The keeper looked at me and smiled. He nodded his head towards the peacock, saying:
“Hark at that damned thing!”
Again the bird lifted its crested head and gave a cry, at the same time turning awkwardly on its ugly legs, so that it showed us the full wealth of its tail glimmering like a stream of coloured stars over the sunken face of the angel.
“The proud fool! — look at it! Perched on an angel, too, as if it were a pedestal for vanity. That’s the soul of a woman — or it’s the devil.”
He was silent for a time, and we watched the great bird moving uneasily before us in the twilight.
“That’s the very soul of a lady,” he said, “the very, very soul. Damn the thing, to perch on that old angel. I should like to wring its neck.”
Again the bird screamed, and shifted awkwardly on its legs; it seemed to stretch its beak at us in derision. Annable picked up a piece of sod and flung it at the bird, saying:
“Get out, you screeching devil! God!” he laughed. “There must be plenty of hearts twisting under here”— and he stamped on a grave —“when they hear that row.”
He kicked another sod from a grave and threw at the big bird. The peacock flapped away, over the tombs, down the terraces.
“Just look!” he said, “the miserable brute has dirtied that angel. A woman to the end, I tell you, all vanity and screech and defilement.”
He sat down on a vault and lit his pipe. But before he had smoked two minutes, it was out again. I had not seen him in a state of perturbation before.
“The church,” said I, “is rotten. I suppose they’ll stand all over the country like this soon — with peacocks trailing the graveyards.”
“Ay,” he muttered, taking no notice of me.
“This stone is cold,” I said, rising.
He got up too, and stretched his arms as if he were tired. It was quite dark, save for the waxing moon which leaned over the east.
“It is a very fine night,” I said. “Don’t you notice a smell of violets?”
“Ay! The moon looks like a woman with child. I wonder what Time’s got in her belly.”
“You?” I said. “You don’t expect anything exciting, do you?”
“Exciting! — No — about as exciting as this rotten old place — just rot off — Oh, my God! — I’m like a good house, built and finished, and left to tumble down again with nobody to live in it.”
“Why — what’s up — really?”
He laughed bitterly, saying, “Come and sit down.”
He led me off to a seat by the north door, between two pews, very black and silent. There we sat, he putting his gun carefully beside him. He remained perfectly still, thinking.
“Whot’s up?” he said at last. “Why — I’ll tell you. I went to Cambridge — my father was a big cattle dealer — he died bankrupt while I was in college, and I never took my degree. They persuaded me to be a parson, and a parson I was.
“I went a curate to a little place in Leicestershire — a bonnie place with not many people, and a fine old church, and a great rich parsonage. I hadn’t overmuch to do, and the rector — he was the son of an earl — was generous. He lent me a horse and would have me hunt like the rest. I always think of that place with a smell of honeysuckle while the grass is wet in the morning. It was fine, and I enjoyed myself, and did the parish work all right. I believe I was pretty good.
“A cousin of the rector’s used to come in the hunting season — a Lady Crystabel, lady in her own right. The second year I was there she came in June. There wasn’t much company, so she used to talk to me — I used to read then — and she used to pretend to be so childish and unknowing, and would get me telling her things, and talking to her, and I was hot on things. We must play tennis together, and ride together, and I must row her down the river. She said we were in the wilderness and could do as we liked. She made me wear flannels and soft clothes. She was very fine and frank and unconventional — ripping, I thought her. All the summer she stopped on. I should meet her in the garden early in the morning when I came from a swim in the river — it was cleared and deepened on purpose — and she’d blush and make me talk with her. I can remember I used to stand and dry myself on the bank full where she might see me — I was mad on her — and she was madder on me.
“We went to some caves in Derbyshire once, and she would wander from the rest, and loiter, and, for a game, we played a sort of hide and seek with the party. They thought we’d gone, and they went and locked the door. Then she pretended to be frightened and clung to me, and said what would they think, and hid her face in my coat. I took her and kissed her, and we made it up properly. I found out afterwards — she actually told me — she’d got the idea from a sloppy French novel — the Romance of a Poor Young Man. I was the Poor Young Man.
“We got married. She gave me a living she had in her parsonage, and we went to live at her Hall. She wouldn’t let me out of her sight. Lord! — we were an infatuated couple — and she would choose to view me in an aesthetic light. I was Greek statues for her, bless you: Croton, Hercules, I don’t know what! She had her own way too much — I let her do as she liked with me.
“Then gradually she got tired — it took her three years to be really glutted with me. I had a physique then — for that matter, I have now.”
He held out his arm to me, and bade me try his muscle. I was startled. The hard flesh almost filled his sleeve.
“Ah,” he continued, “you don’t know what it is to have the pride of a body like mine. But she wouldn’t have children — no, she wouldn’t — said she daren’t. That was the root of the difference at first. But she cooled down, and if you don’t know the pride of my body you’d never know my humiliation. I tried to remonstrate — and she looked simply astounded at my cheek. I never got over that amazement.
“She began to get souly. A poet got hold of her, and she began to affect Burne-Jones — or Waterhouse — it was Waterhouse — she was a lot like one of his women — Lady of Shalott, I believe. At any rate, she got souly, and I was her animal — son animal — son bceuf. I put up with that for above a year. Then I got some servants’ clothes and went.
“I was seen in France — then in Australia — though I never left England. I was supposed to have died in the bush. She married a young fellow. Then I was proved to have died, and I read a little obituary notice on myself in a woman’s paper she subscribed to. She wrote it herself — as a warning to other young ladies of position not to be seduced by plausible ‘Poor Young Men’.
“Now she’s dead. They’ve got the paper — her paper — in the kitchen down there, and it’s full of photographs, even an old photo of me —‘an unfortunate misalliance’. I feel, somehow, as if I were at an end too. I thought I’d grown a solid, middle-aged man, and here I feel sore as I did at twenty-six, and I talk as I used to.
“One thing — I have got some children, and they’re of a breed as you’d not meet anywhere. I was a good animal before everything, and I’ve got some children.”
He sat looking up where the big moon swam through the black branches of the yew.
“So