The government which Lorenzo, afterwards Duke of Urbino, now established in Florence is very favorably described by Vettori.[3] 'Lorenzo, though still a young man, applied himself with great attention to the business of the city, providing that equal justice should be administered to all, that the public moneys should be levied and spent with frugality, and that disputes should be settled to the satisfaction of all parties. His rule was tolerated, because, while the revenues were large and the expenses small, the citizens were not troubled with taxes; and this is the chief way to please a people, seeing their affection for a prince is measured by the good they get from him. Taking this opinion of Lorenzo, it is possible for Vettori in another place to say of him that 'he governed Florence like a citizen;'[4] and on the occasion of his death in 1520, he passes what amounts to a panegyric on his character. 'His death was a misfortune for Florence, which it would be difficult to describe. Though young, he had the qualities of virtuous maturity. He bore a real affection toward the citizens, was parsimonious of the moneys of the Commune, prodigal of his own; while a foe to vice, he was not too severe on those who erred. Though he began his military life at twenty-three, he always bore the cuirass of a man at arms upon his shoulders day and night on active service. He slept very little, was sober in his diet, temperate in love. The Florentines did not love him, because it is not possible for men used to freedom to love a ruler; but he, for his part, had not sought the office which was thrust upon him by the will of others. Madonna Alfonsina, his mother, brought unpopularity upon him; for she was avaricious, and the Florentines, who noticed every detail, thought her grasping: and though he wanted to restrain her, he found himself unable to do so through the high esteem in which he held her. Maddalena, his wife, died six days before him, after giving birth to a daughter Catherine.' This is the, no doubt, highly favorable portrait of the man to whom Machiavelli dedicated his Principe. The somewhat negative good qualities of Lorenzo, his prudence and parsimony, his freedom from despotic ambition, and dislike of dangerous service, combined with his deference to the powerful members of his own family, are very unlike Machiavelli's ideal of the founder of a state. Cesare Borgia was almost the exact opposite. The impression produced by Vettori's panegyric is further confirmed by what he says about Lorenzo's disinclination to undertake the Duchy of Urbino.[5]
[1] P. 297.
[2] P. 300.
[3] Ibid.
[4] P. 306.
[5] P. 321. See too p. 307.
But to return to the early days of Leo's pontificate. Vettori marks his interference in the affairs of Lucca as the first great mistake he made.[1] His advisers in Florence had not reflected 'what infamy it would bring upon the Pope in the opinion of all men, or what suspicion it would rouse among the princes, if in the first months of his power he were led to sanction an attack by the Florentines upon the Lucchese, their neighbors and allies. How too could the burghers of Florence, who had urged him to this step, remind the pontiff that he ought to moderate his desire of gaining dominion for the Church and for his kin, by the example of former Popes, all of whom, in the interest of their dependents, had acquired to their own dishonor with peril and expense what in a few days upon their death returned to the old and rightful owners?' The conduct of Leo with regard to Lucca, his policy in Florence, and the splendor maintained by his brother at Rome, did in fact rouse the jealousy of the Italian powers both great and small.[2] 'King Ferdinand remarked: If Giuliano has left Florence, he must be aiming at something better, which can be nothing but the realm of Naples. The Dukes of Milan, Ferrara, and Urbino said the same. The Sienese thought: If the pope allows the Florentines to attack Lucca, which is so strong, well furnished, and harmonious, far more will he consent to their encroaching upon us, who are weak, ill-provided, and at odds among ourselves. The Duke of Ferrara had further reasons for discontent in respect to Modena and Reggio.' Altogether, Leo began to lose credit. Secret alliances were formed against him by the della Rovere, the Baglioni, and the Petrucci; and though he took care to attend public services and to fast more than etiquette required, nobody believed in him. Vettori's comment reads like an echo of Machiavelli and Guicciardini.[3] 'Assuredly it is most difficult to combine temporal lordship with a reputation for religion: for they are two things which will not harmonize. He who well considers the law of the Gospel will observe that the pontiffs, though called Christ's Vicars, have originated a new religion unlike that of Christ except in name. His enjoins poverty; they desire riches. He preached humility; they follow after pride. He commanded obedience; they aim at universal sovereignty. I could enlarge upon their other vices; but it is enough to allude to these, without entering into inconvenient discourses.' While treating of the affairs of Urbino,[4] however, Vettori remarks that Leo could not have done otherwise than punish Francesco Maria della Rovere, if he wished to maintain the Papacy at the height of reputation to which it had been raised by his predecessors.
[1] P. 301.
[2] P. 303.
[3] P. 304.
[4] P. 319.
In his general estimate of Leo, Vettori confirms all that we know about this Pope from other sources. He insists more perhaps than other historians upon the able diplomacy by which Lodovico Canossa, Bishop of Tricarico, made terms with Francis after Marignano,[1] and traces Leo's fatal alliance with Charles V. in 1520 to the influence of Jeronimo Adorno.[2] The secret springs of Leo's conduct, when he was vainly endeavoring to steer to his own profit between the great rivals for power in Europe, are exposed with admirable precision at both of these points. Of the prodigality which helped to ruin this Pope, and which made his two successors impotent, he speaks with sneering sarcasm. 'It was as easy for him to keep 1,000 ducats together as for a stone to fly into the air by its own weight.'[3] When the news of the capture of Milan reached him on November 27, 1520, Leo was at the Villa Magliana in the neighborhood of Rome.[4] Whether he took cold at a window, or whether his anxiety and jealousy disturbed his constitution, Vettori remains uncertain. At any rate, he was attacked with fever, returned to Rome, and died. 'It was said that his death was caused by poison; but these stories are always circulated about men of high estate, especially when they succumb to acute disease. Those, however, who knew the constitution and physical conformation of Leo, and his habits of life, will rather wonder that he lived so long.' After summing up the vicissitudes of his career and passing a critique upon his vacillating policy, Vettori resumes:[5] 'while on the one hand he would fain have never had one care to trouble him; on