We confessed shyly to one another a common secret vice, “Phantom warfare.” When we walked alone, especially in the country, we had both developed the same practice of fighting an imaginary battle about us as we walked. As we went along we were generals, and our attacks pushed along on either side, crouching and gathering behind hedges, cresting ridges, occupying copses, rushing open spaces, fighting from house to house. The hillsides about Penge were honeycombed in my imagination with the pits and trenches I had created to check a victorious invader coming out of Surrey. For him West Kensington was chiefly important as the scene of a desperate and successful last stand of insurrectionary troops (who had seized the Navy, the Bank and other advantages) against a royalist army—reinforced by Germans—advancing for reasons best known to themselves by way of Harrow and Ealing. It is a secret and solitary game, as we found when we tried to play it together. We made a success of that only once. All the way down to Margate we schemed defences and assailed and fought them as we came back against the sunset. Afterwards we recapitulated all that conflict by means of a large scale map of the Thames and little paper ironclads in plan cut out of paper.
A subsequent revival of these imaginings was brought about by Britten's luck in getting, through a friend of his father's, admission for us both to the spectacle of volunteer officers fighting the war game in Caxton Hall. We developed a war game of our own at Britten's home with nearly a couple of hundred lead soldiers, some excellent spring cannons that shot hard and true at six yards, hills of books and a constantly elaborated set of rules. For some months that occupied an immense proportion of our leisure. Some of our battles lasted several days. We kept the game a profound secret from the other fellows. They would not have understood.
And we also began, it was certainly before we were sixteen, to write, for the sake of writing. We liked writing. We had discovered Lamb and the best of the middle articles in such weeklies as the SATURDAY GAZETTE, and we imitated them. Our minds were full of dim uncertain things we wanted to drag out into the light of expression. Britten had got hold of IN MEMORIAM, and I had disinterred Pope's ESSAY ON MAN and RABBI BEN EZRA, and these things had set our theological and cosmic solicitudes talking. I was somewhere between sixteen and eighteen, I know, when he and I walked along the Thames Embankment confessing shamefully to one another that we had never read Lucretius. We thought every one who mattered had read Lucretius.
When I was nearly sixteen my mother was taken ill very suddenly, and died of some perplexing complaint that involved a post-mortem examination; it was, I think, the trouble that has since those days been recognised as appendicitis. This led to a considerable change in my circumstances; the house at Penge was given up, and my Staffordshire uncle arranged for me to lodge during school terms with a needy solicitor and his wife in Vicars Street, S. W., about a mile and a half from the school. So it was I came right into London; I had almost two years of London before I went to Cambridge.
Those were our great days together. Afterwards we were torn apart; Britten went to Oxford, and our circumstances never afterwards threw us continuously together until the days of the BLUE WEEKLY.
As boys, we walked together, read and discussed the same books, pursued the same enquiries. We got a reputation as inseparables and the nickname of the Rose and the Lily, for Britten was short and thick-set with dark close curling hair and a ruddy Irish type of face; I was lean and fair-haired and some inches taller than he. Our talk ranged widely and yet had certain very definite limitations. We were amazingly free with politics and religion, we went to that little meeting-house of William Morris's at Hammersmith and worked out the principles of Socialism pretty thoroughly, and we got up the Darwinian theory with the help of Britten's medical-student brother and the galleries of the Natural History Museum in Cromwell Road. Those wonderful cases on the ground floor illustrating mimicry, dimorphism and so forth, were new in our times, and we went through them with earnest industry and tried over our Darwinism in the light of that. Such topics we did exhaustively. But on the other hand I do not remember any discussion whatever of human sex or sexual relationships. There, in spite of intense secret curiosities, our lips were sealed by a peculiar shyness. And I do not believe we ever had occasion either of us to use the word “love.” It was not only that we were instinctively shy of the subject, but that we were mightily ashamed of the extent of our ignorance and uncertainty in these matters. We evaded them elaborately with an assumption of exhaustive knowledge.
We certainly had no shyness about theology. We marked the emancipation of our spirits from the frightful teachings that had oppressed our boyhood, by much indulgence in blasphemous wit. We had a secret literature of irreverent rhymes, and a secret art of theological caricature. Britten's father had delighted his family by reading aloud from Dr. Richard Garnett's TWILIGHT OF THE GODS, and Britten conveyed the precious volume to me. That and the BAB BALLADS were the inspiration of some of our earliest lucubrations.
For an imaginative boy the first experience of writing is like a tiger's first taste of blood, and our literary flowerings led very directly to the revival of the school magazine, which had been comatose for some years. But there we came upon a disappointment.
8
In that revival we associated certain other of the Sixth Form boys, and notably one for whom our enterprise was to lay the foundations of a career that has ended in the House of Lords, Arthur Cossington, now Lord Paddockhurst. Cossington was at that time a rather heavy, rather good-looking boy who was chiefly eminent in cricket, an outsider even as we were and preoccupied no doubt, had we been sufficiently detached to observe him, with private imaginings very much of the same quality and spirit as our own. He was, we were inclined to think, rather a sentimentalist, rather a poseur, he affected a concise emphatic style, played chess very well, betrayed a belief in will-power, and earned Britten's secret hostility, Britten being a sloven, by the invariable neatness of his collars and ties. He came into our magazine with a vigour that we found extremely surprising and unwelcome.
Britten and I had wanted to write. We had indeed figured our project modestly as a manuscript magazine of satirical, liberal and brilliant literature by which in some rather inexplicable way the vague tumult of ideas that teemed within us was to find form and expression; Cossington, it was manifest from the outset, wanted neither to write nor writing, but a magazine. I remember the inaugural meeting in Shoesmith major's study—we had had great trouble in getting it together—and how effectually Cossington bolted with the proposal.
“I think we fellows ought to run a magazine,” said Cossington. “The school used to have one. A school like this ought to have a magazine.”
“The last one died in '84,” said Shoesmith from the hearthrug. “Called the OBSERVER. Rot rather.”
“Bad title,” said Cossington.
“There was a TATLER before that,” said Britten, sitting on the writing table at the window that was closed to deaden the cries of the Lower School at play, and clashing his boots together.
“We want something suggestive of City Merchants.”
“CITY MERCHANDIZE,” said Britten.
“Too fanciful. What of ARVONIAN? Richard Arvon was our founder, and it seems almost a duty—”
“They call them all -usians or -onians,” said Britten.
“I like CITY MERCHANDIZE,” I said. “We could probably find a quotation to suggest—oh! mixed good things.”
Cossington regarded me abstractedly.
“Don't want to put the accent on the City, do we?” said Shoesmith, who had a feeling for county families, and Naylor supported him by a murmur of approval.
“We ought to call it the ARVONIAN,” decided Cossington, “and we might very well have underneath, 'With which is incorporated the OBSERVER.' That picks up the old traditions, makes an appeal to old boys and all that, and it gives us something to print under the title.”
I still held out for CITY MERCHANDIZE, which had taken my fancy. “Some of the chaps' people won't like it,” said Naylor, “certain not to. And it sounds Rum.”
“Sounds Weird,” said a boy who had not