Poor, innocent, unsuspecting Fanny! she little thought that the abandoned creature at her side was leading her into a snare, imminently dangerous to her peace of mind and future happiness! "I will save up money enough to buy grandfather a rocking-chair, after all," thought she, as she gaily trudged onward, while ever and anon Sow Nance would glare savagely at her from the corners of her snake-like eyes. It is one of the worst qualities peculiar to corrupt human nature, the hatred with which the wicked and abandoned regard the innocent and pure. Fanny had never in the slightest degree injured the wretch who was plotting her ruin;—and Sow Nance had no other reason for hating her, than because she herself was a guilty and polluted being, while Fanny she knew to be without stain or blemish.
In about a quarter of an hour they reached a handsome brick house in South street.
"This is the place," said Sow Nance, as she rang the door bell; the summons was immediately answered by an old negro woman, who, exchanging a significant look with Nance, admitted them, and ushered them into a large parlor. The apartment was handsomely furnished, the walls adorned with many pictures, and the floor covered with a very rich carpet.
"Sit down, young ladies, and I will call Mr. Tickels down," said the old negro woman, as she left the room; in a few moments, a gentleman entered, and regarded Fanny with a gaze so piercing, that the poor girl was covered with confusion.
The gentleman was, to all appearances, full sixty years of age; he was a large, portly man, with very gray hair and a very red face: he was attired in a dressing-gown and slippers, and wore a magnificent diamond pin in his shirt frill.
This man was one of those wealthy beasts whose lusts run riot on the innocence of young females—whose crimes outnumbered the gray hairs upon his head, and whose riches were devoted to no other purpose than the procurement of victims for his appetite, and the gratification of his abominable passions.
A vague, strange fear stole over Fanny, while this gentleman thus viewed her so closely—a fear which she could not define, yet which rendered her excessively uneasy. Apparently the survey was satisfactory to the gentleman—for he smiled, and in doing so displayed two rows of teeth not unlike the fangs of a wolf. Then he beckoned Sow Nance to follow him from the room, and held a whispered conversation with her in the passage.
"Who is she, Nance?" asked the gentleman.
"Not one of us," was the reply, "she sells fruit, and is poor, but her folks are respectable;—you must pay me well for bringing her here, for she's handsome."
"True; but are you sure she has never—"
"Sure!" replied Nance, almost fiercely—"I'll take my oath on it; hasn't she always kept away from us, and ain't all the girls hating her like h——l, 'cause she's virtuous? Don't you suppose I know?"
"Good," said the gentleman; and taking a gold coin from his pocket, he gave it to Nance, who, stooping down, secreted it in her stocking; then she noiselessly opened the front door and left the house, singing in a hoarse voice, as she sped on her way towards Ann street, (where she lived,) these barbarous words:—
"The lamb to the wolf is sold, sold, sold;
No more she'll return to her fold, fold, fold—
And Sow Nance will dare another to snare,
And the wolf shall have her for gold, gold, gold!"
The gentleman (I use the word ironically, reader,) re-entered the parlor, advanced to where Fanny was seated, and laying his heavy hand upon the young girl's shoulder, glued his polluted lips to her pure cheek. She sprang from his profaning grasp with a cry of terror, and fled towards the door—it was locked! The gentleman laughed, and said—
"No, no, my pretty bird, you cannot escape from your cage so easily; and why should you wish to? Your cage shall have golden wires, and you shall be fed on delicacies, my little flutterer—so smooth the feathers of your bright wings, my dear, and sing your sweetest notes!"
Fanny burst into tears, and fell on her knees before the old libertine.—Young and innocent as she was, a dark suspicion of his purpose came like a shadow over her soul, and she cried in piteous accents—
"Pray, good sir, let me go home to my poor grandfather and my little brother—they will be expecting me, and will feel worried at my absence. Surely, sir, you will not have the heart to harm me—I am but a poor fruit girl, without father or mother. Pray let me go, sir."
That appeal, made touching by the youth and innocence of the speaker, and by her profound distress, might have melted a heart of iron—but it moved not the stony heart of the old villain, and he looked upon her with his cold, hard eyes, and his disgusting smile, as he said—
"Your tears make you doubly interesting, my sweet child. I am afraid that your poor grandfather and your little brother, as you call them, will be obliged to wait a long while for your return, let them worry ever so much at your absence. You say truly that I have not the heart to harm you, a poor fruit girl—no, I will make a lady of you; and as you have, you say, neither father nor mother, I will supply their place, my pretty dear, and be your lover into the bargain. Those coarse garments shall be changed for silks and satins—that shining hair shall be made radiant with gems—jewels shall sparkle on that fair neck, and on those taper fingers—you shall ride in a carriage, and have servants to wait on you—and you shall sleep on a downy bed, and live in a grand house, like this. Say, will not all these fine things be better than selling fruit in the cold streets?"
But the sobbing girl implored him to let her go home. The gentleman ground his teeth with rage.
"Well, well," said he, after a brief pause, and speaking in an assumed tone of kindness, "you shall go home, since you wish it." He rang a bell, and the old negro woman appeared, to whom he whispered for a few moments, and then left the room.
"Come, Miss," said the old wench, addressing Fanny, with a grin that was anything but encouraging or expressive of a friendly feeling—"come with me up stairs, and wash the tears from your pretty face; then you shall go home—ha, ha, ha!"
It was a demon's laugh, full of malice and hatred; yet Fanny smiled through her tears, for she saw not the old wretch's malignity, and only thought of her escape from the danger which had menaced her, and anticipated the happiness she should feel when once more in safety beneath her own humble roof, in the society of all she held dear on earth. Joyfully did she follow the old wench up stairs and into an apartment still more handsomely furnished than the one below; but what was her astonishment and affright, when her sable conductress gave her a violent push which threw her violently to the floor, and then quickly left the room and locked the door! A presentiment that she was imprisoned, and for the worst of purposes, flashed through her mind, and she made the apartment resound with her shrieks. But, alas! no help was near—no friendly hand was there to burst open the door of her prison, and rescue her from a house, within whose walls she was threatened with the worst fate that can befall a helpless maiden—the loss of her honor. Her loud shrieks penetrated not beyond the precincts of that massive building—her calls for help were answered only by the taunting laugh of the black hag outside, who loaded her with alternate abuse, threats, and curses. At last, exhausted and despairing, poor Fanny threw herself upon the carpet, and prayed—oh, how earnestly!—that no harm might happen to her, which could call the blush of shame to her cheek, or make her poor grandfather think of her as a lost, polluted thing.
Somewhat relieved by this, (and who shall say that a holy whisper breathed not into her pure heart the assurance that she should pass unscathed through the fiery furnace?) she arose with a calmer spirit, and began to survey the apartment in which she was confined. It was a large room, very elegantly furnished, containing a piano, and a profusion of paintings. On examining one of these, Fanny turned away with a burning cheek—for it was one of those immodest productions of the French school, which show how art and talent can be perverted to the basest uses. She looked at no more of the pictures,