“Yes; I think, now that you describe him, I must have seen him,” she murmured; while a curious alarm mounted in her, an alarm that none of Rhoda’s more characteristic circle had aroused. “He wasn’t living by a formula of freedom,” she reflected. “And he wasn’t arid.” Aloud she said, “He looked a nice young creature, I remember.”
“He writes horrible poems, Amy says; blasphemous. There they are. I can’t understand them. He casts down everything; has no beliefs of any kind. Nice? I should think that’s the last adjective that would describe him.”
She had picked up the unobtrusive volume and found herself arrested; not as she had been by the memory of the young man’s gaze, nor yet in the manner that Tim’s account indicated; but still arrested. Very young—but austere, dignified, and strange, genuinely and effortlessly strange. So a young priest might have written, seeking in close-pressed metaphysical analogies to find expression for spiritual passion. She stood, puzzled and absorbed.
“No, it isn’t blasphemous,” she said presently. “And he has beliefs. But surely, Tim dear, surely this young man can’t care for Rhoda.”
How could a young man who wrote like that about the mystic vision care for Rhoda?
“Not care for Rhoda!” Tim’s voice had now the quaintest ring of paternal resentment. “The most beautiful young woman in London! Why, he’s head over heels in love with her. And the worst of it is that, from what Amy sees and hears, she cares for him.”
“It’s curious,” Mrs. Delafield said, laying down the book. “I shouldn’t have thought he’d care about beautiful young women.”
And now Tim’s letter, on this December morning, announced that Rhoda had gone off with Christopher Darley; and Mrs. Delafield could find it in her heart, as she worked and pondered, to wish that her dear Tim had followed Frances before this catastrophe overtook him.
“Good heavens!” she heard herself muttering, “if only she’d been meaner, more cowardly, and stayed and lied—as women of her kind are supposed to do. If only she’d let him die in peace; he can’t have many years.”
But no: it had been done with le beau geste. Tim had known nothing, and poor Niel, home for his first peace leave, had come to him, bewildered and aghast, with the news. He had found a letter waiting for him, sent from the country. Tim copied the letter for her:—
DEAR NIEL:
I’m sure you felt, too, that our life couldn’t go on. It had become too unsatisfactory for both of us. Luckily we are sensible people nowadays, and such mistakes can be remedied. You must mend your life as I am mending mine. I am leaving you, with Christopher Darley. I am so sorry if it seems sudden; but I felt it better that we should not meet again.
Yours affectionately
RHODA
“If only the poet hadn’t had money, too!” Mrs. Delafield had thought. For this fact she had learned about Mr. Darley in London. Rhoda would never have abandoned that drawing-room had she not been secure of another as good.
Tim wrote that nothing could have been manlier, more generous, than Niel’s behaviour. He was willing, for the sake of the child, to take Rhoda back, reinstate her, and protect her from the consequences of her act; and what Tim now begged of his sister was that she should see Rhoda, see if, confronting her, she could not induce her to return to her husband. Meanwhile Jane Amoret would be dispatched at once with her nurse to Fernleigh. Tim had written to his child in her retreat, and had implored her to go to her aunt. “I told her that you would receive her, Isabel,” so Tim’s letter ended; “and I trust you now to save us—as far as we can be saved. Tell her that her husband will forgive, and that I forgive, if she will return. Let her see the child. Let that be your appeal.”
Poor, darling Tim! Very mid-Victorian. “Forgive.” Would “receive” her. The words had an antediluvian ring. With what battledore and shuttle-cock of mirth and repartee they would be sent sailing and spinning in Rhoda’s world. All the same, she, who was mid-Victorian in seeming rather than in reality, would make other appeals, if Rhoda came. Already she could almost count the steady heads of her intentions thrusting up as if through the ground. Even in Rhoda’s world repartee and mirth might be displayed rather than acted upon, and Rhoda might find herself, as a result of le beau geste, less favourably placed for the creation of another drawing-room than she imagined. That, of course, was the line to take with Rhoda; and as she reflected, carefully now, on what she would say to her—as she determined that Rhoda should not leave her until she had turned her face firmly homeward—the sound of wheels came up the road, and outside the high walls she heard the station fly drawing up at her gates. In another moment she was welcoming Jane Amoret and her nurse.
III
SHE had not seen the child for five months now, and her first glance at her, for all its sweetness, brought something of a shock, revealing as it did how deeply she cared for the little creature. She was not a child-lover, not undiscriminatingly fond of all examples of the undeveloped, though her kind solicitude might have given her that appearance. Children had always affected her, from the cradle, as personalities; and some, like the mature, were lovable and some the reverse. Jane Amoret had already paid her more than one visit—she had been more than willing that Rhoda should find her a convenience in this respect; and she had, from the first, found her lovable. But the five months had brought much more to the mere charm of babyhood. She was now potent and arresting in her appeal and dignity. She sat in her nurse’s arms, her eyes fixed on her great-aunt, and, as Mrs. Delafield held out her hands to her, she unhesitatingly, if unsmilingly, answered, leaning forward to be taken.
She was a pale, delicate baby, her narrow little face framed in straightly cut dark hair, her mournful little lips only tinted with a rosy mauve; and, under long, fine brows, her great eyes were full of meditativeness. Rhoda, though now so richly a brunette, had, as a baby, been ruddy-haired and rosy-cheeked, with eyes of a velvety, submerging darkness. Jane Amoret’s grey iris rayed out from the expanded pupil like the corolla of a flower. There was no likeness between the child and her mother. Nor was there anything of Niel’s sleepy young countenance, with its air of still waters running shallow.
Mrs. Delafield, something of a student of heredity, saw in the little face an almost uncanny modern replica of her own paternal grandmother, whose pensive gaze, under high-dressed powdered hair, had followed her down the drawing-room in the home of her childhood. In Jane Amoret she recovered the sense of that forgotten romance of her youth—the wonderful, beautiful great-grandmother with the following eyes. Had they not, even then, been asking something of her?
“It isn’t everyone she’ll go to, ma’am,” said the nurse, as they went up the path to the house, Mrs. Delafield carrying Jane Amoret.
Nurse was a highly efficient example of her type—crisp, cheerful, a little glib. Mrs. Delafield had never warmly liked her, and felt convinced now, that in spite of her decorous veneer of reticence, the servants' hall would be enlightened as to the whole story before many hours were over. Well, it could not be helped.
They went up to the big nursery overlooking the walled garden at the back of the house, where, since the morning’s post and its announcements, a great fire of logs had been blazing. Nurse made but one respectful, passing reference to Rhoda. The country air would do Lady Quentyn good. She had, nurse thought, over-tired herself of late. What else she thought, Parton and the others were soon to hear hinted. And as Rhoda’s calculated maternity had chilled her aunt on that day five months ago, so she was chilled now to think that Rhoda should have had more taste in the choice of her drawing-room than in that of her baby’s nurse.
While, in the next room, the unpleasing woman was unpacking her own and Jane Amoret’s effects, Mrs. Delafield was