The men, however, were much more tolerant of judgment than their women. They had become more or less hardened to seeing crude miners luxuriating in sudden, accidental wealth; therefore, they nodded good-humoredly at Haney and tipped their hats to his pretty wife with smiles. As bankers, tradesmen, and taxpayers generally they could not afford to neglect a citizen possessed of so much wealth and circumstance.
Mrs. Gilman presented a letter of introduction to the nearest church of her own persuasion, and went to service quite as unassumingly as in Sibley, and was greeted by a few of the ladies there cordially and without hint of her son-in-law's connections. Two or three, including the pastor's wife, made special effort to cultivate her acquaintance by calling immediately, but they were not of those who attracted Bertha; and though she showed them about the house and answered their questions, she did not promise to call. "We're too busy," she explained. "I haven't got more than half the rooms into shape, and, besides, we're to have my brother's folks down from the Junction—we're on the hustle all day long."
This was true. She had been quite besieged by her former neighbors in Sibley, who found it convenient to "put up with the Haneys" while visiting the town. They were, in fact, very curious to study her in her new and splendid setting; and though some of them peeked and peered amid the beds, and thumped the mattresses in vulgar curiosity, the young housewife merely laughed. All her life had been spent among folk of this directly inquisitive sort. She expected them to act as they did, and, being a hearty and generous soul, as well as a very democratic one, she sent them away happy.
Indeed, she won praise from all who came to know her. But that small part of the Springs—alien and exclusive—which considered itself higher if not better than the rest of the Western world, looked askance at "the gambler's wife and her freak friends," and Mrs. Crego, who was inclined to be very censorious, alluded to the Haneys as "beggars on horseback" as she met them on the boulevard.
Of all this critical comment Bertha remained, happily, unconscious, and it is probable that she would soon have won her way to a decent circle of friends had not Charles Haney descended upon them like a plague. Mart had been receiving letters from this brother, but had said nothing to Bertha of his demands. "Charles despised me when he met me in Denver," he explained to Williams. "I was busted at the time, ye mind." He winked. "And now when he reads in the papers that Mart Haney is rich, he comes down on me like a hawk on a June bug. 'Tis no matter. He may come—I'll not cast him out. But he does not play with me double-eagles—not he!"
Charles Haney was not fitted to raise his brother's wife in the social scale, for he belonged to that marked, insistent variety of actor to be distinguished on trains and in the lobbies of hotels—a fat, sleek, loud-voiced comedian, who enacted scenes from his unwritten plays while ladling his soup, and who staggered and fell across chairs in illustration of highly emotional lines and, what was worse, he was of those who regard every unescorted woman as fair game. Bold of glance and brassy of smile, he began to make eyes at his sister-in-law from their first meeting.
She amazed him. He had expected a woman of his own class—an adventuress, painted, designing; and to find this sweet little girl—"why, she's too good for Mart," he concluded, and shifted his hollow pretensions of sympathy from his brother to his sister-in-law. Before the first evening of his visit closed he sought opportunity to tell her, in hypocritic sadness, that Mart was a doomed man, and that she would soon be free of him. Bertha was disturbed by his gaze and repelled by his touch, but tried to like him on Mart's account. His mouthing disgusted her, and the good-will with which Haney greeted his brother turned into bitterness as the boaster and low wit began to display himself.
"We all grew up in the street or in the saloon," Haney sadly remarked, "and you finished your education in the variety theatre, I'm thinking."
The actor took this as a joke, and with a grin retorted: "That's better than running a faro-layout."
"I dunno; a good quiet game has its power to educate a man," replied the gambler.
That night, as she was preparing the Captain for bed, he remarked, with a sigh: "Life is a quare game! I mind Charley well as a cute little yellow-haired divil, always laughing, always in mischief, and me chasin' after him—a big slob of a boy. I used to carry him up an' down the tenement stairs. I learned him to skate—and now here he is drinkin' himself puffy, whilst I am an old broken-down hack at forty-five." He looked up at her with a sheen of tears in his eyes. "Darlin', 'tis a shame to be leanin' on you."
She put her arm around his big grizzled head and drew it to her.
"You can lean hard, Mart. I'm standin' by."
"No, I'll not lean too hard," he answered. "I don't want your fine, straight back to stoop. I make no demands. I'll not spoil your young life. I'm not worth it. You're free to go when you can't stand me any longer."
"Now, now, no more of that!" she warned. "When I have cause to knock, you won't need no ear-trumpet. Put up your hoof." He obeyed, and, stooping swiftly, she began to unlace the shoe which he could no longer reach. Her manner was that of a daughter who tyrannizes over an indulgent father. Her admiration and gratitude, so boyish once, were now replaced by an affection in which the element of sex had small place, and his love for her sprang also from a source far removed from the fierce instinct which first led him to seek her subduing.
CHAPTER VII
BERTHA REPULSES AN ENEMY
Charles Haney had no scruples. From the moment of his first meeting with his brother's young wife he determined to make himself "solid" with her. Convinced that Mart was not long for this world, he set to work to win Bertha's favor, for this was the only way to harvest the golden fortune she controlled.
"Mart is just fool enough and contrary enough to leave every cent of his money to her." Here he placed one finger against his brow. "Carlos, here is where you get busy. It's us to the haberdasher. We shine."
Notwithstanding all his boasting, he was not only an actor out of an engagement, but flat broke, badly dressed, and in sorry disrepute with managers. "I've been playing in a stock company in San Francisco," he had explained, "and I'm now on my way to New York to produce a play of my own. Hence these tears. I need an 'angel.'"
He distinctly said "the first of the month" in this announcement, but as the days went by he only settled deeper into the snug corners of the Haney home, making no further mention of his triumphal eastward progress. On the contrary, he had the air of a regular boarder, and turned up promptly for meals, rotund and glowing in the opulence of his brother's hospitality.
On the strength of his name he found favor with the tailors, and bourgeoned forth a few days later in the best cloth the shops afforded, and strutted and plumed himself like a turkey-cock before Bertha, keeping up meanwhile a pretension of sympathy and good-fellowship with Mart.
In this he miscalculated; for Bertha, youthful as she seemed, was accustomed, as she would say, to "standing off mashers," and her impassive face and keen, steady eyes fairly disconcerted the libertine. "For Mart's sake, we'll put up with him," she said to her mother. "He's a loafer; but I can see the Captain kind o' likes to have him around—for old times' sake, I reckon."
This was true. When alone with his brother, Charles dropped his egotistic brag and dramatic bluster, and touched craftily upon the dare-devil, boyish life they had led together. He was shrewd enough to see and understand that this was his most ingratiating rôle, and