“Then—you’ll see at a glance
“I’ll need some funeral ushers with St. Vitus dance
At the end of the world I’ll——”
The bassoon and two cellos crashed into a final chord. She paused and poised a moment on her toes with every muscle tense, her young face looking out dully at the audience in what one young girl afterward called “such a curious, puzzled look,” and then without bowing rushed from the stage. Into the dressing-room she sped, kicked out of one dress and into another, and caught a taxi outside.
Her apartment was very warm—small, it was, with a row of professional pictures and sets of Kipling and O. Henry which she had bought once from a blue-eyed agent and read occasionally. And there were several chairs which matched, but were none of them comfortable, and a pink-shaded lamp with blackbirds painted on it and an atmosphere of other stifled pink throughout. There were nice things in it—nice things unrelentingly hostile to each other, offspring of a vicarious, impatient taste acting in stray moments. The worst was typified by a great picture framed in oak bark of Passaic as seen from the Erie Railroad—altogether a frantic, oddly extravagant, oddly penurious attempt to make a cheerful room. Marcia knew it was a failure.
Into this room came the prodigy and took her two hands awkwardly.
“I followed you this time,” he said.
“Oh!”
“I want you to marry me,” he said.
Her arms went out to him. She kissed his mouth with a sort of passionate wholesomeness.
“There!”
“I love you,” he said.
She kissed him again and then with a little sigh flung herself into an armchair and half lay there, shaken with absurd laughter.
“Why, you infant prodigy!” she cried.
“Very well, call me that if you want to. I once told you that I was ten thousand years older than you—I am.”
She laughed again.
“I don’t like to be disapproved of.”
“No one’s ever going to disapprove of you again.”
“Omar,” she asked, “why do you want to marry me?”
The prodigy rose and put his hands in his pockets.
“Because I love you, Marcia Meadow.”
And then she stopped calling him Omar.
“Dear boy,” she said, “you know I sort of love you. There’s something about you—I can’t tell what—that just puts my heart through the wringer every time I’m round you. But honey—” She paused.
“But what?”
“But lots of things. But you’re only just eighteen, and I’m nearly twenty.”
“Nonsense!” he interrupted. “Put it this way—that I’m in my nineteenth year and you’re nineteen. That makes us pretty close—without counting that other ten thousand years I mentioned.”
Marcia laughed.
“But there are some more ‘buts.’ Your people——
“My people!” exclaimed the prodigy ferociously. “My people tried to make a monstrosity out of me.” His face grew quite crimson at the enormity of what he was going to say. “My people can go way back and sit down!”
“My heavens!” cried Marcia in alarm. “All that? On tacks, I suppose.”
“Tacks—yes,” he agreed wildly—“on anything. The more I think of how they allowed me to become a little dried-up mummy——”
“What makes you thank you’re that?” asked Marcia quietly—“me?”
“Yes. Every person I’ve met on the streets since I met you has made me jealous because they knew what love was before I did. I used to call it the ‘sex impulse.’ Heavens!”
“There’s more ‘buts,’” said Marcia
“What are they?”
“How could we live?”
“I’ll make a living.”
“You’re in college.”
“Do you think I care anything about taking a Master of Arts degree?”
“You want to be Master of Me, hey?”
“Yes! What? I mean, no!”
Marcia laughed, and crossing swiftly over sat in his lap. He put his arm round her wildly and implanted the vestige of a kiss somewhere near her neck.
“There’s something white about you,” mused Marcia “but it doesn’t sound very logical.”
“Oh, don’t be so darned reasonable!”
“I can’t help it,” said Marcia.
“I hate these slot-machine people!”
“But we——”
“Oh, shut up!”
And as Marcia couldn’t talk through her ears she had to.
IV.
Horace and Marcia were married early in February. The sensation in academic circles both at Yale and Princeton was tremendous. Horace Tarbox, who at fourteen had been played up in the Sunday magazines sections of metropolitan newspapers, was throwing over his career, his chance of being a world authority on American philosophy, by marrying a chorus girl—they made Marcia a chorus girl. But like all modern stories it was a four-and-a-half-day wonder.
They took a flat in Harlem. After two weeks’ search, during which his idea of the value of academic knowledge faded unmercifully, Horace took a position as clerk with a South American export company—some one had told him that exporting was the coming thing. Marcia was to stay in her show for a few months—anyway until he got on his feet. He was getting a hundred and twenty-five to start with, and though of course they told him it was only a question of months until he would be earning double that, Marcia refused even to consider giving up the hundred and fifty a week that she was getting at the time.
“We’ll call ourselves Head and Shoulders, dear,” she said softly, “and the shoulders’ll have to keep shaking a little longer until the old head gets started.”
“I hate it,” he objected gloomily.
“Well,” she replied emphatically, “Your salary wouldn’t keep us in a tenement. Don’t think I want to be public—I don’t. I want to be yours. But I’d be a half-wit to sit in one room and count the sunflowers on the wall-paper while I waited for you. When you pull down three hundred a month I’ll quit.”
And much as it hurt his pride, Horace had to admit that hers was the wiser course.
March mellowed into April. May read a gorgeous riot act to the parks and waters of Manhatten, and they were very happy. Horace, who had no habits whatsoever—he had never had time to form any—proved the most adaptable of husbands, and as Marcia entirely lacked opinions on the subjects that engrossed him there were very few jottings and bumping. Their minds moved in different spheres. Marcia acted as practical factotum, and Horace lived either in his old world of abstract ideas or in a sort of triumphantly earthy worship and adoration of his wife. She was a continual source of astonishment to him—the freshness and originality