The first night passed quietly enough. I have always been grateful for that one night's peace; it shows what the country might be, under favorable circumstances. Never after that night did I put my head on my pillow with any assurance how long it would be there; or on my shoulders, for that matter.
On the following morning Liddy and Mrs. Ralston, my own housekeeper, had a difference of opinion, and Mrs. Ralston left on the eleven train. Just after luncheon, Burke, the butler, was taken unexpectedly with a pain in his right side, much worse when I was within hearing distance, and by afternoon he was started cityward. That night the cook's sister had a baby—the cook, seeing indecision in my face, made it twins on second thought—and, to be short, by noon the next day the household staff was down to Liddy and myself. And this in a house with twenty-two rooms and five baths!
Liddy wanted to go back to the city at once, but the milk-boy said that Thomas Johnson, the Armstrongs' colored butler, was working as a waiter at the Greenwood Club, and might come back. I have the usual scruples about coercing people's servants away, but few of us have any conscience regarding institutions or corporations—witness the way we beat railroads and street-car companies when we can—so I called up the club, and about eight o'clock Thomas Johnson came to see me. Poor Thomas!
Well, it ended by my engaging Thomas on the spot, at outrageous wages, and with permission to sleep in the gardener's lodge, empty since the house was rented. The old man—he was white-haired and a little stooped, but with an immense idea of his personal dignity—gave me his reasons hesitatingly.
"I ain't sayin' nothin', Mis' Innes," he said, with his hand on the door-knob, "but there's been goin's-on here this las' few months as ain't natchal. 'Tain't one thing an' 'tain't another—it's jest a door squealin' here, an' a winder closin' there, but when doors an' winders gets to cuttin' up capers and there's nobody nigh 'em, it's time Thomas Johnson sleeps somewhar's else."
Liddy, who seemed to be never more than ten feet away from me that night, and was afraid of her shadow in that great barn of a place, screamed a little, and turned a yellow-green. But I am not easily alarmed.
It was entirely in vain I represented to Thomas that we were alone, and that he would have to stay in the house that night. He was politely firm, but he would come over early the next morning, and if I gave him a key, he would come in time to get some sort of breakfast. I stood on the huge veranda and watched him shuffle along down the shadowy drive, with mingled feelings—irritation at his cowardice and thankfulness at getting him at all. I am not ashamed to say that I double-locked the hall door when I went in.
"You can lock up the rest of the house and go to bed, Liddy," I said severely. "You give me the creeps standing there. A woman of your age ought to have better sense." It usually braces Liddy to mention her age: she owns to forty—which is absurd. Her mother cooked for my grandfather, and Liddy must be at least as old as I. But that night she refused to brace.
"You're not going to ask me to lock up, Miss Rachel!" she quavered. "Why, there's a dozen French windows in the drawing-room and the billiard-room wing, and every one opens on a porch. And Mary Anne said that last night there was a man standing by the stable when she locked the kitchen door."
"Mary Anne was a fool," I said sternly. "If there had been a man there, she would have had him in the kitchen and been feeding him what was left from dinner, inside of an hour, from force of habit. Now don't be ridiculous. Lock up the house and go to bed. I am going to read."
But Liddy set her lips tight and stood still.
"I'm not going to bed," she said. "I am going to pack up, and to-morrow I am going to leave."
"You'll do nothing of the sort," I snapped. Liddy and I often desire to part company, but never at the same time. "If you are afraid, I will go with you, but for goodness' sake don't try to hide behind me."
The house was a typical summer residence on an extensive scale. Wherever possible, on the first floor, the architect had done away with partitions, using arches and columns instead. The effect was cool and spacious, but scarcely cozy. As Liddy and I went from one window to another, our voices echoed back at us uncomfortably. There was plenty of light—the electric plant down in the village supplied us—but there were long vistas of polished floor, and mirrors which reflected us from unexpected corners, until I felt some of Liddy's foolishness communicate itself to me.
The house was very long, a rectangle in general form, with the main entrance in the center of the long side. The brick-paved entry opened into a short hall to the right of which, separated only by a row of pillars, was a huge living-room. Beyond that was the drawing-room, and in the end, the billiard-room. Off the billiard-room, in the extreme right wing, was a den, or card-room, with a small hall opening on the east veranda, and from there went up a narrow circular staircase. Halsey had pointed it out with delight.
"Just look, Aunt Rachel," he said with a flourish. "The architect that put up this joint was wise to a few things. Arnold Armstrong and his friends could sit here and play cards all night and stumble up to bed in the early morning, without having the family send in a police call."
Liddy and I got as far as the card-room and turned on all the lights. I tried the small entry door there, which opened on the veranda, and examined the windows. Everything was secure, and Liddy, a little less nervous now, had just pointed out to me the disgracefully dusty condition of the hard-wood floor, when suddenly the lights went out. We waited a moment; I think Liddy was stunned with fright, or she would have screamed. And then I clutched her by the arm and pointed to one of the windows opening on the porch. The sudden change threw the window into relief, an oblong of grayish light, and showed us a figure standing close, peering in. As I looked it darted across the veranda and out of sight in the darkness.
A Link Cuff-Button
Liddy's knees seemed to give away under her. Without a sound she sank down, leaving me staring at the window in petrified amazement. Liddy began to moan under her breath, and in my excitement I reached down and shook her.
"Stop it," I whispered. "It's only a woman—maybe a maid of the Armstrongs'. Get up and help me find the door." She groaned again. "Very well," I said, "then I'll have to leave you here. I'm going."
She moved at that, and, holding to my sleeve, we felt our way, with numerous collisions, to the billiard-room, and from there to the drawing-room. The lights came on then, and, with the long French windows unshuttered, I had a creepy feeling that each one sheltered a peering face. In fact, in the light of what happened afterward, I am pretty certain we were under surveillance during the entire ghostly evening. We hurried over the rest of the locking-up and got upstairs as quickly as we could. I left the lights all on, and our footsteps echoed cavernously. Liddy had a stiff neck the next morning, from looking back over her shoulder, and she refused to go to bed.
"Let me stay in your dressing-room, Miss Rachel," she begged. "If you don't, I'll sit in the hall outside the door. I'm not going to be murdered with my eyes shut."
"If you're going to be murdered," I retorted, "it won't make any difference whether they are shut or open. But you may stay in the dressing-room, if you will lie on the couch: when you sleep in a chair you snore."
She was too far gone to be indignant, but after a while she came to the door and looked in to where I was composing myself for sleep with Drummond's Spiritual Life.
"That wasn't a woman, Miss Rachel," she said, with her shoes in her hand. "It was a man in a long coat."
"What woman was a man?" I discouraged her without looking up, and she went back to the couch.
It was eleven o'clock when I finally prepared for bed. In spite of my assumption of