Legends of Ma-ui—a demi god of Polynesia, and of his mother Hina. W. D. Westervelt. Читать онлайн. Newlib. NEWLIB.NET

Автор: W. D. Westervelt
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 4057664564887
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like the thefts of Mercury, his pranks usually benefited mankind.

      It is a little curious that around the different homes of Maui, there is so little record of temples and priests and altars. He lived too far back for priestly customs. His story is the rude, mythical survival of the days when of church and civil government there was none and worship of the gods was practically unknown, but every man was a law unto himself, and also to the other man, and quick retaliation followed any injury received.

      

Leaping to Swim to Coral Reefs.

       Table of Contents

       Table of Contents

      "Oh the great fish hook of Maui!

       Manai-i-ka-lani 'Made fast to the heavens'—its name;

       An earth-twisted cord ties the hook.

       Engulfed from the lofty Kauiki.

       Its bait the red billed Alae,

       The bird made sacred to Hina.

       It sinks far down to Hawaii,

       Struggling and painfully dying.

       Caught is the land under the water,

       Floated up, up to the surface,

       But Hina hid a wing of the bird

       And broke the land under the water.

       Below, was the bait snatched away

       And eaten at once by the fishes,

       The Ulua of the deep muddy places."

       —Chant of Kualii, about AD 1700.

      One of Maui's homes was near Kauiki, a place well known throughout the Hawaiian Islands because of its strategic importance. For many years it was the site of a fort around which fierce battles were fought by the natives of the island Maui, repelling the invasions of their neighbors from Hawaii.

      Haleakala (the House of the Sun), the mountain from which Maui the demi-god snared the sun, looks down ten thousand feet upon the Kauiki headland. Across the channel from Haleakala rises Mauna Kea, "The White Mountain"—the snow-capped—which almost all the year round rears its white head in majesty among the clouds.

      In the snowy breakers of the surf which washes the beach below these mountains, are broken coral reefs—the fishing grounds of the Hawaiians. Here near Kauiki, according to some Hawaiian legends, Maui's mother Hina had her grass house and made and dried her kapa cloth. Even to the present day it is one of the few places in the islands where the kapa is still pounded into sheets from the bark of the hibiscus and kindred trees.

      Here is a small bay partially reef-protected, over which year after year the moist clouds float and by day and by night crown the waters with rainbows—the legendary sign of the home of the deified ones. Here when the tide is out the natives wade and swim, as they have done for centuries, from coral block to coral block, shunning the deep resting places of their dread enemy, the shark, sometimes esteemed divine. Out on the edge of the outermost reef they seek the shellfish which cling to the coral, or spear the large fish which have been left in the beautiful little lakes of the reef. Coral land is a region of the sea coast abounding in miniature lakes and rugged valleys and steep mountains. Clear waters with every motion of the tide surge in and out through sheltered caves and submarine tunnels, according to an ancient Hawaiian song—

      

In the Sea of Sacred Caves.

      "Never quiet, never failing, never sleeping,

       Never very noisy is the sea of the sacred caves."

      Sea mosses of many hues are the forests which drape the hillsides of coral land and reflect the colored rays of light which pierce the ceaselessly moving waves. Down in the beautiful little lakes, under overhanging coral cliffs, darting in and out through the fringes of seaweed, the purple mullet and royal red fish flash before the eyes of the fisherman. Sometimes the many-tinted glorious fish of paradise reveal their beauties, and then again a school of black and gold citizens of the reef follow the tidal waves around projecting crags and through the hidden tunnels from lake to lake, while above the fisherman follows spearing or snaring as best he can. Maui's brothers were better fishermen than he. They sought the deep sea beyond the reef and the larger fish. They made hooks of bone or of mother of pearl, with a straight, slender, sharp-pointed piece leaning backward at a sharp angle. This was usually a consecrated bit of bone or mother of pearl, and was supposed to have peculiar power to hold fast any fish which had taken the bait.

      These bones were usually taken from the body of some one who while living had been noted for great power or high rank. This sharp piece was tightly tied to the larger bone or shell, which formed the shank of the hook. The sacred barb of Maui's hook was a part of the magic bone he had secured from his ancestors in the under-world—the bone with which he struck the sun while lassooing him and compelling him to move more slowly through the heavens.

      "Earth-twisted"—fibres of vines—twisted while growing, was the cord used by Maui in tying the parts of his magic hook together.

      Long and strong were the fish lines made from the olona fibre, holding the great fish caught from the depths of the ocean. The fibres of the olona vine were among the longest and strongest threads found in the Hawaiian Islands.

      Such a hook could easily be cast loose by the struggling fish, if the least opportunity were given. Therefore it was absolutely necessary to keep the line taut, and pull strongly and steadily, to land the fish in the canoe.

      Maui did not use his magic hook for a long time. He seemed to understand that it would not answer ordinary needs. Possibly the idea of making the supernatural hook did not occur to him until he had exhausted his lower wit and magic upon his brothers.

      It is said that Maui was not a very good fisherman. Sometimes his end of the canoe contained fish which his brothers had thought were on their hooks until they were landed in the canoe.

      Many times they laughed at him for his poor success, and he retaliated with his mischievous tricks.

      "E!" he would cry, when one of his brothers began to pull in, while the other brothers swiftly paddled the canoe forward. "E!" See we both have caught great fish at the same moment. Be careful now. Your line is loose. "Look out! Look out!"

      All the time he would be pulling his own line in as rapidly as possible. Onward rushed the canoe. Each fisherman shouting to encourage the others. Soon the lines by the tricky manipulation of Maui would be crossed. Then as the great fish was brought near the side of the boat Maui the little, the mischievous one, would slip his hook toward the head of the fish and flip it over into the canoe—causing his brother's line to slacken for a moment. Then his mournful cry rang out: "Oh, my brother, your fish is gone. Why did you not pull more steadily? It was a fine fish, and now it is down deep in the waters." Then Maui held up his splendid catch (from his brother's hook) and received somewhat suspicious congratulations. But what could they do, Maui was the smart one of the family.

      Their father and mother were both members of the household of the gods. The father was "the supporter of the heavens" and the mother was "the guardian of the way to the invisible world," but pitifully small and very few were the gifts bestowed upon their children. Maui's brothers knew nothing beyond the average home life of the ordinary Hawaiian, and Maui alone was endowed with the power to work miracles. Nevertheless the student of Polynesian legends learns that Maui is more widely known than almost all the demi-gods of all nations as a discoverer of benefits for his fellows, and these physical rather than spiritual. After many fishing excursions Maui's