"Then you are a relation?" said I.
"I am her husband," he replied; and the remembrance of that fact caused him to hold himself erect and to look me straight in the face. "I am her husband, and if any thing like that had happened, should not I be the first to know of it?"
"Properly you ought to be, sir," said I, "but perhaps you weren't in London then."
"I have been in London for three months," he answered, raising his voice suddenly. "I know you are telling me a lie—by God! how dare you?"
"It is no lie," I replied; and sorry for him I was, for the tears were now running down his face like rain. "If you are the lady's husband, sir, it is you who ought to have the picture I have been carrying about with me since the day after Miss More died. I'll fetch it for you."
With this I ran upstairs to my room and took the photograph out of my box. I was away a couple of minutes, perhaps; but when I came down again he was still standing fingering his hat in the hall, and he didn't appear to have moved a foot since I left him. I was half frightened to give him the picture, so strange was his manner; but the dead woman had wished it, and I meant to respect her words.
"Here it is, sir," said I. "It was her wish that you should have it, and no thought of ours."
He made no answer, but snatched the frame out of my hand. His restless eyes seemed to fall upon the portrait for a minute, then to rest upon the floor, and after that again upon me! It was plain that his dazed brain was only beginning to find the truth.
"She was my wife," he said very slowly, after a long pause. "Oh, God, help me! I shall never hold her in my arms again."
He saw this, and thrusting the picture into his breast, he turned to leave the house.
"Shall I give my master any message, sir?" I asked.
"Tell him that I came here to strike him dead," said he; and, before I could answer, he had disappeared down the street.
It was the first and last time I ever saw Robert Hadley—for that was his full name; but ten days later he wrote a letter from Charing Cross Hospital to Sir Nicolas, and begged my master to go and see him. And this was the way his story came to us, and with it the story of Lilian More.
She had married him in Birmingham, a year after Sir Nicolas met her there. He was a well-to-do widower then, with one little child—a girl three years old; but six months after his marriage he began to nip with his business acquaintances, and in a year he was a confirmed dipsomaniac. Business, friends, wife, and child—all these became nothing to him. He went down the ladder of self-respect fast, until he had no longer a home, and his wife was driven to get what sort of a living she could as a play-actress. That he made her life a hell to her I have no sort of doubt; but while the child lived, the woman was content to work and to slave for love of it. What she put up with from the man's temper and brutality and jealousies God only knows; for his affection for her was strong to the last, and I believe he would have shot any man who spoke twice to her. At the time we first met her in London he was in a private hospital; but the child was dead—killed by a blow of his, as more than one whisperer says, though God forbid that I should charge him with it. Be that as it may, the little one's death robbed Lilian More of all she cared to live for; and the end was what I have told.
But of all the women I ever met, she was the sweetest and the truest—and that I will say with my last breath.
CHAPTER V
THE JUSTIFICATION OF RODERICK CONNOLEY
It is my business in these memoirs to speak chiefly of the many strange things which happened to Sir Nicolas Steele during the last three or four years I served him; but I do not know why that should prevent me saying a last word here about Roderick Connoley, the barrister, and the many queer stories he told us during our stay in London and afterward in Paris. How far he believed these stories, what foundation in fact they had, it is not for me to decide. That he had lived a curious life, I knew well; that he had lost his left hand in his boyhood was a truth which my eyes told me unmistakably. But how he came to lose it, if his own account is not to be believed, is a thing I am not competent to speak about.
It was a year after the death of Lilian More that we met this remarkable man again; and then we ran against him quite by accident in Paris, where we had been living some months, and allowing London to forget that we existed. He came almost every day to the Hôtel de Lille, where we were stopping; and it was there that he gave my master the manuscript of the following story, which contains his own account of his deformity. Sir Nicolas declared at that time that he would send the writing to one of the London papers; but he never did so, and when I left him in Russia last year, I took the pages with me to America. In this way I am able to give the tale without altering a line or a word that Roderick Connoley wrote, and, for my part, I say this—that a stranger tale of an accident I never read.
THE SEVEN MEN WITH THE SEVEN HANDS, AND THE STRANGE ADVENTURES OF A BARRISTER
Part I—The Raven
The rain was pitiless, and the night was dark. There was pretence of light from the floors of the restaurant and the misted street lamps, but none of it came upon the slum where the stage-door opened. For the fiftieth time, as the clock struck eleven, I drew my cape around me, and cursed the folly which led me to pace a stone-yard and ape the idiocy of boyhood when maturer years had come. And "The Raven" did the same, I doubt not.
I had watched "The Raven" many a night as I had kept a vigil akin to this. For whom did he wait, and why was he here? Had he done as I had done—thrown sense to the winds for a chit in lace petticoats; staked all on a baby-face which smiled upon him in the second row of the stalls, but smiled not in the dark of the exit hour? I judged so, for no man would keep such a watch at such an hour if madness did not lead him. The thought begot my sympathy for him. I had seen his face on other nights, and knew that he could hope for nothing, for his was the face of a wizened old man, long-drawn in solitude and bitterness; and the black locks which fell upon his shoulders seemed a mockery of time. I called him "The Raven," and for many nights we watched each other as beasts that would quarrel, but lack the courage. He knew my secret, I did not doubt; for it was a tale in all the theatre that I had waited for Lelia Winnie since the autumn had gone, and that I had spoken no word to her. There were others—richer, perhaps—of great name, and able to move managers. I had not the password; none showed me deference; and Lelia danced on, a stranger to me.
The rain was pitiless, and the night was dark. But Lelia did not pass out when the others left. I had taken up a position close to the stage-door, and scanned the faces of those going into the night, but hers was not among them. Bright faces they were for the most part—the faces of girls moved by all the curious romance of the theatre, moved to desire of excitement, in some cases to desire of shame; a merry throng of irresponsibles, who would die peeresses or paupers, in old family mansions or in the gutter. And they went to lovers and to suppers with the gas-jets lighting up their faces, and the black still thick upon their eyes, while I waited as the rain fell and struck me, cold and chill, with disappointment. I had forgotten "The Raven" as the crowd surged out; but he, too, was looking, and when all had gone he spoke to me with a voice hard as the crack of dry wood:
"Again!"
It was the one word only, but I turned upon him with a sharp reply, when I saw, by the light streaming through the still open door, that there was a smile upon his lips, while he gripped my arm tightly with his hand.
"Again, and unto seventy times! Seek and find—seek and find—like all the fools before and since, unto seventy times!"
He was either a madman or a fanatic, and I determined to let him be, giving him smile for smile and jest for jest; but he gripped my arm yet tighter, saying:
"Come!"