At this point, my reflections were broken in upon by Mrs. Hornby, who grasped my arm and uttered a deep groan. We had reached the corner of the Old Bailey, and before us were the frowning walls of Newgate. Within those walls, I knew—though I did not mention the fact—that Reuben Hornby was confined with the other prisoners who were awaiting their trial; and a glance at the massive masonry, stained to a dingy grey by the grime of the city, put an end to my speculations and brought me back to the drama that was so nearly approaching its climax.
Down the old thoroughfare, crowded with so many memories of hideous tragedy; by the side of the gloomy prison; past the debtors' door with its forbidding spiked wicket; past the gallows gate with its festoons of fetters; we walked in silence until we reached the entrance to the Sessions House.
Here I was not a little relieved to find Thorndyke on the look-out for us, for Mrs. Hornby, in spite of really heroic efforts to control her emotion, was in a state of impending hysteria, while Juliet, though outwardly calm and composed, showed by the waxen pallor of her cheeks and a certain wildness of her eyes that all her terror was reviving; and I was glad that they were spared the unpleasantness of contact with the policemen who guarded the various entrances.
"We must be brave," said Thorndyke gently, as he took Mrs. Hornby's hand, "and show a cheerful face to our friend who has so much to bear and who bears it so patiently. A few more hours, and I hope we shall see restored, not only his liberty, but his honour. Here is Mr. Anstey, who, we trust, will be able to make his innocence apparent."
Anstey, who, unlike Thorndyke, had already donned his wig and gown, bowed gravely, and, together, we passed through the mean and grimy portals into a dark hall. Policemen in uniform and unmistakable detectives stood about the various entries, and little knots of people, evil-looking and unclean for the most part, lurked in the background or sat on benches and diffused through the stale, musty air that distinctive but indescribable odour that clings to police vans and prison reception rooms; an odour that, in the present case, was pleasantly mingled with the suggestive aroma of disinfectants. Through the unsavoury throng we hurried, and up a staircase to a landing from which several passages diverged. Into one of these passages—a sort of "dark entry," furnished with a cage-like gate of iron bars—we passed to a black door, on which was painted the inscription, "Old Court. Counsel and clerks."
Anstey held the door open for us, and we passed through into the court, which at once struck me with a sense of disappointment. It was smaller than I had expected, and plain and mean to the point of sordidness. The woodwork was poor, thinly disguised by yellow graining, and slimy with dirt wherever a dirty hand could reach it. The walls were distempered a pale, greenish grey; the floor was of bare and dirty planking, and the only suggestions of dignity or display were those offered by the canopy over the judge's seat—lined with scarlet baize and surmounted by the royal arms—the scarlet cushions of the bench, and the large, circular clock in the gallery, which was embellished with a gilded border and asserted its importance by a loud, aggressive tick.
Following Anstey and Thorndyke into the well of the court, we were ushered into one of the seats reserved for counsel—the third from the front—where we sat down and looked about us, while our two friends seated themselves in the front bench next to the central table. Here, at the extreme right, a barrister—presumably the counsel for the prosecution—was already in his place and absorbed in the brief that lay on the desk before him. Straight before us were the seats for the jury, rising one above the other, and at their side the witness-box. Above us on the right was the judge's seat, and immediately below it a structure somewhat resembling a large pew or a counting-house desk, surmounted by a brass rail, in which a person in a grey wig—the clerk of the court—was mending a quill pen. On our left rose the dock—suggestively large and roomy—enclosed at the sides with high glazed frames; and above it, near the ceiling, was the spectators' gallery.
"What a hideous place!" exclaimed Juliet, who separated me from Mrs. Hornby. "And how sordid and dirty everything looks!"
"Yes," I answered. "The uncleanness of the criminal is not confined to his moral being; wherever he goes, he leaves a trail of actual, physical dirt. It is not so long ago that the dock and the bench alike used to be strewn with medicinal herbs, and I believe the custom still survives of furnishing the judge with a nosegay as a preventive of jail-fever."
"And to think that Reuben should be brought to a place like this!" Juliet continued bitterly; "to be herded with such people as we saw downstairs!"
She sighed and looked round at the benches that rose behind us, where a half-dozen reporters were already seated and apparently in high spirits at the prospect of a sensational case.
Our conversation was now interrupted by the clatter of feet on the gallery stairs, and heads began to appear over the wooden parapet. Several junior counsel filed into the seats in front of us; Mr. Lawley and his clerk entered the attorney's bench; the ushers took their stand below the jury-box; a police officer seated himself at a desk in the dock; and inspectors, detectives and miscellaneous officers began to gather in the entries or peer into the court through the small glazed openings in the doors.
The Finger-Print Experts
The hum of conversation that had been gradually increasing as the court filled suddenly ceased. A door at the back of the dais was flung open; counsel, solicitors, and spectators alike rose to their feet; and the judge entered, closely followed by the Lord Mayor, the sheriff, and various civic magnates, all picturesque and gorgeous in their robes and chains of office. The Clerk of Arraigns took his place behind his table under the dais; the counsel suspended their conversation and fingered their briefs; and, as the judge took his seat, lawyers, officials, and spectators took their seats, and all eyes were turned towards the dock.
A few moments later Reuben Hornby appeared in the enclosure in company with a warder, the two rising, apparently, from the bowels of the earth, and, stepping forward to the bar, stood with a calm and self-possessed demeanour, glancing somewhat curiously around the court. For an instant his eye rested upon the group of friends and well-wishers seated behind the counsel, and the faintest trace of a smile appeared on his face; but immediately he turned his eyes away and never again throughout the trial looked in our direction.
The Clerk of Arraigns now rose and, reading from the indictment which lay before him on the table, addressed the prisoner—
"Reuben Hornby, you stand indicted for that you did, on the ninth or tenth day of March, feloniously steal a parcel of diamonds of the goods and chattels of John Hornby. Are you guilty or not guilty?"
"Not guilty," replied Reuben.
The Clerk of Arraigns, having noted the prisoner's reply, then proceeded—
"The gentlemen whose names are about to be called will form the jury who are to try you. If you wish to object to any of them, you must do so as each comes to the book to be sworn, and before he is sworn. You will then be heard."
In acknowledgment of this address, which was delivered in clear, ringing tones, and with remarkable distinctness, Reuben bowed to the clerk, and the process of swearing-in the jury was commenced, while the counsel opened their briefs and the judge conversed facetiously with an official in a fur robe and a massive neck chain.
Very strange, to unaccustomed eyes and ears, was the effect of this function—half solemn and half grotesque, with an effect intermediate between that of a religious rite and that of a comic opera. Above the half-suppressed hum of conversation the clerk's voice arose at regular intervals, calling out the name of one of the jurymen, and, as its owner stood up, the court usher, black-gowned and sacerdotal of aspect, advanced and proffered the book. Then, as the juryman took the volume in his hand, the voice of the usher resounded through the court like that of a priest intoning some refrain or antiphon—an effect that was increased by the rhythmical and archaic character of the formula—
"Samuel Seppings!"
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