“He is a very odd man,” she admitted, “but I can tell you there is a fine nature under that strange surface of his. However,” she went on, “I am forgetting that he forbids me to talk about him in your presence. When the opportunity offers, I shall take my own way of teaching you two to understand each other: you will both be grateful to me when I have succeeded. In the meantime, there is a third person who will be sadly disappointed to hear that you know nothing about Mr. Sax.”
“May I ask, ma’am, who the person is?”
“Can you keep a secret, Miss Morris? Of course you can! The person is Miss Melbury.”
(Miss Melbury was a dark woman. It cannot be because I am a fair woman myself—I hope I am above such narrow prejudices as that—but it is certainly true that I don’t admire dark women.)
“She heard Mr. Sax telling me that you particularly disliked him,” Mrs. Fosdyke proceeded. “And just as you appeared in the hall, she was asking me to find out what your reason was. My own opinion of Mr. Sax, I ought to tell you, doesn’t satisfy her; I am his old friend, and I present him of course from my own favorable point of view. Miss Melbury is anxious to be made acquainted with his faults—and she expected you to be a valuable witness against him.”
Thus far we had been walking on. We now stopped, as if by common consent, and looked at one another.
In my previous experience of Mrs. Fosdyke, I had only seen the more constrained and formal side of her character. Without being aware of my own success, I had won the mother’s heart in winning the goodwill of her children. Constraint now seized its first opportunity of melting away; the latent sense of humor in the great lady showed itself, while I was inwardly wondering what the nature of Miss Melbury’s extraordinary interest in Mr. Sax might be. Easily penetrating my thoughts, she satisfied my curiosity without committing herself to a reply in words. Her large gray eyes sparkled as they rested on my face, and she hummed the tune of the old French song, “C’est l’amour, l’amour, l’amour!” There is no disguising it—something in this disclosure made me excessively angry. Was I angry with Miss Melbury? or with Mr. Sax? or with myself? I think it must have been with myself.
Finding that I had nothing to say on my side, Mrs. Fosdyke looked at her watch, and remembered her domestic duties. To my relief, our interview came to an end.
“I have a dinner-party to-day,” she said, “and I have not seen the housekeeper yet. Make yourself beautiful, Miss Morris, and join us in the drawing-room after dinner.”
V.
I WORE my best dress; and, in all my life before, I never took such pains with my hair. Nobody will be foolish enough, I hope, to suppose that I did this on Mr. Sax’s account. How could I possibly care about a man who was little better than a stranger to me? No! the person I dressed at was Miss Melbury.
She gave me a look, as I modestly placed myself in a corner, which amply rewarded me for the time spent on my toilet. The gentlemen came in. I looked at Mr. Sax (mere curiosity) under shelter of my fan. His appearance was greatly improved by evening dress. He discovered me in my corner, and seemed doubtful whether to approach me or not. I was reminded of our first odd meeting; and I could not help smiling as I called it to mind. Did he presume to think that I was encouraging him? Before I could decide that question, he took the vacant place on the sofa. In any other man—after what had passed in the morning—this would have been an audacious proceeding. He looked so painfully embarrassed, that it became a species of Christian duty to pity him.
“Won’t you shake hands?” he said, just as he had said it at Sandwich.
I peeped round the corner of my fan at Miss Melbury. She was looking at us. I shook hands with Mr. Sax.
“What sort of sensation is it,” he asked, “when you shake hands with a man whom you hate?”
“I really can’t tell you,” I answered innocently; “I have never done such a thing.”
“You would not lunch with me at Sandwich,” he protested; “and, after the humblest apology on my part, you won’t forgive me for what I did this morning. Do you expect me to believe that I am not the special object of your antipathy? I wish I had never met with you! At my age, a man gets angry when he is treated cruelly and doesn’t deserve it. You don’t understand that, I dare say.”
“Oh, yes, I do. I heard what you said about me to Mrs. Fosdyke, and I heard you bang the door when you got out of my way.”
He received this reply with every appearance of satisfaction. “So you listened, did you? I’m glad to hear that.”
“Why?”
“It shows you take some interest in me, after all.”
Throughout this frivolous talk (I only venture to report it because it shows that I bore no malice on my side) Miss Melbury was looking at us like the basilisk of the ancients. She owned to being on the wrong side of thirty; and she had a little money—but these were surely no reasons why she should glare at a poor governess. Had some secret understanding of the tender sort been already established between Mr. Sax and herself? She provoked me into trying to find out—especially as the last words he had said offered me the opportunity.
“I can prove that I feel a sincere interest in you,” I resumed. “I can resign you to a lady who has a far better claim to your attention than mine. You are neglecting her shamefully.”
He stared at me with an appearance of bewilderment, which seemed to imply that the attachment was on the lady’s side, so far. It was of course impossible to mention names; I merely turned my eyes in the right direction. He looked where I looked—and his shyness revealed itself, in spite of his resolution to conceal it. His face flushed; he looked mortified and surprised. Miss Melbury could endure it no longer. She rose, took a song from the music-stand, and approached us.
“I am going to sing,” she said, handing the music to him. “Please turn over for me, Mr. Sax.”
I think he hesitated—but I cannot feel sure that I observed him correctly. It matters little. With or without hesitation, he followed her to the piano.
Miss Melbury sang—with perfect self-possession, and an immense compass of voice. A gentleman near me said she ought to be on the stage. I thought so too. Big as it was, our drawing-room was not large enough for her. The gentleman sang next. No voice at all—but so sweet, such true feeling! I turned over the leaves for him. A dear old lady, sitting near the piano, entered into conversation with me. She spoke of the great singers at the beginning of the present century. Mr. Sax hovered about, with Miss Melbury’s eye on him. I was so entranced by the anecdotes of my venerable friend, that I could take no notice of Mr. Sax. Later, when the dinner-party was over, and we were retiring for the night, he still hovered about, and ended in offering me a bedroom candle. I immediately handed it to Miss Melbury. Really a most enjoyable evening!
VI.
THE next morning we were startled by an extraordinary proceeding on the part of one of the guests. Mr. Sax had left Carsham Hall by the first train—nobody knew why.
Nature has laid—so, at least, philosophers say—some heavy burdens upon women. Do those learned persons include in their list the burden of hysterics? If so, I cordially agree with them. It is hardly worth speaking of in my case—a constitutional outbreak in the solitude of my own room, treated with eau-de-cologne and water, and quite forgotten afterward in the absorbing employment of education. My favorite pupil, Freddy, had been up earlier than the rest of us—breathing the morning air in the fruit-garden. He had seen Mr. Sax and had asked him when he was coming back again. And Mr. Sax had said, “I shall be back again next month.” (Dear little Freddy!)
In the meanwhile we, in the schoolroom, had the prospect before us of a dull time in an empty house. The remaining guests were to go away at the end of the week, their hostess being engaged to pay a visit to some old friends in Scotland.