THE MARSUPIAL ANIMALS
are deposited. These fill nine wall-cases, and they should be carefully examined, as exhibiting a peculiar economy of animal life. The marsupial animals are placed by some zoologists in the lowest class of mammalia. They include carnivorous, herbivorous, and insectivorous families, and their head-quarters appear to be Australia. In the first two cases (44, 45) which the visitor will examine, are the varieties of Australian phalangers; and here also are the New Holland bears, the Australian wombat, the flying squirrel of Norfolk Island, the flying phalangers; and in the right corner of the case are grouped those notable animals to which public curiosity has of late years been so keenly directed—the kangaroos. In the next five cases (46–51) the visitor will find more varieties of these strange, awkward-looking creatures. Here amid the kangaroos of Australia are the long-nosed, rock, and jerboa kangaroos, the New Guinea tree-kangaroo, and below, the Australian koala. The two next cases (52, 53) contain the varieties of Australian opossums, and below are the opossums of America.
These close the attractions of the wall-cases, and the visitor should now glance round the saloon at the specimens of the varieties of
THE SEAL TRIBE,
which are arranged along the tops of the wall-cases. These include the leonine seal of the Southern Ocean, the Cape porpoise and dolphin, and the long-beaked dolphin of the Ganges. Having noticed these specimens, the visitor should proceed to examine the extensive collection of
CORALS,
which are arranged upon the central tables of the saloon. To explain the presence of coral in the midst of a zoological collection it is necessary to remind the visitor that this beautiful substance, which is chiefly a deposit of carbonate of lime, is also the fossil remains of that animal known to zoologists as the polypus. These polypi put forth buds, which remain attached to the parental polypus, and generate other buds; and in this way countless polypi, linked together, yet maintaining a separate and distinct existence, spread themselves over miles and miles of submarine rocks, in endless varieties of shape, and leave their remains to be dredged by the hardy fisherman, for the adornment of beauty. These beautiful polypi skeletons cluster in curious formations, as the visitor will perceive on examining the fine collection of corals before him.[1] Among the remarkable coral formations to which the general visitor's attention may be directed, are the sea-mushroom, the remains of a single polypus of great size; the brainstone, which presents a circular mass of long winding cells, and altogether has the appearance of the masses and veins of the brain; the sea-pen, and the sea-fan. In the cases, ranged together in the saloon, the visitor who feels interested in the infinite varieties of coral formation, will find specimens that-will give him a full idea of the architectural abilities of the active zoophytes that carry on their operations upon the rocks that lie not far below the surface of the ocean. From the coral tables, the visitor's way lies out of the Mammalia Saloon to the north, into a gallery of which all Englishmen who understand the value of a perfect museum, are justly proud.
THE EASTERN ZOOLOGICAL GALLERY
of the British Museum runs the entire length of the building. It is divided into five compartments, and its space is devoted to the display of Birds, Shells, and a few Paintings. The birds exhibited in this gallery fill no less than one hundred and sixty-six wall-cases; and the shells which are distributed throughout the central space occupy fifty large tables: the lesser tables which are placed here and there near the birds, being devoted to the display of birds' eggs. The pictures are hung above the wall-cases. This general glance at the arrangement of the gallery, will prevent the visitor from falling into the error of distracting his attention from one order of zoological development to another at frequent intervals. Already he has examined the various species of animal life which rank in the highest class—the mammalia. Before him now, are ranged vast numbers of the second class of animal life; and he will do well to pay these some attention, and to get definite impressions regarding them, before he turns to the other attractions which the museum offers. Before proceeding to examine the first order of birds which are in the first eastern room, the visitor should glance at the historical portraits suspended above the cases. Among them he will find a Mary Queen of Scots, by Cornelius Jansen; a Cromwell, presented by the Protector to Colonel Rich of the parliamentary forces, by whose great-grandson it was bequeathed to the trustees of the museum; William Duke of Cumberland by Morier; Zucchero's Queen Elizabeth; Sir Peter Lely's Charles the Second; and the Queen of George the Second by Jarvis. Having sufficiently examined these works, the visitor should at once begin his inspection of the Raptores or
BIRDS OF PREY.
These include some splendid ornithological specimens. They are divided into two families: those who pursue their depredations by day; and those which wait till night cloaks their proceedings. It is almost possible to read the special instincts of the two families in their formation, and expression. The daring expressed in the fierce glances of the eagles and falcons, bespeaks the fearless spoliator, in broad daylight and in the face of an enemy; whereas the large vacant eyes of the owls, have a cruel, coward look, that stamps the midnight assassin.
In the first case the visitor will notice the strongbearded vulture of the Alpine and Himalayan mountains. The next six cases (2–7) are filled with the varieties of the Vulture, including the American, carrion, black, and king vultures; the South African sociable vulture; the angola vulture from Congo; and, towering above all, the great condor of the Andes, with his immense breadth of wing. The vultures, with their fierce and cruel aspect, are, nevertheless, cowardly birds, and feed rather upon dead bodies than venture to kill for themselves.
Next in order, after the vultures, the visitor will find the Eagle branch of the falcon family distributed in ten cases (8–17). This family includes some handsome birds. Foremost amongst these the visitor will remark the athletic golden eagle of Europe, a frequenter of Great Britain. This bird preys upon hares and rabbits, and has been known to plant its claws in a young lamb with success. In this vicinity are also the Indian Pondicherry eagle, sacred to the Brahmins; the Egyptian booted eagle; the Brazilian eagle; the South American harpy eagle; the European Jean le Blanc eagle; the marine eagle of the Indian Archipelago; the South American crested goshawk; the varieties of the osprey; and the short-tailed falcon from the Cape of Good Hope. Next after the eagles, are ranged the Kites and Buzzards (18–24). These include the South American caracaras; the European rough-legged falcon; the European kite; the Indian colny falcon; varieties of the honey buzzard; and the North American spotted-tailed hobby. The true falcons follow next in order of succession (24–26). The courage of these birds is familiar to all who have read of the hunting days of old. In the cases before the visitor, are grouped the European hobby and kestrel, and the peregrine and jet falcons. Many visitors from the country will be familiar with some of the sparrow-hawks in the next case (27). They may be often seen sweeping swiftly along near the earth, intent upon their prey. The last cases of diurnal birds of prey (28–30) contain the Harriers. These are birds of prey that meet their victims on the ground, and frequent bog-lands. The specimens here presented, include the secretary of the Cape of Good Hope; the chanting falcon from the same region; the ash-coloured falcon, hen-harrier, and Madagascar falcon.
And now, proceeding on his easterly way, the visitor approaches the Birds that Prey by Night. They are solemnly assembled in five cases. Their reputed wisdom has its parallel in the human family: we also have our owls, with their large eyes and solemn demeanour, who cheat people into the idea that there must be something in all that solemnity and gravity of expression. Poets of the dismal school, however, owe a great debt of gratitude to these mysterious and unsociable birds. The visitor will at once call to mind the usual sequel of poems that open with the hooting of the owl, or with the intimation that it is the hour when the wise bird opens his eyes with some effect. Let us glance at the varieties of the dismal family before which we have brought the visitor. Here are the snowy owl of North America and the hawk owls. In the cases (32, 33) are grouped the eagle owls, including the great-eared owls, and the North American Virginian eared owl. The next two cases contain the howlets, including the Tengmalm's owl of the north of Europe; the