The sun comes next; for it must be remembered that, according to the old system of astronomy, the sun was a planet. Persons born under the sun as the planet ruling their ascendant, would be more apt to be aware of the fact than Saturnine, Jovial, Martial, or any other folk, because the hour of birth, if remembered, at once determines whether the native is a solar subject or not. The solar native has generally a round face (like pictures of the sun in old books of astronomy), with a short chin; his complexion somewhat sanguine; curling sandy hair, and a white tender skin. As to character, he is bold and resolute, desirous of praise, of slow speech and composed judgment; outwardly decorous, but privately not altogether virtuous. The sun, in fact, according to astrologers, is the natural significator of respectability; for which I can discover no reason, unless it be that the sun travelling always in the ecliptic has no latitude, and so solar folk are allowed none. When the sun is ill aspected, the native is both proud and mean, tyrannical and sycophantic, exceedingly unamiable, and generally disliked because of his arrogance and ignorant pomposity. The persons signified by the sun are emperors, kings, and titled folk generally, goldsmiths, jewellers, and coiners. When 'afflicted,' the sun signifies pretenders either to power or knowledge. The sun's influence is not in itself either good or evil, but is most powerful for good when he is favourably aspected, and for evil when he is afflicted by other planets.
Venus, the next in order, bore the same relation to the Greater Fortune Jupiter which Mars bore to Saturn the Greater Ill-fortune. She was the Lesser Fortune, and her influence was in nearly all respects benevolent. The persons born under the influence of this planet are handsome, with beautiful sparkling hazel or black eyes (but another authority assigns the subject of Venus, 'a full eye, usually we say goggle-eyed,' by which we do not usually imply beauty), ruddy lips, the upper lip short, soft smooth hair, dimples in the cheek and chin, an amorous look and a sweet voice. One old astrologer puts the matter thus pleasantly:—'The native of Venus hath,' quoth he, 'a love-dimple in the chin, a lovely mouth, cherry lips, and a right merry countenance.' In character the native of Venus is merry 'to a fault,' but of temper engaging, sweet and cheerful, unless she be ill aspected, when her native is apt to be too fond of pleasure and amusement. That her influence is good is shown (in the opinion of Raphaël, writing in 1828) by the character of George IV., 'our present beloved monarch and most gracious majesty, who was born just as this benevolent star' was in the ascendant; 'for it is well known to all Europe what a refined and polished genius, and what exquisite taste, the King of England possesses, which therefore may be cited as a most illustrious proof of the celestial science; a proof likewise which is palpably demonstrable, even to the most casual observer, since the time of his nativity is taken from the public journals of the period, and cannot be gainsaid.' 'This illustrious and regal horoscope is replete with wonderful verifications of planetary influence, and England cannot but prosper while she is blessed with the mild and beneficent sway of this potent monarch.' Strengthened in faith by this convincing proof of the celestial science, we proceed to notice that Venus is the protectrice of musicians, embroiderers, perfumers, classic modellers, and all who work in elegant attire or administer to the luxuries of the great; but when she is afflicted, she represents 'the lower orders of the votaries of voluptuousness.'
Mercury is considered by astrologers 'a cold, dry, melancholy star.' The Mercurial is neither dark nor fair, but between both, long-faced, with high forehead and thin sharp nose, 'thin beard (many times none at all), slender of body, and with small weak eyes;' long slender hands and fingers are 'especial marks of Mercury,' says Raphaël. In character the Mercurial is busy and prattling. But when well affected, Mercury gives his subjects a strong, vigorous, active mind, searching and exhaustive, a retentive memory, a natural thirst for knowledge.[13] The persons signified by Mercury are astrologers, philosophers, mathematicians, politicians, merchants, travellers, teachers, poets, artificers, men of science, and all ingenious, clever men. When he is ill affected, however, he represents pettifoggers, cunning vile persons, thieves, messengers, footmen, and servants, etc.
