“So!” he said at last, wearily, “I do dream. I do, I do.” He sighed heavily. Then he added, sarcastically, “Were you interested?”
“No,” said I. “But you are out of your way surely. Which road did you want?”
“You want me to clear out,” he said.
“Well,” I said, laughing in deprecation, “I don’t mind your dreaming. But this is not the way to anywhere.”
“Where may you be going then?” he asked.
“I? Home,” I replied with dignity.
“You are a Beardsall?” he queried, eyeing me with bloodshot eyes.
“I am!” I replied with more dignity, wondering who the fellow could be.
He sat a few moments looking at me. It was getting dark in the wood. Then he took up an ebony stick with a gold head, and rose. The stick seemed to catch at my imagination. I watched it curiously as we walked with the old man along the path to the gate. We went with him into the open road. When we reached the clear sky where the light from the west fell full on our faces, he turned again and looked at us closely. His mouth opened sharply, as if he would speak, but he stopped himself, and only said, “Good-bye — Good-bye.”
“Shall you be all right?” I asked, seeing him totter. “Yes — all right — good-bye, lad.”
He walked away feebly into the darkness. We saw the lights of a vehicle on the high-road: after a while we heard the bang of a door, and a cab rattled away.
“Well — whoever’s he?” said George, laughing.
“Do you know,” said I, “it’s made me feel a bit rotten.”
“Ay?” he laughed, turning up the end of the exclamation with indulgent surprise.
We went back home, deciding to say nothing to the women. They were sitting in the window seat watching for us, Mother and Alice and Lettie.
“You have been a long time!” said Lettie. “We’ve watched the sun go down — it set splendidly — look — the rim of the hill is smouldering yet. What have you been doing?”
“Waiting till your Taurus finished work.”
“Now be quiet,” she said hastily, and — turning to him —“You have come to sing hymns?”
“Anything you like,” he replied.
“How nice of you, George!” exclaimed Alice, ironically. She was a short, plump girl, pale, with daring, rebellious eyes. Her mother was a Wyld, a family famous either for shocking lawlessness, or for extreme uprightness. Alice, with an admirable father, and a mother who loved her husband passionately, was wild and lawless on the surface, but at heart very upright and amenable. My mother and she were fast friends, and Lettie had a good deal of sympathy with her. But Lettie generally deplored Alice’s outrageous behaviour, though she relished it — if “superior” friends were not present. Most men enjoyed Alice in company, but they fought shy of being alone with her.
“Would you say the same to me?” she asked.
“It depends what you’d answer,” he said, laughingly.
“Oh, you’re so bloomin’ cautious. I’d rather have a tack in my shoe than a cautious man, wouldn’t you, Lettie?”
“Well — it depends how far I had to walk,” was Lettie’s reply —“but if I hadn’t to limp too far ——”
Alice turned away from Lettie, whom she often found rather irritating.
“You do look glum, Sybil,” she said to me, “did somebody want to kiss you?”
I laughed — on the wrong side, understanding her malicious feminine reference — and answered:
“If they had, I should have looked happy.”
“Dear boy, smile now then”— and she tipped me under the chin. I drew away.
“Oh, Gum — we are solemn! What’s the matter with you? Georgie — say something — else I’s’ll begin to feel nervous.”
“What shall I say?” he asked, shifting his feet and resting his elbows on his knees. “Oh, Lor!” she cried in great impatience. He did not help her, but sat clasping his hands, smiling on one side of his face. He was nervous. He looked at the pictures, the ornaments, and everything in the room; Lettie got up to settle some flowers on the mantelpiece, and he scrutinised her closely. She was dressed in some blue foulard stuff, with lace at the throat, and lace cuffs to the elbow. She was tall and supple; her hair had a curling fluffiness very charming. He was no taller than she, and looked shorter, being strongly built. He too had a grace of his own, but not as he sat stiffly on a horse-hair chair. She was elegant in her movements.
After a little while Mother called us in to supper.
“Come,” said Lettie to him, “take me in to supper.” He rose, feeling very awkward.
“Give me your arm,” said she to tease him. He did so, and flushed under his tan, afraid of her round arm half hidden by lace, which lay among his sleeve.
When we were seated she flourished her spoon and asked him what he would have. He hesitated, looked at the strange dishes, and said he would have some cheese. They insisted on his eating new, complicated meats.
“I’m sure you like tantafflins, don’t you, Georgie?” said Alice, in her mocking fashion. He was not sure. He could not analyse the flavours, he felt confused and bewildered even through his sense of taste! Alice begged him to have salad.
“No, thanks,” said he. “I don’t like it.”
“Oh, George!” she said. “How can you say so when I’m offering it you.”
“Well — I’ve only had it once,” said he, “and that was when I was working with Flint, and he gave us fat bacon and bits of lettuce soaked in vinegar —‘Ave a bit more salt,’ he kept saying, but I’d had enough.”
“But all our lettuce,” said Alice with a wink, “is as sweet as a nut, no vinegar about our lettuce.” George laughed in much confusion at her pun on my sister’s name.
“I believe you,” he said, with pompous gallantry.
“Think of that!” cried Alice. “Our Georgie believes me. Oh, I am so, so pleased!”
He smiled painfully. His hand was resting on the table, the thumb tucked tight under the fingers, his knuckles white as he nervously gripped his thumb. At last supper was finished, and he picked up his serviette from the floor and began to fold it. Lettie also seemed ill at ease. She had teased him till the sense of his awkwardness had become uncomfortable. Now she felt sorry, and a trifle repentant, so she went to the piano, as she always did to dispel her moods. When she was angry she played tender fragments of Tchaikovsky, when she was miserable, Mozart. Now she played Handel in a manner that suggested the plains of heaven in the long notes, and in the little trills as if she were waltzing up the ladder of Jacob’s dream like the damsels in Blake’s pictures. I often told her she flattered herself scandalously through the piano; but generally she pretended not to understand me, and occasionally she surprised me by a sudden rush of tears to her eyes. For George’s sake, she played Gounod’s “Ave Maria”, knowing that the sentiment of the chant would appeal to him, and make him sad, forgetful of the petty evils of this life. I smiled as I watched the cheap spell working. When she had finished, her fingers lay motionless for a minute on the keys, then she spun round, and looked him straight in the eyes, giving promise of a smile. But she glanced down at her knee.
“You are tired of music,” she said.
“No,” he replied, shaking his head.
“Like it better than salad?” she asked with a flash of raillery.
He