Hagar. Mary Johnston

to support them."

      "But if there really isn't any one?" said Hagar wistfully. "And if you feel that you are costing a lot—" Her dreams at night were beginning to be shot with a vague but insistent "If I could write—if I could paint or teach—if I could earn money—"

      "There is almost always some one," answered Mrs. LeGrand. "And if a girl knows how to make the best of herself, there inevitably arrives her own establishment and the right man to take care of her. If"—she shrugged—"if she doesn't know how to make the best of herself, she might as well go work in a store. No one would especially object. That is, they would not object except that when that kind of thing creeps up higher in the scale of society, and girls who can perfectly well be supported at home go out and work for pay, it makes an unfortunate kind of precedent and reacts and reflects upon those who do know how to make the best of themselves."

      Hagar spoke diffidently. "But a lot of women had to work after the war. Mrs. Lane and General——'s daughters, and you yourself—"

      "That is quite different," said Mrs. LeGrand. "Gentlewomen in reduced circumstances may have to battle alone with the world, but they do not like it, and it is only hard fate that has put them in that position. It's an unnatural one, and they feel it as such. What I am talking of is that nowadays you see women—young women—actually choosing to stand alone, actually declining support, and—er—refusing generally to make the best of themselves. It's part of the degeneracy of the times that you begin to see women—women of breeding—in all kinds of public places, working for their living. It's positively shocking! It opens the gate to all kinds of things."

      "Wrong things?"

      "Ideas, notions. Roger Michael's ideas, for instance—which I must say are extremely wrong-headed. I regretted that I had asked her here. She was hardly feminine." Mrs. LeGrand stretched herself, rubbed her plump, firm arms, from which the figured silk had fallen back, and rose from the couch. "I hope that Eglantine girls will always think of these things as ladies should. And now, my dear, will you tell Mrs. Lane that I want to see her?"

      Mrs. LeGrand went away from Eglantine for ten days. Of the women teachers living in the house, all went but Mrs. Lane and Miss Bedford. All the girls went but three, and they were, first, Hagar Ashendyne; second, a pale thin girl from the Far South, a martyr to sick headaches; and third, Francie Smythe, a girl apparently without many home people. Francie was sweetly dull, with small eyes and a perpetual smile.

      How quiet seemed the great house with its many rooms! They closed the large dining-room and used the small room where Roger Michael had supped. They shut the classrooms and the study-hall and the book-room, and sat in the evenings in the bowery, flowery parlour. Here, the very first evening, and the second, came Mr. Laydon with Browning in one pocket and Tennyson in the other.

      Mrs. Lane was knitting an afghan of a complicated pattern. Her lips moved softly, continuously, counting. Mr. Laydon, making an eloquent pause midway of "Tithonous" caught this One—two—three—four—and had a fleeting expression of pain. Mrs. Lane saw the depth to which she had sunk in his esteem and flushed over her delicate, pensive face. For the remainder of the hour she sat with her knitting in her lap. But really the afghan must be finished, and so, the second evening, she placed her chair so as to face not the reader but a shadowy corner, and so knit and counted in peace. Miss Bedford neither knit nor counted; she said that she adored poetry and sighed rapturously where something seemed to be indicated. She also adored conversation and argumentation as to this or that nice point. What did Mr. Laydon think Browning really meant in "Childe Roland," and was Porphyria's lover really mad? Was Amy really to blame in "Locksley Hall"? Miss Bedford made play with her rather fine eyes and teased the fringe of the table-cover. The pale girl from the Far South—Lily was her name—sat by the fire and now rubbed her forehead with a menthol pencil and now stroked Tipsy Parson, Mrs. LeGrand's big black cat. Francie Smythe had a muslin apron full of coloured silks and was embroidering a centre-piece—yellow roses with leaves and thorns. Francie was a great embroiderer. Hagar sat upon a low stool by the hearth, over against Lily, close to the slowly burning logs. She was a Fire-Worshipper. The flames were better to her than jewels, and the glowing alleys and caverns below were treasure caves and temples. She sat listening in the rosy light, her chin in her hands. She thought that Mr. Laydon read very well—very well, indeed.