Armed with this information, I employed a photographer, giving him instructions to post himself opposite the house and make a snap shot of the magician, should he appear in the doorway. But I had counted without my host. All morning the photographer lounged across the street and all morning I stood bareheaded before the door of Herr Frikell, pleading with his wife who leaned from the window overhead. With that peculiar fervency which comes only when the heart’s desire is at stake, I begged that the past master of magic would lend a helping hand to one ready to sit at his feet and learn. I urged the debt which he owed to the literature of magic and which he could pay by giving me such direct information as I needed for my book.
Frau Frikell heard my pleadings with tears running down her cheeks, and later I learned that Herr Frikell also listened to them, lying grimly on the other side of the shuttered window.
At length, yielding to physical exhaustion, I went away, but I was still undaunted. I continued to bombard Herr Frikell with letters, press clippings regarding my work, etc., and finally in Russia I received a letter from him. I might send him a package containing a certain brand of Russian tea of which he was particularly fond. You may be sure I lost no time in shipping the little gift, and shortly I was rewarded by the letter for which I longed. Having decided that I cared more for him than did some of his relatives, he would receive me when next I played near Kötchenbroda.
With this interview in prospect, I made the earliest engagement obtainable in Dresden, intending to give every possible moment to my hardly-won acquaintance. But Fate interfered. One business problem after another arose, concerning my forthcoming engagement in England, and I had to postpone my visit to Herr Frikell until the latter part of the week. In the mean time, he had agreed to visit a Dresden photographer, as I wanted an up-to-date photograph of him and he had only pictures taken in his more youthful days. On the day when he came to Dresden for his sitting, he called at the theatre, but the attachés, without informing me, refused to give him the name of the hotel where I was stopping.
After the performance I dropped into the König Kaffe and was much annoyed by the staring and gesticulations of an elderly couple at a distant table. It was Frikell with his wife, but I did not recognize them and, not being certain on his side, he failed to make himself known. That was mid-week, and for Saturday, which fell on October 8th, 1903, I had an engagement to call at the Villa Frikell. On Thursday, the Central Theatre being sold out to Cleo de Merode, who was playing special engagements in Germany with her own company, I made a flying business trip to Berlin, and on my return I passed through Kötchenbroda. As the train pulled into the station I hesitated. Should I drop off and see Herr Frikell, or wait for my appointment on the morrow? Fate turned the wheel by a mere thread and I went on to Dresden. So does she often dash our fondest hopes!
My appointment for Saturday was at 2 P.M., and as my train landed me in Kötchenbroda a trifle too early I walked slowly from the depot to the Villa Frikell, not wishing to disturb my aged host by arriving ahead of time.
I rang the bell. It echoed through the house with peculiar shrillness. The air seemed charged with a quality which I presumed was the intense pleasure of realizing my long cherished hope of meeting the great magician. A lady opened the door and greeted me with the words: “You are being waited for.”
I entered. He was waiting for me indeed, this man who had consented to meet me, after vowing that he would never again look into the face of a stranger. And Fate had forced him to keep that vow. Wiljalba Frikell was dead. The body, clad in the best his wardrobe afforded, all of which had been donned in honor of his expected guest, was not yet cold. Heart failure had come suddenly and unannounced. The day before he had cleaned up his souvenirs in readiness for my coming and arranged a quantity of data for me. On the wall above the silent form were all of his gold medals, photographs taken at various stages of his life, orders presented to him by royalty—all the outward and visible signs of a vigorous, active, and successful life, the life of which he would have told me, had I arrived ahead of Death. And when all these were arranged, he had forgotten his morbid dislike of strangers. The old instincts of hospitality tugged at his heart strings, and his wife said he was almost young and happy once more, when suddenly he grasped at his heart, crying, “My heart! What is the matter with my heart? O——” That was all!
There we stood together, the woman who had loved the dear old wizard for years and the young magician who would have been so willing to love him had he been allowed to know him. His face was still wet from the cologne she had thrown over him in vain hope of reviving the fading soul. On the floor lay the cloths, used so ineffectually to bathe the pulseless face, and now laughing mockingly at one who saw himself defeated after weary months of writing and pleading for the much-desired meeting.
I feel sure that the personal note struck in these reminiscences will be forgiven. In no other way could I prove the authoritativeness of my collection, the thoroughness of my research, and the incontrovertibility of the facts which I desire to set forth in this volume.
THE UNMASKING OF
ROBERT-HOUDIN
———
CHAPTER I
SIGNIFICANT EVENTS IN THE LIFE OF ROBERT-HOUDIN
ROBERT-HOUDIN was born in Blois, France, December 6th, 1805. His real name was Jean-Eugene Robert, and his father was Prosper Robert, a watchmaker in moderate circumstances. His mother’s maiden name was Marie Catherine Guillon. His first wife was Josephe Cecile Eglantine Houdin, whose family name he assumed for business reasons. He was married the second time to Françoise Marguerite Olympe Naconnier. His death, caused by pneumonia, occurred at St. Gervais, France, on June 13th, 1871.
Barring the above facts, which were gleaned from the register of the civil authorities of St. Gervais, all information regarding his life previous to his first public appearance in 1844 must be drawn from his own works, particularly from his autobiography, published in the form of “Memoirs.” Because