Leonora D'Orco. G. P. R. James. Читать онлайн. Newlib. NEWLIB.NET

Автор: G. P. R. James
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066216498
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I are both orphans, Lorenzo, and perhaps we let our fancy lead us to picture exaggerated joy in the love and affection of parents."

      "I love him not, Bianca," answered the young man, with a slight shudder; "there is something in his look which seems to chill the blood in one's heart. I can see in that gaze which he bends upon her, why it is her arms are not thrown round his neck, why her lips are not pressed to his, why words of love and affection are not poured forth upon her father when she meets him after a long absence. She is his child, but he is not a father to her--perhaps a tyrant."

      "Oh, no, no!" answered the young girl; "he loves her--indeed he does, and he does not tyrannize over her. But whether it is that there is a natural coldness in his manner, or that he affects a certain Roman hardness, I cannot tell; he only shows his love in indulging her in everything she desires, without a tender look or tender word, such as most fond fathers bestow upon a well-loved child."

      "And such a child!" said Lorenzo, musing. "Well, it is strange, Bianca; perhaps he may love her truly, and more than many fathers whom I have seen in France fondle their children as if their whole soul was wrapped up in them, and then sacrifice their happiness to the merest caprice--perhaps it may be so, and yet I do not like his looks. I cannot like him. See how he gazes at us now! It is the gaze of a serpent, cold, and hard, and stony. Who was her mother? She can have gained no part of her nature from him."

      "Oh, no," cried the young girl, feeling all that he felt, though unwilling to allow it; "she is like him in nothing, except, indeed, the forehead and the shape of her face. Her mother was almost as beautiful as she is. I remember well; it is not three years since she died. She was a great heiress in the Ghiaradda. All she had was on her marriage secured by the forms of law to herself and her children, and they say he strove almost cruelly to make her give it up to him. After her death he obtained possession of it, but not entirely for himself. It was decided that he should possess it till Leonora married, making suitable provision for her maintenance, but that, when she married, the great estates at Castellano should go to her and her husband. My grandfather, who was her mother's uncle, took much interest in the matter, and for a time he and Signor d'Orco were at bitter enmity; but when the case was decided, and it was found that Leonora's father assigned her more for her portion than the law would have demanded, my grandfather became convinced that he had striven only for what he conceived a right, and became reconciled to him. Indeed, he is quite liberal in all things concerning her; allows her the revenue of a princess, and is himself a man of small expense; but it seems his is an unbending nature. He lets her do what she wills in most things--seldom thwarts her; but when he speaks his own will, there is no appeal from it--neither to his heart nor his mind. I can often persuade my grandfather, though he is quick and hasty, as you know, and sometimes convince him, but it is of no use to try to do either with Ramiro d'Orco."

      Lorenzo fancied he comprehended, at least in a degree, the character which, in her youthful way, she strove to depict; but yet there was something in the look of Leonora's father which left a dark, unpleasant impression upon his mind. There are faces that we love not, but which afford no apparent reason for the antipathy they produce. There is often even beauty which we cannot admire--grace which affords no pleasure. There is, perhaps, nothing more graceful upon earth than the gliding of a snake, never for a moment quitting what the great moral painter called "the line of beauty." There is nothing more rich and resplendent than his jewelled skin, and yet how few men can gaze upon the most gorgeous of that reptile race without a shuddering sensation of its enmity to man? Can it be that in the breast of the reasoning human creature, God, for a farther security than mere intellect against a being that is likely to injure, implants an instinct of approaching danger which no fairness of form, no engagingness of manner can at first compensate? It may be so. At all events, I have seen instances where something very like it was apparent. And yet, with time, the impression wears away; the spirit has spoken once its word of warning; if that word is not enough, it never speaks again. The snake has the power of fascinating the bird which, in the beginning, strove to escape from him; and we forget the monitor which told us our danger.

      In an hour from that time Lorenzo was sitting at the same table with Ramiro d'Orco, listening well pleased to searching and deep views of the state of Italy, expressed, not indeed with eloquence, for he was not an eloquent man, but with a force and point he had seldom heard equalled.

      It would not be easy to give his words, for, even were they recorded, they would lose their strength in the translation; but the substance we know, and it would give a very different picture of Italy in that day from any that can be drawn at present. We see it not alone dimmed by the distance of time, but in a haze of our own prejudices. We may gather, perhaps, the great results; but we can, I believe, in no degree divine the motives, and most of the details are lost. Read the history of any one single man in those days, as portrayed by modern writers, and compare one author with another. Take for instance that of Lorenzo de Medici, as carefully drawn by Roscoe, or brightly sketched by Sismondi. What can be more different? The facts, indeed, are the same, but how opposite are all the inferences. In both we have the dry bones of the man, but the form of the muscle, and the hue of the complexion are entirely at variance. Writers who undertake to represent the things of a past age are like a painter required to furnish portraits of persons long dead. Tradition may give them some guidance as to the general outline, but the features and the colouring will be their own.

      It is therefore with the great facts of the state of Italy at that time that I will deal, as nearly in the view of Ramiro d'Orco as I can; but it must be remembered that his view also was not without its mistiness. If we cannot see early on account of the remoteness of the objects which we contemplate, his vision also was indistinct, obscured by the prejudices of class, interest, party, hope, apprehension, and above all, ambition. He painted the condition of Italy only as Ramiro d'Orco believed it to be. How much even of that belief was to be ascribed to his own desires and objects, who can say?

      Lombardy, the great northern portion of Italy, indeed, had ever been isolated from the rest in manners and habits of thought. Italians the Lombards certainly were; but the characteristics of the northern conquerors predominated in that portion of the peninsula. Except at Genoa and in Venice, republicanism in no shape had taken any deep root. From very early times, although the voice of the people had occasionally proclaimed a republic here and there, the babe was strangled ere it got strength, even by those that gave it birth. The epoch of democratic independence in Lombardy lasted barely a century and a half. No republic flourished long north of the River Po, except those I have named, and even the two which took some glory from the name little deserved it. Less real liberty was known in Venice than perhaps existed under the most grinding tyranny of a single man; and Genoa, in her most palmy days, was a prey to aristocratic factions, which soon made the people but slaves to princes. But it must not be supposed that nothing was obtained in return: a more chivalrous and warlike spirit existed in that division of Italy than in the central portion. It was not so early refined, but it was not so speedily softened. Corrupt it might be, and indeed was, to even a fearful degree; but it was the corruption of the hard and the daring, rather than of the weak and effeminate. Men poisoned, and slew, and tortured each other, and the minds of all became so familiar with blood and horror, that much was endured before resistance to oppression was excited; but conspiracies were generally successful in their primary object, because the conspirators were bold and resolute. A tyrant might fall only to give place to another tyrant, but still he fell; and you rarely saw in Lombardy such weakness as was displayed in the enterprise of the Pazzi.

      Men in the north fought openly in the field for counties, and marquisates, and dukedoms; but there was little finesse or diplomatic skill displayed except by Venice. There was cunning, indeed, but it was always exercised to gain some military advantage. The ambition of that part of the land was warlike, not peaceful. It was not luxury, and ease, and graceful enjoyment that was desired in combination with power, but it was splendour, and pomp, and domination. Weak tyrants were sure to fall; merely cruel ones generally retained their power; and cunning ones were frequently successful; but it was only by wielding the sword, either by their own hands or those of others.

      At the time in which Ramiro d'Orco spoke, every vestige of liberty was extinct in Lombardy. The Visconti, and after them the Sforzi, in Milan; the house of Della Scala, and after them the Visconti, in Verona; the Gonzagas in Mantua; the D'Estes