The Fifty-fourth Regiment marched to the relief, but most of the officers were shot, and the native soldiers refused to act—a precedent followed by the natives of other regiments; thus the rebels were largely reinforced, and they soon had complete possession of the fort, which was then well garrisoned by native officers who were thoroughly trained in English tactics. The mutiny was now complete, and English rule for the time being ceased; disturbances also spread to Agra, Cawnpore, and Lucknow, so the army was necessarily divided; however, the bravery of the British forces at Delhi was such that by May 20th the fort and palace had been regained. The King was captured before Humayun's tomb (outside the city), and, the King's sons surrendering, they were shot in front of the Delhi gate of the fort. The victory, nevertheless, was only won through the sacrifice of many lives, the loss of officers being particularly heavy; the city also suffered greatly from the siege, and the beauty of the fort and palace was much impaired.
There are two fine gates to the fort—the Lahore on the west side, and the Delhi on the south side—both built by Shah Jahan, between 1638 and 1648. The fort is encircled by a massive red sandstone wall; we passed through the grand archway of the Lahore gate, into a vaulted arcade which Mr. Ferguson (the famous authority on architecture) considers the noblest entrance known to any palace. The arcade ends in the centre of the outer main court, measuring five hundred and forty by three hundred and sixty feet; the inner court is somewhat larger and is surrounded by cloisters or galleries. On the farther side of this inner court is the fine Hall of Public Audience, Diwan-i-Am, one hundred by sixty feet, where the proportions and the arrangement of columns and arches are perfect. At one end of this hall is a raised recess in which the Emperor used to be seated on the famous Peacock Throne, which Nadir Shah carried to Persia; before the throne, and lower, was the seat occupied by the prime minister, while above it were placed the inlaid panels by Austin of Bordeaux.
The hall was restored under the direction of the late viceroy, Lord Curzon, and we saw Florentine artists renewing the inlaid work in the panels. The remarkable throne was six feet long and four feet wide; it stood on six massive feet, which, with the body of the chair, were of solid gold, inlaid with rubies, emeralds, and diamonds. The throne took its name from having the figures of two peacocks standing behind it, their tails extended, and the whole so inlaid with sapphires, rubies, pearls, emeralds, and diamonds as to be lifelike in its color. All this was surmounted by a canopy of gold, and supported by twelve pillars, richly emblazoned with gems, while a fringe of pearls ornamented the edge of the canopy. There were still more costly adjuncts, but these details must suffice; it is needless to add that the loss of the throne was considered a national calamity.
A gate on one side of this hall led to the inner court of the palace, and to the Hall of Private Audience, or Diwan-i-Khas, which is among the most graceful assembly rooms in the world. It is ninety by sixty-seven feet, and is built entirely of white marble, inlaid with precious stones; at either end of the hall is the famous Persian inscription:
"If heaven can be on the face of the earth,
It is this, oh! it is this, oh! it is this!"
Not far removed from here are the royal apartments, consisting of three suites of rooms, with an octagonal tower projecting over the river Jumna. These rooms are all finely decorated. Beyond them are the Rang Mahal, or Painted Palace—the residence of the chief Sultana—and the royal baths, consisting of three large rooms fitted in white marble, elaborately inlaid. Opposite to this is the Moti Musjid, or Pearl Mosque.
There are more buildings that could be described, but some were injured at the time of the mutiny, and others have since been removed, presumably in the interest of modern requirements.
We made our exit through the Delhi gate; between the inner and outer arches stand the Chettar elephants which were replaced by order of Lord Curzon. The Jumma Musjid is raised on a lofty basement; it has three gateways, four corner towers, two lofty minarets, and three domes. We ascended one of the towers and had an extended view; inside there is a spacious quadrangle, three hundred and twenty-five feet square, in the centre of which is a fountain for ablution; and on three sides there are sandstone cloisters. An immense concourse of people assemble here for prayer every Friday; the mosque in arrangement is very similar to the congregational mosques of Cairo.
The Kalun Musjid, usually called Black Mosque, dates from 1386. It is of peculiar construction, having two stories, and is somewhat Egyptian in appearance. A Jain temple was so hemmed in by streets that its appearance was much impaired, but the interior was beautiful in design and finish.
The street known as Chandni Chauk fully sustained its reputation as a shopping centre; it is over a mile in length and is always a scene of sparkle and commotion; on it were the usual bazars, but also many larger stores, as Delhi is considered the finest shopping point in India, particularly in precious stones—jewelry being the commodity most heralded, as we learned to our sorrow.
On arriving at Maiden's Hotel (under English management, but semi-Oriental in its arrangement), we complacently viewed our rooms on the second floor, opening upon a gallery and overlooking a large court. Here at last, so we thought, was a haven of refuge from jewelry intruders, but, alas! we were no sooner located than they appeared—not the impecunious class, but dealers with shops and a bank account—bringing with them a vast array of really beautiful gems, which were tempting but high-priced. To say that, on an average, three of these men knocked at our door during the morning bath, while as many were waiting for us at the luncheon hour, literally camping out on the balcony during the evening hours, is no exaggeration. Then the cards they presented, the insinuations they indulged in with regard to the other man's goods (who was waiting outside)! It really was amusing, but it grew tiresome, and was demoralizing, because one was compelled to "bargain" if anything was purchased at all, the first scale of prices being purposely exorbitant.
A day's visit to old Delhi was most interesting; it is a ride of eleven miles to Kutub Minar, through sand and debris, comprising a portion of an area of forty-seven miles, covered with the remains of seven, once prosperous, cities. Several of the ruins were of interest, and they had a history, but I will describe only the well-preserved mausoleum of Emperor Humayun, which gains in importance from having been the model of the Taj Mahal at Agra. It stands on a lofty platform of red sandstone, and consists of a large central octagon, surmounted by a dome with octagon towers at the angles; the red sandstone exterior is artistically picked out in relief with white marble. The windows are recessed, and the lower doors are filled with beautiful lattices of stone and marble. In the centre of each side of the main octagon is a porch, forty feet high, with a pronounced pointed arch. The cenotaph of the Emperor is of white marble, without any inscription; his wife and several other persons, including two later Emperors, are buried here also. As was quite the custom of the time, the tomb is surrounded by a garden of thirteen acres. Farther on, was the Tomb of a Saint, a perfect gem! It is built of white marble, is eighteen feet square, and is surrounded by a broad veranda. Around the covered grave there is a low marble rail, and over it a beautiful canopy, inlaid with mother-of-pearl; in the walls are finely pierced screens. Near this tomb is a handsome red sandstone mosque, called Jumat Khana, and in the vicinity are a number of other important tombs of artistic design, two having elaborately carved marble doors, the design being like lacework.
The culmination of the morning's trip was at the Kutub Minar enclosure;