The last rays of sunset flashed upon its many windows as I emerged from the avenue, and then passing across the level lawns and ancient bowling-green, I entered the great hall with its wonderful ornamental fireplace and stands of armour, and proceeded along one corridor after another to the cosy room in the west wing which served me as study.
From the window where I stood for a moment in deep reflection I commanded a view for several miles across the great level park which was some ten miles in extent, and where, in the distance, rose another low, old-fashioned Jacobean building with clock-tower, the kennels of the Earl’s famous foxhounds. My room was an old-fashioned one, like everything else in that fine mansion. Lined from floor to ceiling with books and in the centre a big writing-table, it had been given over to me by the old Earl when I had first entered upon my duties ten years before. The floor was of oak, polished like a mirror, and over the arched chimney was carved in stone the greyhound courant of the Stanchesters, with the date 1571.
I glanced at severed notes that had been dropped into the rack in my absence, and then casting myself into an easy chair lit a cigarette and continued my apprehensive reflections.
The summer dusk darkened into night, and having a quantity of correspondence to attend to, I went to the room I sometimes occupied, changed, dined alone, and then about nine o’clock returned to my study to finish my work.
Not a sound penetrated there. That wing was but little used, for above was the long picture-gallery with the dark old family portraits by Vandyke, Sir Joshua Reynolds, Kneller, and others, as well as priceless examples of Gainsborough, Turner, Hobbema, and the world-famous Madonna of Raphael. The room had been given to me so that I should not be disturbed by visitors who, owing to the enormous proportions of the place, usually wandered about hopelessly lost in their attempt to reach their rooms without a servant as guide.
The name of Keene was puzzling me. Somehow I had a distinct and vivid recollection of having heard it before, but in what connexion I could not recollect, although I had been racking my brains ever since I had left the village inn. I took down the old address-book used by my predecessor, but there was no entry there. No, I felt somehow that I had heard the name outside my connexion with the family, but where, or in what circumstances, I could not for the life of me remember.
My hands were clasped behind my head, and with my work cast aside, I was smoking vigorously, when there came a low tap at the door, and in response to my permission to enter, Lady Lolita came forward gaily, a sweet almost girlish figure in her cream dinner-gown girdled with turquoise blue, exclaiming—
“Mr. Woodhouse, I do wish you would do me a favour, would you?”
“Most certainly,” I exclaimed, springing quickly to my feet. “What is it?”
“I want you to copy out something for me, will you?” And seating herself at my writing-table, she took up a pen and scribbled some lines.
Her gown suited her to perfection, the low-cut bodice revealing her white throat, around which sparkled a splendid necklet of diamonds that flashed beneath my lamp with a thousand fires. Upon her white wrist was a quaint Chinese bracelet cut from a solid piece of bright green stone.
Her face was perfect in its symmetry, and her finely-chiselled features were almost an exact reproduction of those of Lady Mary Sibberton in Sir Joshua’s picture in the gallery above. The loveliness of the Sibberton women had been proverbial back in the Jacobean and Georgian days, and assuredly Lady Lolita inherited the distinctive beauty of the female members of the family. The delicately-moulded cheeks, the pointed chin, the sweet, well-formed mouth, the even set of pearly teeth, the wealth of auburn hair and the laughing blue eyes so full of mischief and merriment rendered her peerless among women, while her wit and easy-going good-humour endeared her to all, rich and poor alike.
As I stood by, watching her bent head beneath the lamplight, I saw that although she tried to write, her small white hand trembled so that the attempt was by no means successful. She seemed nervous and upset, for I now noticed for the first time that her breast rose and fell quickly beneath her laces, and that she was trying in vain to repress a wild tumult of agitation that raged within her.
“No,” she cried, throwing down the pen and looking up at me, “I can’t write. I—” And she stopped without concluding her sentence, fixing her beautiful eyes upon me. She was magnificent. That look of hers was surely sufficient to make any man’s head reel.
“Do you know,” she exclaimed suddenly, bursting into a nervous laugh, “I didn’t really want you to write a letter at all! I only wanted an excuse to come into this den of yours—to speak to you.”
Her laugh somehow sounded unnatural. With her woman’s subtle tact she was, I knew, trying to conceal her agitation.
“To speak to me? What about?”
She grew grave again in an instant, and rising, crossed towards me. I saw that all the colour had died from her face and that she grasped the edge of the table to steady herself.
“I wanted to ask you—I wanted to see if you would do something for me,” she said in a low tremulous voice, very harsh and intense.
Was it possible that Warr had already seen her and delivered the note and message from that mysterious stranger?
“What do you wish me to do?” I inquired eagerly.
“I want you to help me, Willoughby,” she said. “I am in peril—deadly peril. You can save me if you will.”
“Peril? Peril of what?”
“Ah! That I cannot tell you,” she answered; then suddenly losing all control of herself she exclaimed wildly, “The past has risen against me, to torment me, to hound me down to the very depths of hell. Ah! Willoughby, save me—you will, won’t you? You are my friend. Say you are—say you will help me,” she implored with clasped hands.
“But what do you fear, Lady Lolita?” I asked in the hope of learning her secret.
“I fear death,” she cried hoarsely. “The blow has fallen, and I am lost—lost.”
“No, no,” I said, taking her soft hand gently in mine and finding it cold, trembling in fear. “Do not anticipate the worst, whatever may be your danger.”
“Ah! if I could tell you all—if I only dared to tell you,” she sighed. “But even then you wouldn’t believe it—you couldn’t.”
“But may I not know something of this peril of yours?” I urged. “If you tell me, I shall then know how to deal with it.”
“You can only serve me at great risk to yourself,” was her quick reply.
“In any way I can serve you, Lolita, do not hesitate to command me,” I said, deeply in earnest and still holding her trembling hand in mine. By that wild look in her beautiful eyes I saw that her heart was gripped by some nameless terror, and that she was in desperation. Then, in a moment of deep sympathy, recollecting the stranger’s ominous words, I added: “I love you now, Lolita, with the deepest devotion with which any man has loved.”
And before she was aware of it, I had raised those thin white fingers reverently to my lips and imprinted upon them a tender lingering kiss.
Chapter Three.
Which is a Mystery.
In my hot passionate declaration I repeated my readiness to serve her, at the same time acknowledging