‘Bride?’ said the young man, blushing violently, and gazing at her, surprised; and then, for the first time, his tone changed. ‘She is sweet enough, and pretty enough, for a queen,’ he said; and then added—‘if that were all!’ with a sigh.
‘Yes, but it is not all,’ said Miss Catherine, somewhat melted. ‘There are many things to be taken into consideration. Old folk and young folk have different notions; and unless your people know what you’re doing, Mr. Horace, my advice would be that you should go no more to the Glebe.’
‘Oh, that’s all nonsense!’ said Horace, recovering himself. ‘Things have not gone so far as that. Poor little thing! she wants some amusement; her sister is always ill, and nobody with her but that woman. She is a pretty little thing, and I like to talk to her; and so, it appears, does she to me.’
‘And that is all?’ said Miss Catherine, with a return of the grimness to her face.
‘That is all,’ said Horace, lightly, ‘we may chatter to each other I hope now and then without going to the last extremity. I know what you are going to say, that there is somebody else ready to step in, and that I am standing in the way of her prospects.—Such prospects!—a man old enough to be her father, with a humdrum Manse to offer her. She ought to do better than that. In short, I am a defence to keep Mr. Lothian off,’ he added, with a laugh, which his high colour and the contraction of his forehead belied. ‘Confound the old inquisitor!’ he was saying to himself, ‘what has she to do with it—am I bound to tell her everything?’ Miss Catherine’s looks grew blacker and blacker as she listened.
‘You give a bonnie account of yourself,’ she said, ‘if you want nothing but to chatter with her, how dare ye stand between her and an honest man that loves her? When Margaret dies—and we all know that calamity cannot be long averted—is it your will, for the sake of your amusement, that a bonnie, tender creature should be left without friend or guide in the world? Yes, I know what you think,’ said Miss Catherine, growing hot; ‘you think she’s so soft and sweet, that you can play as you please. But mind what I say, you may go too far with Isabel; she is young, and younger than she might be, but she is not of a light nature to be guided by you. If you play her false, be it in one way, be it in another, you’ll get your punishment. Now you have heard what I have to say, and you can go on your own way, and take your own course, like all your kind; but you’ve got warning of what will follow. And now, Mr. Horace Stapylton,’ said Miss Catherine, rising and making him a stately curtsey, ‘I am obliged to bid you good day.’
Horace started to his feet amazed beyond description by this dismissal. ‘I am shocked to have intruded upon you,’ he said, angrily; ‘I shall take care never to repeat the infliction.’
‘That shall be as you please,’ said Miss Catherine, with another curtsey, and the young man found himself with artful incaution to Isabel, when despite all that had occurred, he succeeded in meeting her ‘by accident’ on the hill: ‘and all for your sake. You are getting out of the room and out of the house almost before he recovered his consciousness. ‘Old hag!’ he said to himself, ‘old Scotch cat!—venomous old maid!’ as he walked down the avenue. But he was worsted notwithstanding, and felt his defeat.
‘She turned me out of the house,’ he said, afterwards, ‘me into disgrace with everybody. They upbraid me for following you, for taking up your time, for keeping others away; and the folk at home write to ask if I am never coming back. People look glum at me wherever I go for your sake, and you will do nothing for me: I must say it is rather too bad.’
‘I would do anything for you,’ said Isabel. ‘I would not mind what all the world might say. They might gloom at me, and welcome; what would I care? anything but one thing, Horace—and that you know—you see—I could not do.’
‘Which, of course, is the only thing I want,’ said the young man, sullenly. ‘That is always the way with girls.’
‘And why should you want it so?’ said Isabel, eagerly. ‘We’re young, and we can wait. If all your folk were ready and willing, could I leave my Margaret? Horace, you know as well as I do she has been my comfort a’ my days; there is not one like her far or near. If you think, as other folk think, that Ailie is nearer God than our Margaret, oh, it shows how little you know,’ cried Isabel, with the hot colour rushing over her face; ‘and could I forsake her that has been like a mother to me? What is love, if it’s like that?’
‘I don’t think you know what love means,’ said Horace: ‘it is to give up all for one; it is to forsake father and mother—and your past life—and your prospects, as people call them—and good sense and caution and prudence, and all your Scotch qualities;—that is what love is, Isabel; to think of nobody, and care for nobody, but one; to give all your heart, and not a bit of it. I don’t ask you for a bit of it; I want you all—every thought, every feeling. I want you to give up everybody and come to me—to me!’ and here the young man opened his arms and turned to her with a look of passion which startled the girl. She made a sudden sidelong step beyond one of the great heather clumps before she answered. The colour changed from red to pale on her face; but she kept her eyes fixed on him, with a look of eagerness and wistfulness, trying to penetrate beneath the surface and see his heart.
‘Horace,’ she said, softly, ‘you and me are different—a man and a girl are different, I suppose. That is not what it is to me. It is something that makes life better, and stronger, and sweeter. I’m fonder of Margaret, I’m better to the bairns. Don’t turn away like that. It is like wine,’ cried the girl, with light rising in her eyes; ‘it gives you strength for all you have to do. You’re at your work, you’re minding your house, you’re vexed and wearied and troubled—and lo, you give a glance out of the window, and you see him pass, and all your trouble rolls away! That’s love to me. When you turn round and give me a smile, it’s like wine,’ cried Isabel once more; ‘I feel it all about my heart—I go back to my work, and something sings within me. I am neither tired nor troubled more. That’s love to me! And the world’s bonnier and the sky’s brighter,’ she went on faltering, ‘Oh, Horace, surely you know what I mean?’
‘No, I don’t know what you mean,’ cried the young man, with a kind of brutality. ‘I never understand your Scotch. If this is the sort of figure I am to cut, making you devote yourself more to Margaret and the bairns, as you call them, I had better take myself off, it would seem. A fellow is not to lose the best days of his life for such a reward as that.’
Isabel looked at him with but partial comprehension; her point of view was more elevated than his, but yet it was limited, like his, to her own side of the question. She looked at his clouded brow and averted face with a woman’s first violent effort to enter into a state of feeling which was the antipodes of her own. Slowly it dawned upon her that it might be as just as her own though so different. She clasped her arms round the slender white stem of a young birch-tree, and leant against it, gazing at her lover with dreamy eyes.
‘Maybe it’s all true,’ she said, slowly, ‘both what I think and what you think, Horace. It will break my heart, but I can bear it if that is best. Go away into the world, and please your own folk—and I’ll wait for you; I’ll wait all my life; I’ll wait years and years. Why should you lose your best days for me? Oh, I see well it is neither just nor right; and me that has so little to give! It’s a sin to keep you here,’ she continued, tears, unthought of, dropping from her eyes. ‘Loch Diarmid comes natural to me, and folk forget—But go, Horace, and think on me sometimes; and my heart will go with you; and if you should ever come back you’ll find me waiting here.’
‘Isabel, this is all folly and nonsense,’ cried young Stapylton. ‘What are you crying about? am I talking of going away? It is all very easy to send a fellow off and make a fuss, or to keep him hanging on, and kicking his heels among this confounded heather. Can’t you do what I want you instead? it’s simple enough. What’s the good of living in Scotland if you can’t get married how you please? If I were to go away I might never come back. They’d keep fast hold of me at home, or they’d pack me off somewhere out of reach; and you would change, and