For the three reasons above mentioned, i.e., first, the work of minstrels, second, the Christianizing of the nation, and third, the invention of the alphabet, all occurring during the successive reigns of the Arsacid kings, I should ascribe to this period (150 B.C.-A.D. 428) the integration of the Armenian people into a national unit.33 Christianity must have come as a disrupting force, as a terrible shock, necessitating a complete social readjustment, but the fact that the readjustment was made shows that the people were ready for it. For better or for worse the yoke of Christianity was fastened to the neck of the people, and with it they had to replow the social soil. The job was a good one, for the Armenian church has been the chief power during the last ten or fifteen centuries in keeping alive the streams of national life, and in holding the people together in the face of invasion and repeated attempts at proselytization by the Persians and by the Greek and Roman Catholic churches.
Section 7. Legends of Artasches and Artavasd
The legends of Artasches and Satenik, and of Artavasd, the son of Artasches, belong to the Arsacid period, for Artavasd and Artasches are Armenian kings of the Arsacid dynasty, according to Moses.34 The Alans who, according to the legend, were a neighboring people residing in the mountain region in the vicinity of Georgia, spread themselves over Armenia while Artasches, the Armenian king, collected a great army and forced the Alans to retreat across the river Kur where they pitched camp. The son of the Alan king was taken captive and brought to Artasches, which forced the former to seek peace on whatever terms the Armenian king might wish, provided only his son was returned in safety. But Artasches refused, whereupon the sister of the captured boy came to the river bank, and standing upon a great rock spoke to the camp of Artasches by means of interpreters saying: “Oh brave Artasches, who hast vanquished the great nation of Alans, unto thee I speak. Come, hearken unto the bright-eyed daughter of the Alan king and give back the youth. For it is not the way of heroes to destroy life at the root, nor for the sake of humbling and enslaving a hostage to establish everlasting enmity between two great nations.”35 Artasches, having heard of these sayings went to the river bank and having seen that the girl was beautiful, and listened to her words of wisdom, wished to marry her. His chamberlain considered it a wise stroke of policy, and therefore went to the Alan king, soliciting the hand of the princess for his master, whose oaths and assurances of peace he vouched for, together with the promise to return the boy. The king of the Alans answered, “From whence shall brave Artasches give thousands upon thousands, and ten thousands upon tens of thousands in return for the maiden?”
Writes Moses:
Concerning this, the poets of that land sing in their songs:
“Brave King Artasches
Mounted his fine black charger,
And took the red leathern cord
With the golden ring.
Like a swift winged eagle
He passed over the river
And cast the golden ring
Round the waist of the Alan Princess;
Causing much pain to the tender maiden
As he bore her swiftly back to his camp.”
Which being interpreted meaneth that he was commanded to give much gold, leather, and crimson dye in exchange for the maiden. So also they sing of the wedding:
“It rained showers of gold when Artasches became a bridegroom,
It rained pearls when Satenik became a bride.”
For it was the custom of our kings to scatter coins amongst the people when they arrived at the doors of the temple for their wedding, as also for the queens to scatter pearls in their bride-chamber.36
The couplet quoted is still sung by the Armenians, and it is still customary for the bridegroom to scatter money on his way to the church, and though it may be for queens to scatter pearls, the Armenian bride is not to be outdone. She is given a partly opened pomegranate which she throws at the door of the bridegroom upon the arrival at the bridegroom’s home after the ceremony at the church, the bits of pomegranate scattering themselves about as pearls.
After fifty-one years of a very prosperous reign, Artasches, who was very much beloved by his people, died. The funeral procession was a most magnificent one, and many of the people killed themselves, out of love for their dead king, according to the custom of the time. And when the body was laid in the grave they threw precious jewels, gold, and silver after it. Nor did the lamenting and suicide stop after his burial, for upon the grave of their dead king the nobles and the people continued to kill themselves. So great was the slaughter that Artavasd, son of Artasches, and king after his father’s death, addressed the spirit of his dead father, saying, “Behold, thou art taking all with thee; dost thou leave me to rule over ruins and the dead?” The words given by Moses of Khorene are: “Now that thou art gone, and hast taken with thee the whole land, how shall I reign over the ruins?”37 Whereupon the spirit of Artasches cursed him and said,
“When thou ridest forth to hunt
Over the free heights of Ararat,
The strong ones shall have thee,
And shall take thee up
On to the free heights of Ararat.
There shalt thou abide,
And never more see the light.”38
These words together with those of Artavasd spoken to his father’s spirit were sung by the singers of the time.39
One day while out hunting Artavasd was seized by some visionary terror and lost his reason. Urging his horse down a steep bank he fell into a chasm where he sank and disappeared. Old women told how he was confined in a cavern and bound with iron chains which his two dogs gnawed at daily in order to set him free. But somehow at the sound of the hammers striking on the anvils, the chains were continually strengthened, and it was customary among the blacksmiths of the time to strike the anvil three or four times to strengthen, as they said, the chains of Artavasd. And so the tradition was kept up by singers and blacksmiths; the blacksmiths and old women having consigned the jealous king to the world’s nethermost regions, while the singers left him to the solitude of Ararat in accordance with the curse of Artasches.
Section 8. Conclusions
Such are the ancient legends of Armenia, in their respective historical settings: the legends of Haic, of Semiramis and Ara, of Vahakn, of Artasches and Satenik, and of Artavasd. All of them antedate the Christian era, and some of them by many centuries. Each one of them is told by Moses of Khorene. But as to origin and probable historic roots Moses was silent, for he was writing a history. He constantly laments the absolute dearth of material