“No,” said Philip. “I shall tell her that I understand her ideas of life perfectly, and, of course, I never shall ask her to deal with oily butter and frozen pumps—”
“—and measley babies,” interpolated Elnora.
“Exactly!” said Philip. “At the same time I find so much to counterbalance those things, that I should not object to bearing them myself, in view of the recompense. Where do we go and what do we do to-day?”
“We will have to hunt beside the roads and around the edge of the Limberlost to-day,” said Elnora. “Mother is making strawberry preserves, and she can't come until she finishes. Suppose we go down to the swamp and I'll show you what is left of the flower-room that Terence O'More, the big lumber man of Great Rapids, made when he was a homeless boy here. Of course, you have heard the story?”
“Yes, and I've met the O'Mores who are frequently in Chicago society. They have friends there. I think them one ideal couple.”
“That sounds as if they might be the only one,” said Elnora, “and, indeed, they are not. I know dozens. Aunt Margaret and Uncle Wesley are another, the Brownlees another, and my mathematics professor and his wife. The world is full of happy people, but no one ever hears of them. You must fight and make a scandal to get into the papers. No one knows about all the happy people. I am happy myself, and look how perfectly inconspicuous I am.”
“You only need go where you will be seen,” began Philip, when he remembered and finished. “What do we take to-day?”
“Ourselves,” said Elnora. “I have a vagabond streak in my blood and it's in evidence. I am going to show you where real flowers grow, real birds sing, and if I feel quite right about it, perhaps I shall raise a note or two myself.”
“Oh, do you sing?” asked Philip politely.
“At times,” answered Elnora. “'As do the birds; because I must,' but don't be scared. The mood does not possess me often. Perhaps I shan't raise a note.”
They went down the road to the swamp, climbed the snake fence, followed the path to the old trail and then turned south upon it. Elnora indicated to Philip the trail with remnants of sagging barbed wire.
“It was ten years ago,” she said. “I was a little school girl, but I wandered widely even then, and no one cared. I saw him often. He had been in a city institution all his life, when he took the job of keeping timber thieves out of this swamp, before many trees had been cut. It was a strong man's work, and he was a frail boy, but he grew hardier as he lived out of doors. This trail we are on is the path his feet first wore, in those days when he was insane with fear and eaten up with loneliness, but he stuck to his work and won out. I used to come down to the road and creep among the bushes as far as I dared, to watch him pass. He walked mostly, at times he rode a wheel.
“Some days his face was dreadfully sad, others it was so determined a little child could see the force in it, and once he was radiant. That day the Swamp Angel was with him. I can't tell you what she was like. I never saw any one who resembled her. He stopped close here to show her a bird's nest. Then they went on to a sort of flower-room he had made, and he sang for her. By the time he left, I had gotten bold enough to come out on the trail, and I met the big Scotchman Freckles lived with. He saw me catching moths and butterflies, so he took me to the flower-room and gave me everything there. I don't dare come alone often, so I can't keep it up as he did, but you can see something of how it was.”
Elnora led the way and Philip followed. The outlines of the room were not distinct, because many of the trees were gone, but Elnora showed how it had been as nearly as she could.
“The swamp is almost ruined now,” she said. “The maples, walnuts, and cherries are all gone. The talking trees are the only things left worth while.”
“The 'talking trees!' I don't understand,” commented Philip.
“No wonder!” laughed Elnora. “They are my discovery. You know all trees whisper and talk during the summer, but there are two that have so much to say they keep on the whole winter, when the others are silent. The beeches and oaks so love to talk, they cling to their dead, dry leaves. In the winter the winds are stiffest and blow most, so these trees whisper, chatter, sob, laugh, and at times roar until the sound is deafening. They never cease until new leaves come out in the spring to push off the old ones. I love to stand beneath them with my ear to the trunks, interpreting what they say to fit my moods. The beeches branch low, and their leaves are small so they only know common earthly things; but the oaks run straight above almost all other trees before they branch, their arms are mighty, their leaves large. They meet the winds that travel around the globe, and from them learn the big things.”
Philip studied the girls face. “What do the beeches tell you, Elnora?” he asked gently.
“To be patient, to be unselfish, to do unto others as I would have them do to me.”
“And the oaks?”
“They say 'be true,' 'live a clean life,' 'send your soul up here and the winds of the world will teach it what honour achieves.'”
“Wonderful secrets, those!” marvelled Philip. “Are they telling them now? Could I hear?”
“No. They are only gossiping now. This is play-time. They tell the big secrets to a white world, when the music inspires them.”
“The music?”
“All other trees are harps in the winter. Their trunks are the frames, their branches the strings, the winds the musicians. When the air is cold and clear, the world very white, and the harp music swelling, then the talking trees tell the strengthening, uplifting things.”
“You wonderful girl!” cried Philip. “What a woman you will be!”
“If I am a woman at all worth while, it will be because I have had such wonderful opportunities,” said Elnora. “Not every girl is driven to the forest to learn what God has to say there. Here are the remains of Freckles's room. The time the Angel came here he sang to her, and I listened. I never heard music like that. No wonder she loved him. Every one who knew him did, and they do yet. Try that log, it makes a fairly good seat. This old store box was his treasure house, just as it's now mine. I will show you my dearest possession. I do not dare take it home because mother can't overcome her dislike for it. It was my father's, and in some ways I am like him. This is the strongest.”
Elnora lifted the violin and began to play. She wore a school dress of green gingham, with the sleeves rolled to the elbows. She seemed a part of the setting all around her. Her head shone like a small dark sun, and her face never had seemed so rose-flushed and fair. From the instant she drew the bow, her lips parted and her eyes turned toward something far away in the swamp, and never did she give more of that impression of feeling for her notes and repeating something audible only to her. Philip was too close to get the best effect. He arose and stepped back several yards, leaning against a large tree, looking and listening intently.
As he changed positions he saw that Mrs. Comstock had followed them, and was standing on the trail, where she could not have helped hearing everything Elnora had said.
So to Philip before her and the mother watching on the trail, Elnora played the Song of the Limberlost. It seemed as if the swamp hushed all its other voices and spoke only through her dancing bow. The mother out on the trail had heard it all, once before from the girl, many times from her father. To the man it was a revelation. He stood so stunned he forgot Mrs. Comstock. He tried to realize what a city audience would say to that music, from such a player, with a similar background, and he could not imagine.
He was wondering what he dared say, how much he might express, when the last note fell and the girl laid the violin in the case, closed the door, locked it and hid the key in the rotting wood at the end of a log. Then she came to him. Philip stood looking at her curiously.
“I wonder,” he said, “what people