In this domesticated and almost comfortable fashion did the greatest tragedy the human race has known since the beginning of the world gradually prepare its first scenes and reveal glimpses of itself, as the curtain of Time was, during that June, slowly raised by the hand of Fate.
This is not what is known as a "war story." It is not even a story of the War, but a relation of incidents occurring amidst and resulting from the strenuousness of a period to which "the War" was a background so colossal that it dwarfed all events, except in the minds of those for whom such events personally shook and darkened or brightened the world. Nothing can dwarf personal anguish at its moment of highest power; to the last agony and despairing terror of the heart-wrung the cataclysm of earthquake, tornado, shipwreck is but the awesome back drop of the scene.
Also—incidentally—the story is one of the transitions in, and convulsive changes of, points of view produced by the convulsion itself which flung into new perspective the whole surface of the earth and the races existing upon it.
The Head of the House of Coombe had, as he said, been born at once too early and too late to admit of any fixed establishment of tastes and ideals. His existence had been passed in the transition from one era to another—the Early Victorian, under whose disappearing influences he had spent his youth; the Late Victorian and Edwardian, in whose more rapidly changing atmosphere he had ripened to maturity. He had, during this transition, seen from afar the slow rising of the tidal wave of the Second Deluge; and in the summer days of 1914 he heard the first low roaring of its torrential swell, and visualised all that the overwhelming power of its bursting flood might sweep before it and bury forever beneath its weight.
He made seemingly casual crossings of the Channel and journeys which were made up of the surmounting of obstacles, and when he returned, brought with him a knowledge of things which it would have been unwise to reveal carelessly to the general public. The mind of the general public had its parallel, at the moment, in the temperature of a patient in the early stages of, as yet, undiagnosed typhoid or any other fever. Restless excitement and spasmodic heats and discomforts prompted and ruled it. Its tendency was to nervous discontent and suspicious fearfulness of approaching, vaguely formulated, evils. These risings of temperature were to be seen in the very streets and shops. People were talking—talking—talking. Ordinary people, common people, all kinds of classes. The majority of them did not know what they were talking about; most of them talked either uneducated, frightened or blustering nonsense, but everybody talked more or less. Enormous numbers of newspapers were bought and flourished about, or pored over anxiously. Numbers of young Germans were silently disappearing from their places in shops, factories and warehouses. That was how Germany showed her readiness for any military happening. Her army was already trained and could be called from any country and walk in life. A mysterious unheard command called it and it was obliged to obey. The entire male population of England had not been trained from birth to regard itself as an immense military machine, ready at any moment for action. The James Simpson type of Englishman indulged in much discussion of the pros and cons of enforced military training of youth. Germany's well known contempt of the size and power of the British Army took on an aspect which filled the James Simpsons with rage. They had not previously thought of themselves as martial, because middle-class England was satisfied with her belief in her strength and entire safety. Of course she was safe. She always had been. Britannia Rules the Waves and the James Simpsons were sure that incidentally she ruled everything else. But as there stole up behind the mature Simpsons the haunting realization that, if England was "drawn in" to a war, it would be the young Simpsons who must gird their loins and go forth to meet Goliath in his armour, with only the sling and stone of untrained youth and valour as their weapon, there were many who began to feel that even inconvenient drilling and discipline might have been good things.
"There is something quite thrilling in going about now," said Feather to Coombe, after coming in from a shopping round, made in her new electric brougham. "One doesn't know what it is, but it's in the air. You see it in people's faces. Actually shop girls give one the impression of just having stopped whispering together when you go into a place and ask for something. A girl who was trying on some gloves for me—she was a thin girl with prominent watery eyes—had such a frightened look, that I said to her, just to see what she would say—'I wonder what would happen to the shops if England got into war?' She turned quite white and answered, 'Oh, Madam, I can't bear to think of it. My favourite brother's a soldier. He's such a nice big fellow and we're so fond of him. And he's always talking about it. He says Germany's not going to let England keep out. We're so frightened—mother and me.' She almost dropped a big tear on my glove. It would be quite exciting if England did go in."
"It would," Coombe answered.
"London would be crowded with officers. All sorts of things would have to be given for them—balls and things."
"Cannon balls among other things," said Coombe.
"But we should have nothing to do with the cannon balls, thank goodness," exhilaration sweeping her past unpleasant aspects. "One would be sorry for the Tommies, of course, if the worst came to the worst. But I must say army and navy men are more interesting than most civilians. It's the constant change in their lives, and their having to meet so many kinds of people."
"In actual war, men who are not merely 'Tommies' actually take part," Coombe suggested. "I was looking at a ball-room full of them the night after the news came from Sarajevo. Fine, well-set-up youngsters dancing with pretty girls. I could not help asking myself what would have happened to them before the German army crossed the Channel—if they were not able to prevent the crossing. And what would happen to the girls after its crossing, when it poured over London and the rest of England in the unbridled rage of drunken victory."
He so spoke because beneath his outward coldness he himself felt a secret rage against this lightness which, as he saw things, had its parallel in another order of trivial unawareness in more important places and larger brains. Feather started and drew somewhat nearer to him.
"How hideous! What do you mean! Where was the party?" she asked.
"It was a small dance given by the Duchess, very kindly, for Robin," he answered.
"For Robin!" with open eyes whose incredulity held irritation. "The old Duchess giving parties to her 'useful companion' girl! What nonsense! Who was there?" sharply.
"The young fellows who would be first called on if there was war. And the girls who are their relatives. Halwyn was there—and young Dormer and Layton—they are all in the army. The cannon balls would be for them as well as for the Tommies of their regiments. They are spirited lads who wouldn't slink behind. They'd face things."
Feather had already forgotten her moment's shock in another thought.
"And they were invited to meet Robin! Did they dance with her? Did she dance much? Or did she sit and stare and say nothing? What did she wear?"
"She looked like a very young white rose. She danced continually. There was always a little mob about her when the music stopped. I do not think she sat at all, and it was the young men who stared. The only dance she missed—Kathryn told her grandmother—was the one she sat out in the conservatory with Donal Muir."
At this Feather's high, thin little laugh broke forth.
"He turned up there? Donal Muir!" She struck her hands lightly together. "It's too good to be true!"
"Why is it too good to be true?" he inquired without enthusiasm.
"Oh, don't you see? After all his mother's airs and graces and running away with him when they were a pair of babies—as if Robin had the plague.