How then did my heart warm when the towers of Westminster Abbey were pointed out to me, rising above the rich groves of St. James’s Park, with a thin blue haze about their gray pinnacles! I could not behold this great mausoleum of what is most illustrious in our paternal history, without feeling my enthusiasm in a glow. With what eagerness did I explore every part of the metropolis! I was not content with those matters which occupy the dignified research of the learned traveller; I delighted to call up all the feelings of childhood, and to seek after those objects which had been the wonders of my infancy. London Bridge, so famous in nursery songs; the far-famed Monument; Gog and Magog, and the Lions in the Tower, all brought back many a recollection of infantile delight, and of good old beings, now no more, who had gossiped about them to my wondering ear. Nor was it without a recurrence of childish interest, that I first peeped into Mr. Newberry’s shop, in St. Paul’s Church-yard, that fountain-head of literature. Mr. Newberry was the first that ever filled my infant mind with the idea of a great and good man. He published all the picture-books of the day; and, out of his abundant love for children, he charged “nothing for either paper or print, and only a penny-halfpenny for the binding!”
I have mentioned these circumstances, worthy reader, to show you the whimsical crowd of associations that are apt to beset my mind on mingling among English scenes. I hope they may, in some measure, plead my apology, should I be found harping upon stale and trivial themes, or indulging an over-fondness for any thing antique and obsolete. I know it is the humour, not to say cant of the day, to run riot about old times, old books, old customs, and old buildings; with myself, however, as far as I have caught the contagion, the feeling is genuine. To a man from a young country, all old things are in a manner new; and he may surely be excused in being a little curious about antiquities, whose native land, unfortunately, cannot boast of a single ruin.
Having been brought up, also, in the comparative simplicity of a republic, I am apt to be struck with even the ordinary circumstances incident to an aristocratical state of society. If, however, I should at any time amuse myself by pointing out some of the eccentricities, and some of the poetical characteristics of the latter, I would not be understood as pretending to decide upon its political merits. My only aim is to paint characters and manners. I am no politician. The more I have considered the study of politics, the more I have found it full of perplexity; and I have contented myself, as I have in my religion, with the faith in which I was brought up, regulating my own conduct by its precepts; but leaving to abler heads the task of making converts.
I shall continue on, therefore, in the course I have hitherto pursued; looking at things poetically, rather than politically; describing them as they are, rather than pretending to point out how they should be; and endeavouring to see the world in as pleasant a light as circumstances will permit.
I have always had an opinion that much good might be done by keeping mankind in good-humour with one another. I may be wrong in my philosophy, but I shall continue to practise it until convinced of its fallacy. When I discover the world to be all that it has been represented by sneering cynics and whining poets, I will turn to and abuse it also; in the meanwhile, worthy reader, I hope you will not think lightly of me, because I cannot believe this to be so very bad a world as it is represented.
Thine truly,
GEOFFREY CRAYON.
THE HALL.
The ancient house, and the best for housekeeping in this county or
the next; and though the master of it write but squire, I know no
lord like him.
—Merry Beggars.
The reader, if he has perused the volumes of the Sketch-Book, will probably recollect something of the Bracebridge family, with which I once passed a Christmas. I am now on another visit to the Hall, having been invited to a wedding which is shortly to take place. The Squire’s second son, Guy, a fine, spirited young captain in the army, is about to be married to his father’s ward, the fair Julia Templeton. A gathering of relations and friends has already commenced, to celebrate the joyful occasion; for the old gentleman is an enemy to quiet, private weddings. “There is nothing,” he says, “like launching a young couple gayly, and cheering them from the shore; a good outset is half the voyage.”
Before proceeding any farther, I would beg that the Squire might not be confounded with that class of hard-riding, foxhunting gentlemen so often described, and, in fact, so nearly extinct in England. I use this rural title partly because it is his universal appellation throughout the neighbourhood, and partly because it saves me the frequent repetition of his name, which is one of those rough old English names at which Frenchmen exclaim in despair.
The Squire is, in fact, a lingering specimen of the old English country gentleman; rusticated a little by living almost entirely on his estate, and something of a humourist, as Englishmen are apt to become when they have an opportunity of living in their own way. I like his hobby passing well, however, which is, a bigoted devotion to old English manners and customs; it jumps a little with my own humor, having as yet a lively and unsated curiosity about the ancient and genuine characteristics of my “father land.”
There are some traits about the Squire’s family, also, which appear to me to be national. It is one of those old aristocratical families, which, I believe, are peculiar to England, and scarcely understood in other countries; that is to say, families of the ancient gentry, who, though destitute of titled rank, maintain a high ancestral pride; who look down upon all nobility of recent creation, and would consider it a sacrifice of dignity to merge the venerable name of their house in a modern title.
This feeling is very much fostered by the importance which they enjoy on their hereditary domains. The family mansion is an old manor-house, standing in a retired and beautiful part of Yorkshire. Its inhabitants have been always regarded, through the surrounding country, as “the great ones of the earth;” and the little village near the Hall looks up to the Squire with almost feudal homage. An old manor-house, and an old family of this kind, are rarely to be met with at the present day; and it is probably the peculiar humour of the Squire that has retained this secluded specimen of English housekeeping in something like the genuine old style.
I am again quartered in the panelled chamber, in the antique wing of the house. The prospect from the window, however, has quite a different aspect from that which it wore on my winter visit. Though early in the month of April, yet a few warm, sunshiny days have drawn forth the beauties of the spring, which, I think, are always most captivating on their first opening. The parterres of the old-fashioned garden are gay with flowers; and the gardener has brought out his exotics, and placed them along the stone balustrades. The trees are clothed with green buds and tender leaves. When I throw open my jingling casement, I smell the odour of mignonette, and hear the hum of the bees from the flowers against the sunny wall, with the varied song of the throstle, and the cheerful notes of the tuneful little wren.
While sojourning in this strong-hold of old fashions, it is my intention to make occasional sketches of the scenes and characters before me. I would have it understood, however, that I am not writing a novel, and have nothing of intricate plot, or marvellous adventure, to promise the reader. The Hall of which I treat, has, for aught I know, neither trap-door, nor sliding-panel, nor donjon-keep; and indeed appears to have no mystery about it. The family is a worthy, well-meaning family, that, in all probability, will eat and drink, and go to bed, and get up regularly, from one end of my work to the other; and the Squire is so kind-hearted an old gentleman, that I see no likelihood of his throwing any kind of distress