In his own house Emerson shone with essential hospitality, and yet he wonderfully effaced himself; any one but he might hold the centre of the stage. You felt him everywhere, but if you would see him, you must search the wings. He sat in his chair, bending forward, one leg crossed over the other, his elbows often supported on his knee; his legs were rather long and slender, and he had a way, after crossing his leg, of hitching the instep of that foot under the calf of the other leg, so that he seemed braided up. He seldom stood in a room, or paced to and fro, as my father was fond of doing. But the two men were almost equally addicted to outdoor walking, and both preferred to walk alone. Emerson formed the habit of betaking himself to Walden woods, which extended to within a mile or so of his door; thence would he return with an exalted look, saying, "The muses are in the woods to-day"; and no one who has read his Woodnotes can doubt that he found them there. Occasionally Channing, Thoreau, or my father would be his companion; Alcott preferred to busy himself about his rustic fences and summer-houses, or to sit the centre of a circle and converse, as he called it; meaning to soliloquize, looking round from face to face with unalterable faith and complacency.
My father read Emerson with enjoyment; though more and more, as he advanced in life, he was disposed to question the expediency of stating truth in a disembodied form; he preferred it incarnate, as it appears in life and in story. But he could not talk to Emerson; his pleasure in his society did not express itself in that form. Emerson, on the other hand, assiduously cultivated my father's company, and, contrary to his general habit, talked to him continuously; but he could not read his romances; he admitted that he had never been able to finish one of them. He loved to observe him; to watch his silence, which was full of a kind of speech which he was able to appreciate; "Hawthorne rides well his horse of the night!" My father was Gothic; Emerson was Roman and Greek. But each was profoundly original and independent. My father was the shyer and more solitary of the two, and yet persons in need of human sympathy were able to reach a more interior region in him than they could in Emerson. For the latter's thought was concerned with types and classes, while the former had the individual touch. He distrusted rules, but had faith in exceptions and idiosyncrasies. Emerson was nobly and magnanimously public; my father, exquisitely and inevitably private; together they met the needs of nearly all that is worthy in human nature.
Emerson rose upon us frequently during our early struggles with our new abode, like a milder sun; the children of the two families became acquainted, the surviving son, Edward, two years my elder, falling to my share. But Emerson himself also became my companion, with a humanity which to-day fills me with grateful wonder. I remember once being taken by him on a long walk through the sacred pine woods, and on another occasion he laid aside the poem or the essay he was writing to entertain Una in his study, whither she had gone alone and of her own initiative to make him a call! It is easy to compliment a friend upon his children, but how many of us will allow themselves to be caught and utilized by them in this fashion? But Emerson's mind was so catholic, so humble, and so deep that I doubt not he derived benefit even from child-prattle. His wife rivalled him in hospitality, though her frail health disabled her from entering into the physical part of social functions with the same fortitude; in these first months we were invited to a party where we were fellow-guests with all the other children of Concord. There they were, their mothers with them, and everything in sight that a child at a party could require. My new friend Edward mounted me on his pony, and his father was at hand to catch me when I fell off. Such things sound incredible, but they are true. A great man is great at all times, and all over.
Thoreau, Channing, and Alcott were also visible to us at this time, but of none of them do I find any trace in my memory; though I know, as a matter of fact, that Channing and my father once permitted me to accompany them on a walk round the country roads, which inadvertently prolonged itself to ten miles, and I knew what it was to feel foot-weary. But another neighbor of ours, hardly less known to fame, though in a widely different line of usefulness, makes a very distinct picture in my mind; this was Ephraim Wales Bull, the inventor of the Concord grape. He was as eccentric as his name; but he was a genuine and substantive man, and my father took a great liking to him, which was reciprocated. He was short and powerful, with long arms, and a big head covered with bushy hair and a jungle beard, from which looked out a pair of eyes singularly brilliant and penetrating. He had brains to think with, as well as strong and skilful hands to work with; he personally did three-fourths of the labor on his vineyard, and every grape-vine had his separate care. He was married and had three children, amiable but less interesting than himself. He had, also, a tremendous temper, evidenced by his heavy and high-arched eyebrows, and once in a while he let slip upon his helpers in the vineyard this formidable wrath, which could easily be heard in our peaceful precincts, like sounds of distant battle. He often came over and sat with my father in the summer-house on the hill, and there talked about politics, sociology (though under some other name, probably), morals, and human nature, with an occasional lecture on grape-culture. He permitted my sister and me to climb the fence and eat all the grapes we could hold; it seems to me he could hardly have realized our capacity. During our second summer he built a most elaborate fence along the road-front of his estate; it must have been three hundred yards long and it was as high as a man could reach; the palings, instead of being upright, were criss-crossed over one another, leaving small diamond-shaped interstices. The whole was painted brilliant white, to match the liliputian cottage in which the Bull family contrived (I know not how) to ensconce itself. When the fence was built, Mr. Bull would every day come forth and pace slowly up and down the road, contemplating it with the pride of a parent; indeed, it was no puny achievement, and when I revisited Concord, thirty years later, the great white fence was still there, with a few gaps in it, but still effective. But the builder, and the grapes—where were they? Where are Cheops, and the hanging gardens of Babylon?
Among many visitors came Richard Henry Stoddard, already a poet, but anxious to supplement the income from his verses by a regular stipend from the big pocket of Uncle Sam. His first coming was in summer, and he and my father went up on the hill and sat in the summer-house there, looking out upon the wide prospect of green meadows and distant woods, but probably seeing nothing of them, their attention being withdrawn to scenes yet fairer in the land of imagination and memory. Stoddard was then, as always, a handsome man, strong and stanch, black-haired and black-bearded, with strong eyes that could look both fierce and tender. He was masculine, sensitive, frank, and humorous; his chuckle had infinite merriment in it; but, as his mood shifted, there might be tears in his eyes the next moment. He was at that time little more than five-and-twenty years old, and he looked hardly that; he was a New England country youth of genius. Nature had kindled a fire in him which has never gone out. Like my father, he was affiliated with the sea, and had its freshness and daring, though combined with great modesty, and he felt honored by the affection with which he inspired the author of The Scarlet Letter. It was not until his second visit, in the winter, that the subject of a custom-house appointment for him came up; for my father, being known as a close friend of the President, whose biography he had written for the campaign, became the object of pilgrimages other than literary ones. He received sound advice, and introductions, which aided him in getting the appointment, and he held it for nearly twenty years—more to the benefit of the custom-house than of poetry, no doubt, though he never let poetry escape him, and he is to-day a mine of knowledge and wisdom on literary subjects. There is an immense human ardor, power, and pathos in Stoddard; better than any other American poet does he realize the conception of his great English brother—the love of love, the hate of hate, the scorn of scorn. The world has proved impotent to corrupt his heroic simplicity; he loved fame much, but truth more. He is a boy in his heart still, and he has sung songs which touch whatever is sweetest, tenderest, and manliest in the soul of man.
[IMAGE: EDWIN P. WHIFFLE]
E. P. Whipple, essentially a man of letters, and famous in his day as a critic of literature, appeared often in "The Wayside." His verdict on a book carried weight; it was an era when literary criticism was regarded seriously, and volumes devoted to critical studies had something more than, a perfunctory vogue. He had written penetrating and cordial things about my father's