The friends sadly exchange fears. The bridegroom reminds the priest that shelter will be always his at the new rancho.
Peralta's plunging roan frets now in the "paseo." After a blessing, the Commandante briskly pushes over the oak openings, toward the marshes of the bay. His shadow, the old sergeant, ambles alongside. Pearly mists rise from the bay. Far to the northeast Mount Diablo uplifts its peaked summit. From the western ridges balsamic odors of redwoods float lightly.
Down by the marshes countless snipe, duck, geese, and curlew tempt the absent sportsman.
The traveller easily overtakes his escort. They have been trying all the arts of the vaquero. Past hills where startled buck and doe gaze until they gracefully bound into the covert, the riders pursue the lonely trail. Devoid of talk, they follow the shore, sweeping for six hours over the hills, toward the Mission Dolores. Another hour brings them to the Presidio.
This fort is the only safeguard of the State; a battery of ship guns is a mere symbol of power.
In the quadrangle two companies of native soldiers and a detachment of artillery constitute the feeble garrison. Don Miguel Peralta canters up to the Commandante's residence.
Evening parade is over. Listless sentinels drag over their posts with the true military laziness.
Peralta is intent upon affairs both of head and heart. His comrade, the Commandante, sits late with him in sage counsel. A train follows from Monterey, with stores for the settlement. Sundry cargoes of gifts for the fair Juanita, which the one Pacific emporium of Monterey alone could furnish, are moving. Miguel bears an order for a detail of a sergeant and ten men, a nucleus of a force in the San Joaquin. Barges and a shallop are needed to transport supplies up the river. By couriers, invitations are to be sent to all the clans not represented at the Monterey gathering.
The priests of the mission must also be visited and prepared for the wedding. Miguel's heart softens. He thinks of his bright-eyed Californian bride waiting in her home, soon to be Seftora Peralta.
In twenty days Don Miguel arranges his inland voyage. While his assistants speed abroad, he pays visits of ceremony to the clergy and his lovely bride.
The great day of his life arrives. Clad in rich uniform, he crosses to the eastern shore. A breeze of morning moves. The planet of love is on high. It is only the sun tinting the bay with golden gleams. Never a, steamer yet has ploughed these silent waters.
Morning's purple folds Tamalpais in a magic mantle. Rolling surges break on the bar outside the Golden Gate. Don Miguel, attended by friends, receives his bride, the Rose of Alameda. Shallops wait. The merry party sails for the western shore. Fluttering flags decorate this little navy of San Francisco.
Merry laughter floats from boat to boat. The tinkle of the guitar sounds gaily. Two hours end this first voyage of a new life.
At the embarcadero of Yerba Buena the party descends. They are met by a procession of all the notables of the mission and Presidio. Hardy riders and ladies, staid matrons and blooming senoritas, have gathered also from Santa Clara, Napa, and Sonoma. The one government brig is crowded with a merry party from Monterey.
The broad "camino real" sweeps three miles over sand dunes to the mission. Past willow-shaded lakes, through stunted live-oak groves, the wedding cavalcade advances. The poverty of the "mozo" admits of a horse. Even the humblest admirer of Don Miguel to-day is in the saddle. No one in California walks.
With courtly grace the warrior rides by his bride. Juanita Castro is a true Spanish senorita. Blest with the beauty of youth and the modesty of the Castilian, the Rose of Alameda has the blush of her garden blossoms on her virgin cheek. She walks a queen. She rides as only the maids of Alta California can.
The shining white walls of the mission are near. Eager eyes watch in the belfry whence the chimes proclaim the great event. To the west the Coast Range hides the blue Pacific. Rolling sand hills mask the Presidio. East and south the panorama of shore and mountain frames the jewel of the West, fair San Francisco bay.
Soldiers, traders, dull-eyed Indians, and joyous retainers crowd the approaches.
The cortege halts at the official residence. Soon the dark-eyed bride is arrayed in her simple white robes. Attended by her friends, Juanita enters the house of the Lord. Don Luis Castro supports the bride, who meets at the altar her spouse. Priests and their trains file in. The fateful words are said.
Then the girl-wife on her liege lord's arm enters the residence of the Padres; a sumptuous California breakfast awaits the "gente de razon."
Clangor of bells, firing of guns, vivas and popular clamor follow the party.
The humbler people are all regaled at neighboring "casas."
In the home of the Padres, the nuptial feast makes glad the gathered notables. The clergy are the life of this occasion. They know when to lay by the austerity of official robes. From old to young, all hearts are merry.
Alcaldes, officials, and baronial rancheros—all have gathered for this popular wedding.
Carrillos, Del Valles, Sepulvedas, Arguellos, Avilas, Ortegas, Estradas, Martinez, Aguirres and Dominguez are represented by chiefs and ladies.
Beakers of mission vintages are drained in honor of the brave and fair. When the sun slopes toward the hills, the leaders escort the happy couple to the Presidio. The Commandante and his bride begin their path in life. It leads toward that yet unbuilt home in the wild hills of Mariposa. With quaint garb, rich trappings, and its bright color, the train lends an air of middle-age romance to the landscape.
Knightly blood, customs, and manners linger yet in the "dolce far niente" of this unwaked paradise of the Occident. Sweetly sound the notes of the famous sacred mission bell. It was cast and blessed at far Mendoza in Spain, in 1192. Generations and tens of generations have faded into shadowy myths of the past since it waked first the Spanish echoes. Kings and crowns, even countries, have passed into history's shadowy night since it first rang out. The cunning artificer, D. Monterei, piously inscribed it with the name of "San Franisco." Mingled gold and silver alone were melted for its making. Its sacred use saved the precious treasure many times from robbers. Six hundred and fifty years that mellow voice has warned the faithful to prayer. Pride and treasure of the Franciscans, it followed the "conquistadores" to Mexico. It rang its peal solemnly at San Diego, when, on July 1, 1769, the cross of the blessed Redeemer was raised. The shores of California were claimed for God by the apostolic representative, sainted Friar Junipero Serra. In that year two babes were born far over the wild Atlantic, one destined to wrap the world in flame, and the other to break down the mightiest modern empire of the sword. It was the natal year of Napoleon Bonaparte, the child imperially crowned by nature, and that iron chief, Arthur Wellesley, the Duke of Wellington.
The old bell sounded its first call to the faithful on San Francisco Bay, in 1776. It was but a few months after the American colonists gave to wondering humanity their impassioned plea for a world's liberty—the immortal Declaration of the Fourth of July.
No merrier peal ever sounded from its vibrant throat than the rich notes following Miguel Peralta and his lovely Rose of Alameda.
Revelry reigns at the Presidio; Commandante Peralta's quarters are open. Music and brightest eyes mark the closing of this day. In late watches the sentinels remember the feast as they pace their rounds, for none are forgotten in largesse.
Fair Juanita learns to love the dainty title of Senora. Light is her heart as she leaves for the Hills.
Don Miguel's barges already are on the San Joaquin. The cattle have reached their potreros on the Mariposa. Artificer and "peon" are preparing a shelter for the lord of the grant.
Donna Juanita waves