The Philosophy of Fine Art. Georg Wilhelm Friedrich Hegel. Читать онлайн. Newlib. NEWLIB.NET

Автор: Georg Wilhelm Friedrich Hegel
Издательство: Bookwire
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Жанр произведения: Документальная литература
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isbn: 4064066395896
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The case is just the same if we reflect upon the way in which an animal gratifies its physical wants, obtains nourishment through the organs which grasp it, consume it, digest it, and generally is a subject of the process which preserves its life. For in this case also we have either only before us single desires and their spontaneous and haphazard gratification, in which the inward activity225 of the organism is not present at all, or at least all these activities and their means of expression have become the subject of our imaginative reflection, which is at pains to understand such a process by relating it to definite ends, and to establish a harmony between aims assumed to belong to the animal itself and the organs which fulfill them.

      (b) From the explanation of the notion of life already given we may deduce more narrowly the form of this appearance as follows. The form is one of spatial extension, limitation, and configuration, distinguished through its various shape, colour, and motion, being, in fact, a manifold of such distinctions. If, however, the organism which manifests these differences is a living organism, it will inevitably appear that the organism does not derive its true existence from such a manifold and its physical configurations. This is brought about by the fact that the different parts, which are apprehended by us through the senses, are at the same time conjoined together in one totality; they appear consequently as the members of one individual existence, which is a unity of such differences, and which not merely possesses them in their difference, but as parts of one homogeneous whole.

      (α) In the first place, however, this unity will assert itself as the purposeless identity of such differences, that is to say with no abstract relation to any causal end whatever. The parts in such a case are not rendered visible to sense merely as a means to or in the service of some defined purpose, nor are they able to fix the determinate relation of form and structure which they occupy one over against the other.

      (c) To start with, however, we must observe that the emotional expression of soul-life neither offers us the visual impression of any necessary inter-dependence between the separate members, nor indeed the perception of an identity which is necessary between such physical articulation and the subjective unity conferred on it by simple feeling. We will investigate this more narrowly.