The Pali Suttas[230] mention six agnostic or materialist teachers and give a brief but perhaps not very just compendium of their doctrines. One of them was the founder of the Jains who, as a sect that has lasted to the present day with a considerable record in art and literature, merit a separate chapter. Of the remaining five, one, Sâñjaya of the Belaṭṭha clan, was an agnostic, similar to the people described elsewhere[231] as eel-wrigglers, who in answer to such questions as, is there a result of good and bad actions, decline to say either (a) there is, (b) there is not, (c) there both is and is not, (d) there neither is nor is not. This form of argument has been adopted by Buddhism for some important questions but Sâñjaya and his disciples appear to have applied it indiscriminately and to have concluded that positive assertion is impossible.
The other four were in many respects what we should call fatalists and materialists[232], or in the language of their time Akriya-vâdins, denying, that is, free will, responsibility and the merit or demerit of good or bad actions. They nevertheless believed in metempsychosis and practised asceticism. Apparently they held that beings are born again and again according to a natural law, but not according to their deeds: and that though asceticism cannot accelerate the soul's journey, yet at a certain stage it is a fore-ordained and indispensable preliminary to emancipation. The doctrines attributed to all four are crude and startling. Perhaps they are exaggerated by the Buddhist narrator, but they also reflect the irreverent exuberance of young thought. Pûraṇa Kassapa denies that there is any merit in virtue or harm in murder. Another ascetic called Ajita of the garment of hair teaches that nothing exists but the four elements, and that "fools and wise alike are annihilated on the dissolution of the body and after death they are not." Then why, one asks, was he an ascetic? Similarly Pakudha Kaccâyana states that "when a sharp sword cleaves a head in twain" the soul and pain play a part similar to that played by the component elements of the sword and head. The most important of these teachers was Makkhali Gosâla. His doctrine comprises a denial of causation and free will and an assertion that fools and wise alike will make an end of pain after wandering through eighty-four hundred thousand births. The followers of this teacher were called ÂjÎvikas: they were a distinct body in the time of Asoka, and the name[233] occurs as late as the thirteenth century in South Indian inscriptions. Several accounts[234] of the founder are extant, but all were compiled by bitter opponents, for he was hated by Jains and Buddhists alike. His doctrine was closely allied to Jainism, especially the Digambara sect, but was probably more extravagant and anti-social. He appears to have objected to confraternities[235], to have enjoined a solitary life, absolute nudity and extreme forms of self-mortification, such as eating filth. The Jains accused his followers of immorality and perhaps they were ancient prototypes of the lower class of religious mendicants who have brought discredit on Hinduism.
3
None of the phases of religious life described above can be called popular. The religion of the Brahmans was the thought and science of a class. The various un-Brahmanic confraternities usually required their members to be wandering ascetics. They had little to say to village householders who must have constituted the great majority of the population. Also there are signs that priests and nobles, however much they quarrelled, combined to keep the lower castes in subjection[236]. Yet we can hardly doubt that then as now all classes were profoundly religious, and that just as to-day village deities unknown to the Vedas, or even to the Puranas, receive the worship of millions, so then there were gods and rites that did not lack popular attention though unnoticed in the scriptures of Brahmans and Buddhists.
We know little of this popular religion by direct description before or even during the Buddhist period, but we have fragmentary indications of its character. Firstly several incongruous observances have obtruded themselves into the Brahmanic ritual. Thus in the course of the Mahâvrata ceremony[237] the Hotri priest sits in a swing and maidens, carrying pitchers of water on their heads and singing, dance round an altar while drums are beaten. Parallels to this may be found to-day. The image of Krishna, or even a priest who represents Krishna, is swung to and fro in many temples, the use of drums in worship is distressingly common, and during the Pongol festivities in southern India young people dance round or leap over a fire. Other remarkable features in the Mahâvrata are the shooting of arrows into a target of skin, the use of obscene language (such as is still used at the Holi festival) and even obscene acts[238]. We must not assume that popular religion in ancient India was specially indecent, but it probably included ceremonies analogous to the Lupercalia and Thesmophoria, in which licence in words and deeds was supposed to promote fertility and prosperity.
We are also justified in supposing that offerings to ancestors and many ceremonies mentioned in the Gṛihya-sûtras or handbooks of domestic ritual were performed by far larger classes of the population than the greater sacrifices, but we have no safe criteria for distinguishing between priestly injunctions and the real practice of ancient times.
Secondly, in the spells and charms of the Atharva[239], which received the Brahmanic imprimatur later than the other three Vedas, we find an outlook differing from that of the other Vedas and resembling the popular religion of China. Mankind are persecuted by a host of evil spirits and protect themselves by charms addressed directly to their tormentors or by invoking the aid of beneficent powers. All nature is animated by good and evil spirits, to be dealt with like other natural advantages or difficulties, but not thought of as moral or spiritual guides. It is true that the Atharva often rises above this phase, for it consists not of simple folk-lore, but of folk-lore modified under-sacerdotal influence. The protecting powers invoked are often the gods of the Rig Veda[240], but prayers and incantations are also addressed directly to diseases[241] and demons[242] or, on the other hand, to healing plants and amulets[243]. We can hardly be wrong in supposing that in such invocations the Atharva reflects the popular practice of its time, but it prefers the invocation of counteracting forces, whether Vedic deities or magical plants, to the propitiation of malignant spirits, such as the worship of the goddesses presiding over smallpox and cholera which is still prevalent in India. In this there is probably a contrast between the ideas of the Aryan and non-Aryan races. The latter propitiate the demon or disease; the Aryans invoke a beneficent and healing power. But though on the whole the Atharva is inclined to banish the black spectres of popular demonology with the help of luminous Aryan gods, still we find invoked in it and in its subsidiary literature a multitude of spirits, good and bad, known by little except their names which, however, often suffice to indicate their functions. Such are Âśâpati (Lord of the region), Kshetrapati (Lord of the field), both invoked in ceremonies for destroying locusts and other noxious insects, Śakambhara and Apvâ, deities of diarrhoea, and Arâti, the goddess of avarice and grudge. In one hymn[244] the poet invokes, together with many Vedic deities, all manner of nature spirits, demons, animals, healing plants, seasons and ghosts. A similar collection of queer and vague personalities is found in the popular pantheon of China to-day[245].
Thirdly, various deities who are evidently considered to be well known, play some part in the Pali Pitakas. Those most frequently mentioned are Mahâbrahmâ or Brahmâ Sahampati, and Sakka or Indra, but not quite the same as the Vedic Indra and less in need of libations of Soma. In two curious suttas[246] deputations of deities, clearly intended to include all the important gods worshipped at the time, are represented as visiting the Buddha. In both lists a prominent position is given to the Four Great Kings, or Ruling Spirits of the Four Quarters, accompanied by retinues called Gandhabbas, Kumbhandas, Nâgas, and Yakkhas respectively, and similar to the Nats of Burma. The Gandhabbas (or Gandharvas) are heavenly musicians and mostly benevolent, but are mentioned