The moon comes last in planetary sequence, as nearest to the earth. She is regarded by astrologers as a cold, moist, watery, phlegmatic planet, variable to an extreme, and, like the sun, partaking of good or evil according as she is aspected favourably or the reverse. Her natives are of good stature, fair, and pale, moon-faced, with grey eyes, short arms, thick hands and feet, smooth, corpulent and phlegmatic body. When she is in watery signs, the native has freckles on the face, or, says Lilly, 'he or she is blub-cheeked, not a handsome body, but a muddling creature.' Unless the moon is very well aspected, she ever signifies an ordinary vulgar person. She signifies sailors (not as Mars does, the fighting-men of war-ships, but nautical folk generally) and all persons connected with water or any kind of fluid; also all who are engaged in inferior and common offices.
We may note, in passing, that to each planet a special metal is assigned, as also particular colours. Chaucer, in the Chanones Yemannes' Tale, succinctly describes the distribution of the metals among the planets:—
Sol gold is, and Luna silver we threpe;
Mars iren, Mercurie silver we clepe:
Saturnus led, and Jupiter is tin,
And Venus coper, by my [the Chanones Yemannes'] faderkin.
The colours are thus assigned:—to Saturn, black; to Jupiter, mixed red and green; to Mars, red; to the sun, yellow or yellow-purple; to Venus, white or purple; to Mercury, azure blue; to the moon, a colour spotted with white and other mixed colours.
Again, the planets were supposed to have special influence on the seven ages of human life. The infant, 'mewling and puking in the nurse's arms,' was very appropriately dedicated to the moist moon; the whining schoolboy (did schoolboys whine in the days of good Queen Bess?) was less appropriately assigned to Mercury, the patron of those who eagerly seek after knowledge: then very naturally, the lover sighing like furnace was regarded as the special favourite of Venus. Thus far the order has been that of the seven planets of the ancient astrology, in supposed distance. Now, however, we have to pass over the sun, finding Mars the patron of mid life, appropriately (in this respect) presiding over the soldier full of strange oaths, and so forth; the 'justice in fair round belly with good capon lined' is watched over by the respectable sun; maturer age by Jupiter; and, lastly, old age by Saturn.
Colours were also assigned to the twelve zodiacal signs—to Aries, white and red; to Taurus, white and lemon; to Gemini, white and red (the same as Aries); to Cancer, green or russet; to Leo, red or green; to Virgo, black speckled with blue; to Libra, black, or dark crimson, or tawny colour; to Scorpio, brown; to Sagittarius, yellow, or a green sanguine (this is as strange a colour as the gris rouge of Molière's L'Avare); Capricorn, black or russet, or a swarthy brown; to Aquarius, a sky-coloured blue; to Pisces, white glistening colour (like a fish just taken out of the water).
The chief fixed stars had various influences assigned to them by astrologers. These influences were mostly associated with the imaginary figures of the constellations. Thus the bright star in the head of Aries, called by some the Ram's Horn, was regarded as dangerous and evil, denoting bodily hurts. The star Menkar in the Whale's jaw denoted sickness, disgrace, and ill-fortune, with danger from great beasts. Betelgeux, the bright star on Orion's right shoulder, denoted martial honours or wealth; Bellatrix, the star on Orion's left shoulder, denoted military or civic honours; Rigel, on Orion's left foot, denoted honours; Sirius and Procyon, the greater and lesser Dog Stars, both implied wealth and renown. Star clusters seem to have portended loss of sight; at least we learn that the Pleiades were 'eminent stars,' but denoting accidents to the sight or blindness, while the cluster Præsepe or the Beehive in like manner threatened blindness. The cluster in Perseus does not seem to have been noticed by astrologers. The variable star Algol or Caput Medusæ, which marks the head of Gorgon, was accounted 'the most unfortunate, violent, and dangerous star in the heavens.' It is tolerably clear that the variable character of this star had been detected long before Montanari (to whom the discovery is commonly attributed) noticed the phenomenon. The name Algol is only a variation of Al-ghúl, the monster or demon, and it cannot be doubted that the demoniac, Gorgonian character assigned to this star was suggested by its ominous change, as though it were the eye of some fierce monster slowly winking amid the gloom of space. The two stars called the