Molly Bawn. Duchess. Читать онлайн. Newlib. NEWLIB.NET

Автор: Duchess
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 4057664567741
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you think you could find amusement for yourself—elsewhere!"

      "I'll try," says Tedcastle, quietly taking up the oars and proceeding to row with much appearance of haste toward the landing-place.

      By the time they reach it, Miss Massereene's bad temper—not being at any time a lengthened affair—has cooled considerably, though still a very handsome allowance remains. As he steps ashore, with the evident intention of not addressing her again, she feels it incumbent on her to speak just a word or so, if only to convince him that his ill-humor is the worst of the two.

      "Are you going home?" asks she, with cold politeness.

      "No,"—his eyebrows are raised, and he wears an expression half nonchalant, wholly bored—"I am going to Grantham."

      Now, Grantham is nine miles distant. He must be very angry if he has decided on going to Grantham. It will take him a long, long time to get there, and a long, long time to get back; and in the meantime what is to become of her?

      "That is a long way, is it not?" she says, her manner a degree more frigid, lest he mistake the meaning of her words.

      "The longer the better," ungraciously.

      "And on so hot a day!"

      "There are worse things than heat." Getting himself into his coat in such a violent fashion as would make his tailor shed bitter tears over the cruel straining of that garment.

      "You will be glad to get away from——" hesitates Molly, who has also stepped ashore, speaking in a tone that would freeze a salamander.

      "Very glad." With much unnecessary emphasis.

      "Go then," cries she, with sudden passion, throwing down the oar she still holds with a decided bang, "and I hope you will never come back. There!"

      And—will you believe it?—even after this there is no deluge.

      So she goes to the right, and he goes to the left, and when too late repent their haste. But pride is ever at hand to tread down tenderness, and obstinacy is always at the heels of pride; and out of this "trivial cause" see what a "pretty quarrel" has been sprung.

      "The long and weary day" at length has "passed away." The dinner has come to an unsuccessful end, leaving both Luttrell and his divinity still at daggers drawn. There are no signs of relenting about Molly, no symptoms of weakness about Tedcastle: the war is civil but energetic.

      They glower at each other through each course, and are positively devoted in their attentions to John and Letitia. Indeed, they seem bent on bestowing all their conversational outbreaks on these two worthies, to their unmitigated astonishment. As a rule, Mr. and Mrs. Massereene have been accustomed to occupy the background; to-night they are brought to the front with a vehemence that takes away their breath, and is, to say the least of it, embarrassing.

      Letitia—dear soul—who, though the most charming of women, could hardly be thought to endanger the Thames, understands nothing; John, on the contrary, comprehends fully, and takes a low but exquisite delight in compelling the antagonists to be attentive to each other.

      For instance:

      "Luttrell, my dear fellow, what is the matter with you this evening? How remiss you are! Why don't you break some walnuts for Molly? I would but I don't wish Letitia to feel slighted."

      "No, thank you, John,"—with a touch of asperity from Molly—"I don't care for walnuts."

      "Oh, Molly Bawn! what a tarididdle! Only last night I quite shuddered at the amount of shells you left upon your plate. 'How can that wretched child play such pranks with her digestion?' thought I, and indeed felt thankful it had not occurred to you to swallow the shells also."

      "Shall I break you some, Miss Massereene?" asks Luttrell, very coldly.

      "No, thank you," ungraciously.

      "Luttrell, did you see that apple-tree in the orchard? I never beheld such a show of fruit in my life. The branches will hardly bear the weight when it comes to perfection. It is very worthy of admiration. Molly will show it to you to-morrow: won't you, Molly?"

      Luttrell, hastily: "I will go round there myself after breakfast and have a look at it."

      John: "You will never find it by yourself. Molly will take you; eh, Molly?"

      Molly, cruelly: "I fear I shall be busy all the morning; and in the afternoon I intend going with Letitia to spend the day with the Laytons."

      Letitia, agreeably surprised: "Oh, will you, dear? That is very good of you. I thought this morning you said nothing would induce you to come with me. I shall be so glad to have you; they are so intensely dull and difficult."

      Molly, still more cruelly: "Well, I have been thinking it over, and it seems, do you know, rather rude my not going. Besides, I hear their brother Maxwell (a few more strawberries, if you please, John) is home from India, and—he used to be so good-looking."

      John, with much unction: "Oh, has he come at last! I am glad to hear it. (Luttrell, give Molly some strawberries.) You underrate him, I think: he was downright handsome. When Molly Bawn was in short petticoats he used to adore her. I suppose it would be presumptuous to pretend to measure the admiration he will undoubtedly feel for her now. I have a presentiment that fortune is going to favor you in the end, Molly. He must inherit a considerable property."

      "Rich and handsome," says Luttrell, with exemplary composure and a growing conviction that he will soon hate with an undying hatred his whilom friend John Massereene. "He must be a favorite of the gods: let us hope he will not die young."

      "He can't," says Letitia, comfortably: "he must be forty if he is a day."

      "And a good, sensible age, too," remarks John; whereupon Molly, who is too much akin to him in spirit not to fully understand his manœuvering, laughs outright.

      Then Letitia rises, and the two women move toward the door; and Molly, coming last, pauses a moment on the threshold, while Luttrell holds the door open for her. His heart beats high. Is she going to speak to him, to throw him even one poor word, to gladden him with a smile, however frozen?

      Alas! no. Miss Massereene, with a little curve of her neck, glances back expressively to where an unkind nail has caught the tail of her long soft gown. That miserable nail—not he—has caused her delay. Stooping, he extricates the dress. She bows coldly, without raising her eyes to his. A moment later she is free; still another moment, and she is gone; and Luttrell, with a suppressed but naughty word upon his lips, returns to his despondency and John; while Molly, who, though she has never once looked at him, has read correctly his fond hope and final disappointment, allows a covert smile of pleased malevolence to cross her face as she walks into the drawing-room.

      Mr. Massereene is holding a long and very one-sided argument on the subject of the barbarous Mussulman. As Luttrell evinces no faintest desire to disagree with him in his opinions, the subject wears itself out in due course of time; and John, winding up with an amiable wish that every Turk that ever has seen the light or is likely to see the light may be blown into fine dust, finishes his claret and rises, with a yawn.

      "I must leave you for awhile," he says: "so get out your cigars, and don't wait for me. I'll join you later. I have had the writing of a letter on my conscience for a week, and I must write it now or never. I really do believe I have grasped my own meaning at last. Did you notice my unusual taciturnity between the fish and the joint?"

      "I can't say I did. I imagined you talking the entire time."

      "My dear fellow, of what were you thinking. I sincerely trust you are not going to be ill; but altogether your whole manner this evening—— Well, just at that moment a sudden inspiration seized me, and then and there my letter rose up before me, couched in such eloquent language as astonished even myself. If I don't write it down at once I am a lost man."

      "But now you have composed it to your satisfaction, why not leave the writing of it until to-morrow?" expostulates Luttrell, trying to look hearty, as he expresses a hypocritical