—EVEN’S Old Ballads.
There is no character in the comedy of human life that is more difficult to play well, than that of an old Bachelor. When a single gentleman, therefore, arrives at that critical period when he begins to consider it an impertinent question to be asked his age, I would advise him, to look well to his ways. This period, it is true, is much later with some men than with others; I have witnessed more than once the meeting of two wrinkled old lads of this kind, who had not seen each other for several years, and have been amused by the amicable exchange of compliments on each other’s appearance, that takes place on such occasions. There is always one invariable observation: “Why, bless my soul! you look younger than when I last saw you!” Whenever a man’s friends begin to compliment him about looking young, he may be sure that they think he is growing old.
I am led to make these remarks by the conduct of Master Simon and the general, who have become great cronies. As the former is the younger by many years, he is regarded as quite a youthful blade by the general, who moreover looks upon him as a man of great wit and prodigious acquirements. I have already hinted that Master Simon is a family beau, and considered rather a young fellow by all the elderly ladies of the connexion; for an old bachelor, in an old family connexion, is something like an actor in a regular dramatic corps, who seems to “flourish in immortal youth,” and will continue to play the Romeos and Rangers for half a century together.
Master Simon, too, is a little of the chameleon, and takes a different hue with every different companion: he is very attentive and officious, and somewhat sentimental, with Lady Lillycraft; copies out little namby-pamby ditties and love-songs for her, and draws quivers, and doves, and darts, and Cupids, to be worked on the corners of her pocket-handkerchiefs. He indulges, however, in very considerable latitude with the other married ladies of the family; and has many sly pleasantries to whisper to them, that provoke an equivocal laugh and a tap of the fan. But when he gets among young company, such as Frank Bracebridge, the Oxonian, and the general, he is apt to put on the mad wag, and to talk in a very bachelor-like strain about the sex.
In this he has been encouraged by the example of the general, whom he looks up to as a man who has seen the world. The general, in fact, tells shocking stories after dinner, when the ladies have retired, which he gives as some of the choice things that are served up at the Mulligatawney club; a knot of boon companions in London. He also repeats the fat jokes of old Major Pendergast, the wit of the club, and which, though the general can hardly repeat them for laughing, always make Mr. Bracebridge look grave, he having a great antipathy to an indecent jest. In a word, the general is a complete instance of the declension in gay life, by which a young man of pleasure is apt to cool down into an obscene old gentleman.
I saw him and Master Simon, an evening or two since, conversing with a buxom milkmaid in a meadow; and from their elbowing each other now and then, and the general’s shaking his shoulders, blowing up his cheeks, and breaking out into a short fit of irrepressible laughter, I had no doubt they were playing the mischief with the girl.
As I looked at them through a hedge, I could not but think they would have made a tolerable group for a modern picture of Susannah and the two elders. It is true, the girl seemed in nowise alarmed at the force of the enemy; and I question, had either of them been alone, whether she would not have been more than they would have ventured to encounter. Such veteran roysters are daring wags when together, and will put any female to the blush with their jokes; but they are as quiet as lambs when they fall singly into the clutches of a fine woman.
In spite of the general’s years, he evidently is a little vain of his person, and ambitious of conquests. I have observed him on Sunday in church, eyeing the country girls most suspiciously; and have seen him leer upon them with a downright amorous look, even when he has been gallanting Lady Lillycraft, with great ceremony, through the church-yard. The general, in fact, is a veteran in the service of Cupid, rather than of Mars, having signalized himself in all the garrison towns and country quarters, and seen service in every ball-room of England. Not a celebrated beauty but he has laid siege to; and if his word may be taken in a matter wherein no man is apt to be over-veracious, it is incredible the success he has had with the fair. At present he is like a worn-out warrior, retired from service; but who still cocks his beaver with a military air, and talks stoutly of fighting whenever he comes within the smell of gunpowder.
I have heard him speak his mind very freely over his bottle, about the folly of the captain in taking a wife; as he thinks a young soldier should care for nothing but his “bottle and kind landlady.” But, in fact, he says the service on the continent has had a sad effect upon the young men; they have been ruined by light wines and French quadrilles. “They’ve nothing,” he says, “of the spirit of the old service. There are none of your six-bottle men left, that were the souls of a mess dinner, and used to play the very deuce among the women.”
As to a bachelor, the general affirms that he is a free and easy man, with no baggage to take care of but his portmanteau; but a married man, with his wife hanging on his arm, always puts him in mind of a chamber candlestick, with its extinguisher hitched to it. I should hot mind all this, if it were merely confined to the general; but I fear he will be the ruin of my friend, Master Simon, who already begins to echo his heresies, and to talk in the style of a gentleman that has seen life, and lived upon the town. Indeed, the general seems to have taken Master Simon in hand, and talks of showing him the lions when he comes to town, and of introducing him to a knot of choice spirits at the Mulligatawney club; which, I understand, is composed of old nabobs, officers in the Company’s employ, and other “men of Ind,” that have seen service in the East, and returned home burnt out with curry, and touched with the liver complaint. They have their regular club, where they eat Mulligatawney soup, smoke the hookah, talk about Tippoo Saib, Seringapatam, and tiger-hunting; and are tediously agreeable in each other’s company.
WIVES.
Believe me, man, there is no greater blisse
Than is the quiet joy of loving wife;
Which whoso wants, half of himselfe doth misse.
Friend without change, playfellow without strife,
Food without fulnesse, counsaile without pride,
Is this sweet doubling of our single life.
—SIR P. SIDNEY.
There is so much talk about matrimony going on around me, in consequence of the approaching event for which we are assembled at the Hall, that I confess I find my thoughts singularly exercised on the subject. Indeed, all the bachelors of the establishment seem to be passing through a kind of fiery ordeal; for Lady Lillycraft is one of those tender, romance-read dames of the old school, whose mind is filled with flames and darts, and who breathe nothing but constancy and wedlock. She is for ever immersed in the concerns of the heart; and, to use a poetical phrase, is perfectly surrounded by “the purple light of love.” The very general seems to feel the influence of this sentimental atmosphere; to melt as he approaches her ladyship, and, for the time, to forget all his heresies about matrimony and the sex.
The good lady is generally surrounded by little documents of her prevalent taste; novels of a tender nature; richly bound little books of poetry, that are filled with sonnets and love tales, and perfumed with rose-leaves; and she has always an album at hand, for which she claims the contributions of all her friends. On looking over this last repository, the other day, I found a series of poetical extracts, in the Squire’s handwriting, which might have been intended as matrimonial hints to his ward. I was so much struck with several of them, that I took the liberty of copying them out. They are from the old play of Thomas Davenport, published in 1661, entitled “The City Night-Cap;” in which is drawn out and exemplified, in the part of Abstemia, the character of a patient and faithful wife, which, I think, might vie with that of the renowned Griselda.
I have often thought it a pity that plays and novels should always end at the