100 Disguise did become a veritable art during that period. The revolutionists maintained schools of acting in all their refuges. They scorned accessories, such as wigs and beards, false eyebrows, and such aids of the theatrical actors. The game of revolution was a game of life and death, and mere accessories were traps. Disguise had to be fundamental, intrinsic, part and parcel of one’s being, second nature. The Red Virgin is reported to have been one of the most adept in the art, to which must be ascribed her long and successful career.
101 Disappearance was one of the horrors of the time. As a motif, in song and story, it constantly crops up. It was an inevitable concomitant of the subterranean warfare that raged through those three centuries. This phenomenon was almost as common in the oligarch class and the labor castes, as it was in the ranks of the revolutionists. Without warning, without trace, men and women, and even children, disappeared and were seen no more, their end shrouded in mystery.
102 Du Bois, the present librarian of Ardis, is a lineal descendant of this revolutionary pair.
103 In addition to the labor castes, there arose another caste, the military. A standing army of professional soldiers was created, officered by members of the Oligarchy and known as the Mercenaries. This institution took the place of the militia, which had proved impracticable under the new regime. Outside the regular secret service of the Iron Heel, there was further established a secret service of the Mercenaries, this latter forming a connecting link between the police and the military.
104 It was not until the Second Revolt was crushed, that the ‘Frisco Reds flourished again. And for two generations the Group flourished. Then an agent of the Iron Heel managed to become a member, penetrated all its secrets, and brought about its total annihilation. This occurred in 2002 A.D. The members were executed one at a time, at intervals of three weeks, and their bodies exposed in the labor-ghetto of San Francisco.
105 The Benton Harbor refuge was a catacomb, the entrance of which was cunningly contrived by way of a well. It has been maintained in a fair state of preservation, and the curious visitor may to-day tread its labyrinths to the assembly hall, where, without doubt, occurred the scene described by Avis Everhard. Farther on are the cells where the prisoners were confined, and the death chamber where the executions took place. Beyond is the cemetery—long, winding galleries hewn out of the solid rock, with recesses on either hand, wherein, tier above tier, lie the revolutionists just as they were laid away by their comrades long years agone.
106 At that time polygamy was still practised in Turkey.
107 This is not braggadocio on the part of Avis Everhard. The flower of the artistic and intellectual world were revolutionists. With the exception of a few of the musicians and singers, and of a few of the oligarchs, all the great creators of the period whose names have come down to us, were revolutionists.
108 Even as late as that period, cream and butter were still crudely extracted from cow’s milk. The laboratory preparation of foods had not yet begun.
109 In all the extant literature and documents of that period, continual reference is made to the poems of Rudolph Mendenhall. By his comrades he was called “The Flame.” He was undoubtedly a great genius; yet, beyond weird and haunting fragments of his verse, quoted in the writings of others, nothing of his has come down to us. He was executed by the Iron Heel in 1928 A.D.
110 The case of this young man was not unusual. Many young men of the Oligarchy, impelled by sense of right conduct, or their imaginations captured by the glory of the Revolution, ethically or romantically devoted their lives to it. In similar way, many sons of the Russian nobility played their parts in the earlier and protracted revolution in that country.
111 The Mercenaries, in the last days of the Iron Heel, played an important role. They constituted the balance of power in the struggles between the labor castes and the oligarchs, and now to one side and now to the other, threw their strength according to the play of intrigue and conspiracy.
112 Out of the ethical incoherency and inconsistency of capitalism, the oligarchs emerged with a new ethics, coherent and definite, sharp and severe as steel, the most absurd and unscientific and at the same time the most potent ever possessed by any tyrant class. The oligarchs believed their ethics, in spite of the fact that biology and evolution gave them the lie; and, because of their faith, for three centuries they were able to hold back the mighty tide of human progress—a spectacle, profound, tremendous, puzzling to the metaphysical moralist, and one that to the materialist is the cause of many doubts and reconsiderations.
113 Ardis was completed in 1942 A.D., Asgard was not completed until 1984 A.D. It was fifty-two years in the building, during which time a permanent army of half a million serfs was employed. At times these numbers swelled to over a million—without any account being taken of the hundreds of thousands of the labor castes and the artists.
114 Among the Revolutionists were many surgeons, and in vivisection they attained marvellous proficiency. In Avis Everhard’s words, they could literally make a man over. To them the elimination of scars and disfigurements was a trivial detail. They changed the features with such microscopic care that no traces were left of their handiwork. The nose was a favorite organ to work upon. Skin-grafting and hair-transplanting were among their commonest devices. The changes in expression they accomplished were wizard-like. Eyes and eyebrows, lips, mouths, and ears, were radically altered. By cunning operations on tongue, throat, larynx, and nasal cavities a man’s whole enunciation and manner of speech could be changed. Desperate times give need for desperate remedies, and the surgeons of the Revolution rose to the need. Among other things, they could increase an adult’s stature by as much as four or five inches and decrease it by one or two inches. What they did is to-day a lost art. We have no