting to finish a work so happily begun and so well designed. PREFACE THERE would not, perhaps, be a more pleasant or profitable study, among those which have their principal end in amusement, than that of travels or voyages, if they were wrote as they might be and ought to be, with a joint view to the entertainment and information of mankind. If the conversation of travelers be so eagerly sought after as it is, we may believe their books will be still more agreeable company, as they will in general be more instructive and more entertaining. But when I say the conversation of travelers is usually so welcome, I must be understood to mean that only of such as have had good sense enough to apply their peregrinations to a proper use, so as to acquire from them a real and valuable knowledge of men and things, both which are best known by comparison. If the customs and manners of men were everywhere the same, there would be no office so dull as that of a traveler, for the difference of hills, valleys, rivers, in short, the various views of which we may see the face of the earth, would scarce afford him a pleasure worthy of his labor; and surely it would give him very little opportunity of communicating any kind of entertainment or improvement to others.

      To make a traveler an agreeable companion to a man of sense, it is necessary, not only that he should have seen much, but that he should have overlooked much of what he hath seen. Nature is not, any more than a great genius, always admirable in her productions, and therefore the traveler, who may be called her commentator, should not expect to find everywhere subjects worthy of his notice. It is certain, indeed, that one may be guilty of omission, as well as of the opposite extreme; but a fault on that side will be more easily pardoned, as it is better to be hungry than surfeited; and to miss your dessert at the table of a man whose gardens abound with the choicest fruits, than to have your taste affronted with every sort of trash that can be picked up at the green-stall or the wheel-barrow. If we should carry on the analogy between the traveler and the commentator, it is impossible to keep one's eye a moment off from the laborious much-read doctor Zachary Gray, of whose redundant notes on Hudibras I shall only say that it is, I am confident, the single book extant in which above five hundred authors are quoted, not one of which could be found in the collection of the late doctor Mead.

      As there are few things which a traveler is to record, there are fewer on which he is to offer his observations: this is the office of the reader; and it is so pleasant a one, that he seldom chooses to have it taken from him, under the pretense of lending him assistance. Some occasions, indeed, there are, when proper observations are pertinent, and others when they are necessary; but good sense alone must point them out. I shall lay down only one general rule; which I believe to be of universal truth between relator and hearer, as it is between author and reader; this is, that the latter never forgive any observation of the former which doth not convey some knowledge that they are sensible they could not possibly have attained of themselves.

      But all his pains in collecting knowledge, all his judgment in selecting, and all his art in communicating it, will not suffice, unless he can make himself, in some degree, an agreeable as well as an instructive companion. The highest instruction we can derive from the tedious tale of a dull fellow scarce ever pays us for our attention. There is nothing, I think, half so valuable as knowledge, and yet there is nothing which men will give themselves so little trouble to attain; unless it be, perhaps, that lowest degree of it which is the object of curiosity, and which hath therefore that active passion constantly employed in its service. This, indeed, it is in the power of every traveler to gratify; but it is the leading principle in weak minds only.

      To render his relation agreeable to the man of sense, it is therefore necessary that the voyager should possess several eminent and rare talents; so rare indeed, that it is almost wonderful